Auction Alert: Rare Pair of Royal Sèvres Vases, Bonhams London, 14th June 2017

This pair is part of a group of thirteen vases which were made in 1778-1779 of either soft or hard paste. They are believed to have been a gift from Louis XVI to his sister-in-law the comtesse d’Artois. Both are decorated with Chinoiserie sea battles and on each vase a ship is depicted bearing a shield with the French Royal arms.

 They appear in Bonhams New Bond Street sale of Fine European Ceramics on June 14th:

 

A pair of Sèvres hard-paste vases, circa 1778
© Bonhams

217

A PAIR OF SÈVRES HARD-PASTE VASES, CIRCA 1778

Vases bouc du Barry, painted by Jean-Jacques Dieu with polychrome chinoiserie sea battles and flying insects, outlined in gilding, applied with gilt goat’s head handles, draped and tied goatskins below the scene and gilt flower garlands suspended from the necks, gilt collars around the necks and gilt borders to the moulded rims, 30cm high, crowned interlaced LL marks in red enclosing date letter AA (one smudged), painter’s mark for Dieu and gilder’s mark for Jean Chauvaux (le jeune) (one with a goat’s head horn replaced and two chips to foot) (2)

 

£70,000-90,000

 

Provenance:
William Stephen Poyntz (1770-1840), thence to his daughter;
Georgiana Elizabeth, Countess Spencer (nee Poyntz);
The Earls Spencer, Althorp, Northamptonshire;
London art market, from 1986 (according to Sassoon, see below Literature)

Literature:
R.J. Charleston, Sèvres and Other French Porcelain in Earl Spencer’s Collection at Althorp, in The Connoisseur 173 (February, 1970), pp. 77-86, fig. 11;
R. Savill, A Pair of Sèvres Vases: From the Collection of Sir Richard Wallace to the J. Paul Getty Museum, in The J. Paul Getty Museum Journal. vol. 14 (1986), p. 138;
S. Eriksen & G. de Bellaigue, Sèvres Porcelain – Vincennes and Sèvres 1740-1800 (1987), p. 331f, no. 142;
R. Savill, The Wallace Collection Catalogue of Sèvres Porcelain (1988), II, p. 625;
A. Sassoon, Vincennes and Sèvres Porcelain: Catalogue of the Collections, The J. Paul Getty Museum (1992), no. 23, n. 19

 

http://www.bonhams.com

From Versailles to Waddesdon

A Closer Look: Spotlight on French Royal Furniture by Jean-Henri Riesener (1734-1806) Waddesdon Manor, Aylesbury, Buckinghamshire until 23rd October 2016

Riesner Exhibition, The White Drawing Room, Waddesdon Manor. Photo Mike Fear (C) National Trust, Waddesdon Manor

Riesner Exhibition, The White Drawing Room, Waddesdon Manor.
Photo Mike Fear (C) National Trust, Waddesdon Manor

Among its treasures Waddesdon Manor has twelve pieces of furniture that were originally part of the furnishings at Versailles and many of them were made in the workshops of the celebrated royal cabinetmaker Jean-Henri Riesener (1734-1806) who worked for both Louis XVI and his wife Marie Antoinette.

Henri-François Riesener, Portrait of Jean-Henri Riesener, 1800; Waddesdon Manor, Photo Mike Fear © The National Trust, Waddesdon Manor

Henri-François Riesener,
Portrait of Jean-Henri Riesener, 1800;
Waddesdon Manor, Photo Mike Fear © The National Trust, Waddesdon Manor

This year two commodes which are normally in the Red Drawing Room are with a third Riesener commode the subject of a special display upstairs in the White Drawing Room. One was made for Louis XVI’s sister Madame Elisabeth, another for Louis XVI’s sister-in-law, the Comtesse de Provence and while the first owner of the third commode remains unknown it is very similar to one provided for Louis XVI’s study at the Petit Trianon.

Long-sayers cutting timber from L'Art du menuisier by André-Jacob Roubo (1739-1791), published between 1769-1774. Bibliothéque nationale de France, département Réserve des livres rares, V-3972

Long-sayers cutting timber from L’Art du menuisier by André-Jacob Roubo (1739-1791), published between 1769-1774. Bibliothéque nationale de France, département Réserve des livres rares, V-3972

 

'Fret-work' marquetry Jean-Henri Riesener, Chest of drawers, 1776. Photo Mike Fear © The National Trust, Waddesdon Manor

‘Fret-work’ marquetry Jean-Henri Riesener, Chest of drawers, 1776.
Photo Mike Fear © The National Trust, Waddesdon Manor

 

Engraving from Roubo's L'Art de Menuisier. Bibliothéque nationale de France, département Réserve des livres rares, V-3975 (1)

Engraving from Roubo’s L’Art de Menuisier.
Bibliothéque nationale de France, département Réserve des livres rares, V-3975 (1)

 

 

 

 

 

 

 

 

 

 

 

This fascinating display allows visitors to view these splendid pieces of furniture – originally intended for linens and clothes – from all angles.  One can truly appreciate the quality of their design, the marquetry inlays and the stunning gilt bronze mounts that make these such an important component in the design and furnishing of 18th century French rooms.

Riesener Exhibition, The White Drawing Room at Waddesdon Manor. Photo Stuart Bebb (c) National Trust, Waddesdon Manor

Riesener Exhibition, The White Drawing Room at Waddesdon Manor.
Photo Stuart Bebb (c) National Trust, Waddesdon Manor

http://www.waddesdon.org.uk

Jean-Henri Riesener, Chest of drawers, 1778. Photo Hugo Maertens © The National Trust, Waddesdon Manor

Jean-Henri Riesener, Chest of drawers, 1778.
Photo Hugo Maertens © The National Trust, Waddesdon Manor

 

Jean-Henri Riesener, Chest of drawers, 1776. Photo Hugo Maertens © The National Trust, Waddesdon (2)

Jean-Henri Riesener, Chest of drawers, 1776.
Photo Hugo Maertens © The National Trust, Waddesdon (2)

 

Jean-Henri Riesener, Chest of drawers, 1778; Photo Jérôme Letellier © The National Trust, Waddesdon Manor

Jean-Henri Riesener, Chest of drawers, 1778;
Photo Jérôme Letellier © The National Trust, Waddesdon Manor

BOOK REVIEW: A Day with Marie Antoinette

A Day with Marie Antoinette

 Hélène Delalex

Photography by Francis Hammond
 HC w/slipcase, 224 pp., 170 illus. 5 ½ × 9 in. (14 × 22.5 cm)
ISBN: 978-2-08-020210-9
£22.50

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Marie Antoinette has certainly cast a spell over succeeding generations and having seen a portrait of her by Liotard in the exhibition of his works at the Royal Academy last year I can understand why.  A daughter of the Empress Maria Theresa and the wife of Louis XVI she was a person who in turn received approbation, admiration, disapproval, hatred and eventually public execution.

This elegant book takes us into her world and helps us gain a clearer picture of her and her lifestyle.  She certainly was, like Diana, Princess of Wales, a queen of fashion and as her apartments at Versailles and in the Petit Trianon reveal a woman of great taste. When one considers the formality of court life where etiquette ruled every aspect of daily life from rising in the morning to retiring to bed one can understand her wish to escape to a less rigid life away from the Palace.

The beautiful photographs, extracts from her letters all aid us to get a closer glimpse of this fascinating subject and this book is the next best thing to actually meeting her in person.

 

editions.flammarion.com

REVOLUTIONARY ART

Revolution under a King: French Prints 1789-92, UCL Art Museum, South Cloisters, Wilkins Building, Gower Street, London, WC1, until 10th June 2016

Jean-Michel Moreau after Noël Le Mire, Louis Seize: Bonnet des Jacobins donné au Roi, le 6 Juin 1792, Copper Engraving, UCL Art Museum

Jean-Michel Moreau after Noël Le Mire,
Louis Seize: Bonnet des Jacobins donné au Roi, le 6 Juin 1792, Copper Engraving,
UCL Art Museum

 This is a delightful small exhibition that focuses on the period between the Fall of the Bastille on July 14th 1789 and the end of 1792.  This was a period when Louis XVI was still king but the old order was undergoing radical change that not only affected France but also caused concerns in the rest of Europe.  The prints are a wonderful record of what was happening in France in this short period as they give an easily understandable interpretation of the very complex issues involved.

Louis XVI was executed on 21st January, 1793.

For visitor information please go to 

http://www.ucl.ac.uk/museums/uclart/visit/exhibitions/Revolutionunderaking

 

 

Comix Creatrix: 100 Women Making Comics, House of Illustration, 2 Granary Square, King’s Cross London N1, until 15th May 2016

“Genesis 3” Alison Sampson © Alison Sampson Courtesy of the artist

“Genesis 3” Alison Sampson © Alison Sampson Courtesy of the artist

In some ways this exhibition might be described as “revolutionary” as it traces the emergence and work of female comic creators from the 19th century until the present day, but with an emphasis on the 21st century creators. Many of the works are having their first public airing.

“The Collector” Marion Fayolle © Marion Fayolle Courtesy of the artist

“The Collector” Marion Fayolle © Marion Fayolle Courtesy of the artist

houseofillustration.org.uk

The Comtesse de Provence’s Music Room

Harry Steen: Recent Paintings, Jonathan Cooper, Park Walk Gallery, 20 Park Walk, London SW10, 5th – 28th November 2015

 Round Room, by Harry Steen. Oil on board, 18 x 16ins (45.7 x 40.6cm)

Round Room, by Harry Steen. Oil on board, 18 x 16ins (45.7 x 40.6cm)

This painting caught my eye among the sixteen new works on show in this new exhibition by the Canadian artist Harry Steen.  His inspiration for it was the Music Room in the Pavillon de Musique de Madame which was built for the Comtesse de Provence (Louis XVI’s sister-in-law) near Versailles in 1780.

Steen is a painter of style, elegance and imagination as this show amply proves.

 

http://www.jonathancooper.co.uk

Waddesdon Manor – The Riches Of The Earth

The Riches Of The Earth, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, until 25th October 2015

 

Guillaume Beneman, writing table, 1786;  oak carcass; veneered with purpleheart; with sycamore, ebony, boxwood and casuarina wood marquetry, gilt-bronze mounts and a leather top; 790 x 1902 x 895mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2575.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Guillaume Beneman, writing table, 1786;
oak carcass; veneered with purpleheart; with sycamore, ebony, boxwood and casuarina wood marquetry, gilt-bronze mounts and a leather top; 790 x 1902 x 895mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2575.
Photo: Mike Fear © The National Trust, Waddesdon Manor

Over the coming weeks I shall be writing from time to time about this spectacular Rothschild house which I first visited some fifty years ago and to which I always look forward to returning to whenever possible.

Beauvais, designed by François Boucher, Fontaine d’Amour, 1755-1775;  wool and silk; 3365 x 3469mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2438.3.  Photo: P J Gates © The National Trust, Waddesdon Manor

Beauvais, designed by François Boucher, Fontaine d’Amour, 1755-1775;
wool and silk; 3365 x 3469mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2438.3.
Photo: P J Gates © The National Trust, Waddesdon Manor

The collections whether paintings, furniture, porcelain, books or textiles are really superb and as a “themed exhibition” this year the visitors attention is drawn to the works and interior features that reflect the wealth of the earth be it as clay, wood, metals, marble or the plants and minerals used for dyes in textiles. You will follow a special trail through the house to a display in the Exhibition Room upstairs.

Chandelier (detail), late 17th century- early 18th century; France; steel, rock crystal and cut glass; Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2741.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Chandelier (detail), late 17th century- early 18th century; France; steel, rock crystal and cut glass; Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2741.
Photo: Mike Fear © The National Trust, Waddesdon Manor

Shown here is just a small selection that celebrates not only the gifts of the earth but also the family’s collecting over the years.

Table, c 1710-1720; Augsburg, Germany; wood, metal, tortoiseshell;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc.no. 2227.1.  Photo: John Bigelow Taylor © The National Trust, Waddesdon Manor

Table, c 1710-1720; Augsburg, Germany; wood, metal, tortoiseshell;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc.no. 2227.1.
Photo: John Bigelow Taylor © The National Trust, Waddesdon Manor

 

Four large panels symbolising the seasons (detail); 1720-1750;  France; oak;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 3565.7.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Four large panels symbolising the seasons (detail); 1720-1750;
France; oak;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 3565.7.
Photo: Mike Fear © The National Trust, Waddesdon Manor

 

Pot-pourri vase, Sèvres Manufactory, 1761,  Waddesdon, The Rothschild Collection (The National Trust). Bequest of James de Rothschild, 1957.  Photo: Hugo Maertens © The National Trust, Waddesdon Manor

Pot-pourri vase, Sèvres Manufactory, 1761,
Waddesdon, The Rothschild Collection (The National Trust). Bequest of James de Rothschild, 1957.
Photo: Hugo Maertens © The National Trust, Waddesdon Manor

 

Joshua Reynolds, Lady Anne Luttrell, The Duchess of Cumberland (1743-1809), 1772-1773;  oil on canvas; 2490 x 1620mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2303  © The National Trust, Waddesdon Manor

Joshua Reynolds, Lady Anne Luttrell, The Duchess of Cumberland (1743-1809), 1772-1773;
oil on canvas; 2490 x 1620mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2303
© The National Trust, Waddesdon Manor

 

Savonnerie, Duvivier workshop, carpet, 1753-1757;  wool; 312 x 285cm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2757.  Photo: © The National Trust, Waddesdon Manor

Savonnerie, Duvivier workshop, carpet, 1753-1757;
wool; 312 x 285cm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2757.
Photo: © The National Trust, Waddesdon Manor

Lastly a view of the Grey Drawing Room which I am sure will give a very clear view of what makes this such a special place. Indeed I am tempted to paraphrase Dr Johnson and say that when one is tired of Waddesdon, one is tired of life. I most certainly look forward to my next visit.

The Grey Drawing Room, Waddesdon Manor, The Rothschild Collection (The National Trust). ©The National Trust, Waddesdon Manor

The Grey Drawing Room, Waddesdon Manor, The Rothschild Collection (The National Trust).
©The National Trust, Waddesdon Manor

www.waddesdon.org.uk

BOOK REVIEW – Versailles

A Day at Versailles

Yves Carlier, photography by Francis Hammond

Flammarion; Box edition

ISBN-10: 2080301438

ISBN-13: 978-2080301437

£22.50

Day%20at%20Versailles%20cover

This elegantly slip-covered book reveals some of the elegant interiors and ravishing objects found within this legendary, must-see palace of the French kings. It also shows the glories of the gardens, the Petit Trianon and the dairy farm created as an escape from court life by Marie Antoinette. It’s a delight of a book that you will dip into time and again.

The Grand Perspective viewed from the central window of the Hall of Mirrors. p.43:  © Francis Hammond

The Grand Perspective viewed from the central window of the Hall of Mirrors.
p.43:
© Francis Hammond