Tag Archives: Maiolica

Early Maiolica

Maiolica before Raphael, Sam Fogg, 15D Clifford Street, London, W1, 8th May – 16th June 2017

A three-colour jug showing a
half-length figure in profile
Florentine district, Montelupo or Bacchereto
c. 1420–40

It will come as no surprise that it has taken leading medieval art specialist and dealer Sam Fogg many years to bring together the more than forty examples of late-medieval and early Renaissance pieces of maiolica which make up this important exhibition. The first such show for a hundred years!

Large dish with a bust-length portrait
of a young man
Deruta
c. 1470–80

Most of use when thinking of maiolica bring to our mind the istoriato pieces with their decoration of mythological, historic or religious scenes but this exhibition reveals the earlier period before Raphael – the era of Donatello, Mantegna and Botticelli.

Large albarello with an owl and a stork
Montelupo
c. 1430–50

The tin white glaze applied to the earthenware pieces was decorated with motifs inspired by textiles, metalwork and the lusterware of Islamic Spain.  These were exciting and original and one can easily understand why some contemporary buyers valued them more highly than precious metals.

Inkstand with figures of the Virtues
Probably Faenza
c. 1480–90

The accompanying catalogue celebrates contemporary scholarship with a foreword by Timothy Wilson, and essays by Elisa Sani and Justin Raccanello which look at both the evolution of the pottery and the story of the collecting of Italian pre-Renaissance pottery up until the present day.

 

http://www.samfogg.com

‘Madonnas and Miracles’

‘Madonnas and Miracles: The Holy Home in Renaissance Italy’, The Fitzwilliam Museum, Trumpington Street, Cambridge, until 4th June 2017

The Christ Child, Italy, Camerino, c.1484–90 – during installation.
The silk velvet is Velluto Venezia by Rubelli.
Courtesy of Helen Edwards PR

This is a fascinating exhibition which reveals through both the fine and decorative arts a glimpse of life in Renaissance Italy.  Combining treasures from the museum’s own collections with those loaned from Europe, the US and Israel we see how important religion and devotion were in a world that we may often think as secular.

 

The Christ Child, Italy, Camerino, c.1484–90.
Photo: Nuns of Santa Chiara, Camerino.

Some of the works were to come from the Marche area of Italy which was affected by earthquakes last October and while it is has not been possible for some objects to be brought over as a result of it I am delighted to share images of this 15th century polychrome decorated wooden doll of the Christ Child with you because to me its survival is a miracle of some sort. It has not only survived through the centuries but also last year’s earthquake which reduced the Franciscan nunnery where it is kept to rubble.

 

The Christ Child, Italy, Camerino, c.1484–90 – during installation.
Courtesy of Helen Edwards PR

Images of the Madonna were an important feature in Italian homes in the Renaissance and her role as a mother was copied by many women who owned such dolls.  One other exhibit that particularly struck me was the set of knives whose blades are decorated with the notes and words for a four-part grace and nearby is a recording of it by members of the Choir of St John’s College, Cambridge.

The Viadana family prays to St Nicholas to save them from an earthquake, Italy, Le Marche, 16th century.
Tolentino, Museo di San Nicola.

The three groups of ex-voto paintings were way of giving thanks at shrines for what was deemed to be a miracle by the people or family concerned and I thought this one depicting a family praying for protection from an earthquake especially appropriate.

It is in its own special way a great exhibition.

 

http://www.fitzmuseum.cam.ac.uk/

http://www.rubelli.com