WWII WAR PICTURES

WWII War Pictures by British Artists, Morley Gallery, Morley College, 62 Westminster Bridge Road, London, SE1, until 23rd November 2016

James Hammond Harwood (1904-1980) Barrage Balloon, 1940 Framed (ref: 7674) Signed and dated Watercolour 14 ¼ x 17 ¼ in. (36 x 44 cm)

James Hammond Harwood (1904-1980)
Barrage Balloon, 1940
Framed (ref: 7674)
Signed and dated
Watercolour
14 ¼ x 17 ¼ in. (36 x 44 cm)

It is appropriate that Liss Llewellyn Fine Art should hold this exhibition at the Morley Gallery for the College had some very beautiful British murals which were destroyed in the Blitz during the Second World War.

Mary Adshead (1904 - 1995) Farmers ploughing, Study for The World's Food mural, c. 1942 Framed (ref: 5282) Signed, squared in pencil Watercolour over pencil 4 3/8 x 7 1/2 in. (12.2 x 19 cm)

Mary Adshead (1904 – 1995)
Farmers ploughing, Study for The World’s Food mural, c. 1942
Framed (ref: 5282)
Signed, squared in pencil
Watercolour over pencil
4 3/8 x 7 1/2 in. (12.2 x 19 cm)

In 1939 the Ministry of Information set up the War Artists Advisory Committee (WAAC) under the chairmanship of Kenneth Clark who was the National Gallery’s Director and the WAAC were asked to ‘draw up a list of artists qualified to record the war at home and abroad’. In the end some four hundred and three artists were commissioned to record all aspects of the War.

Hubert Arthur Finney (1905-1991) Self portrait, 1945 Framed (ref: 7654) Pastel, 17 5/8 x 14 1/8 in. (45 x 36 cm)

Hubert Arthur Finney (1905-1991)
Self portrait, 1945
Framed (ref: 7654)
Pastel,
17 5/8 x 14 1/8 in. (45 x 36 cm)

An eight volume series of pocket-sized pamphlets – War Pictures by British Artists – was published in two sets of four in 1942 (War at Sea, RAF, Army, and Blitz ) and 1943 (Soldiers, Production, Air Raids and Women) to great success despite the poor quality of the printing.  This exhibition includes many of these WAAC artworks as well as those produced by other artists and illustrators who were working privately.

Ethel Leontine Gabain (1883-1950) Captain Pauline Gower of the Women’s Air Transport Auxiliary Framed (ref: 7607) Lithographic print from the series Women’s Work in the War (Other than the Services), published by The Ministry of Information: His Majesty’s Stationery Office 14 7/8 x 19 3/4 in. (37.8 x 50.2 cm.) Reference: Wright supplement 314

Ethel Leontine Gabain (1883-1950)
Captain Pauline Gower of the Women’s Air Transport Auxiliary
Framed (ref: 7607)
Lithographic print from the series Women’s Work in the War (Other than the Services), published by The Ministry of Information: His Majesty’s Stationery Office
14 7/8 x 19 3/4 in. (37.8 x 50.2 cm.)
Reference: Wright supplement 314

The combination of these works provides us with an exhibition that embraces all aspects of the War and brings the period to life before our eyes.  It reminds us of the debt we owe those people in the forces and at home who did their bit unflinchingly. The exhibition is accompanied by an excellent catalogue.

James Walker Tucker ((1898-1972)) Letters from Home Framed (ref: 7671) Signed Watercolour on paper 14 ¼ x 20 ½ in. (36 x 52 cm)

James Walker Tucker ((1898-1972))
Letters from Home
Framed (ref: 7671)
Signed
Watercolour on paper
14 ¼ x 20 ½ in. (36 x 52 cm)

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James Woodford (1893–1976) Dawn Chorus, 1946-7 Unframed (ref: 7581) Original plaster maquette, with a dark green finish, signed and dated 1946-7, and (titled on a label) 17 x 16 ins. (43 x 40.5 cm)

James Woodford (1893–1976)
Dawn Chorus, 1946-7
Unframed (ref: 7581)
Original plaster maquette, with a dark green finish, signed and dated 1946-7, and (titled on a label)
17 x 16 ins. (43 x 40.5 cm)

A Gentle Reminder: Charles Cundall – A Working Method

Just to let you know that the exhibition can now be seen in London at Sotheran’s, 2-4 Sackville Street, London W1, 28th April – 7th May 2016

Dusk, Anticoli Corrado, 1921 Framed (ref: 44) Oil on canvas 16 1/2 x 11 in. ( 42 X 28 cm) Exhibited: - A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran's, April-May 2016. Literature: Charles Cundall - A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016. Provenance: the artist's wife, Jaqueline Pieterson Anticoli Corrado, a small village south of Rome, was famed for the beauty of its inhabitants and had, since the nineteenth century, been popular with Italian painters

Dusk, Anticoli Corrado, 1921
Framed (ref: 44)
Oil on canvas
16 1/2 x 11 in. ( 42 X 28 cm)
Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016.
Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.
Provenance: the artist’s wife, Jaqueline Pieterson
Anticoli Corrado, a small village south of Rome, was famed for the beauty of its inhabitants and had, since the nineteenth century, been popular with Italian painters

 

 

http://www.lissfineart.com

Charles Cundall – Salisbury & London

Charles Cundall – A Working Method, Young Gallery, Market Place, Salisbury SP1, until 21st April 2016  then at Sotheran’s, 2-4 Sackville Street, London W1,  28th April – 7th May 2016

Study for a painting of the Steel Company of Wales, Newport, circa 1958 Framed (ref: 4013) Oil on canvas 26 x 30 in. (66 x 76.2 cm) Provenance: Acquired directly from the Artist's Daughter Exhibited: - A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran's, April-May 2016. Literature: Charles Cundall - A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

Study for a painting of the Steel Company of Wales, Newport, circa 1958
Framed (ref: 4013)
Oil on canvas
26 x 30 in. (66 x 76.2 cm)
Provenance: Acquired directly from the Artist’s Daughter
Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016.
Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

Charles Cundall (1890-1971) was without doubt a talented and well-travelled artist.  He started as a designer at the Pilkington Pottery, before studying art at the Royal College of Art and then eventually at the Slade.  Panoramic pictures were one of his specialities and they reveal his skill in handling texture and light as well as depicting people.  He was also a war artist in World War II. We are fortunate that this exhibition is also coming to London in a week or two.

Lancaster Bombers Framed (ref: 6976) Watercolour on paper 9 ½ x 24 in. (24 x 61 cm) Provenance: Acquired directly from the Artist's Daughter Exhibited: - A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran's, April-May 2016. Literature: Charles Cundall - A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

Lancaster Bombers
Framed (ref: 6976)
Watercolour on paper
9 ½ x 24 in. (24 x 61 cm)
Provenance: Acquired directly from the Artist’s Daughter
Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016.
Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

http://www.lissfineart.com

The cattle market Orvieto, 1922 Framed (ref: 5225) Signed and dated 21 1/4 x 17 1/2 in. (54 x 44.5 cm) Provenance: Colnaglia & Obach Exhibited: - A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran's, April-May 2016. Literature: Charles Cundall - A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

The cattle market Orvieto, 1922
Framed (ref: 5225)
Signed and dated
21 1/4 x 17 1/2 in. (54 x 44.5 cm)
Provenance: Colnaglia & Obach
Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016.
Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.