A Love Affair with France: The Elizabeth Stafford Collection, Christie’s New York 1st November 2018

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Mimi Stafford in the Dining Room of her New York apartment. © Christie’s Images Limited 2018

I have known of this remarkable collection for nearly two decades and have caught fleeting glimpses of it from time to time in exhibition catalogues and elsewhere, I just wish I could have had the opportunity to meet Mrs Stafford. However, now we have the chance to encounter her and her discerning eye in this sale and some of the more important pictures will appear in specialist sales either just before the 1st November or later in that month.

Claude Lorrain

CLAUDE GELLÉE, CALLED LORRAIN (CHAMPAGNE 1600-1682 ROME landscape with Apollo guarding the herds of Admetus and Mercury stealing them oil on canvas 20 x 27.1/8 in. (50.8 x 68.8 cm.) $700,000 – $1,000,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

Elizabeth (Mimi) and her husband Frederick collected across a wide spectrum as the 1966-67 exhibition of their collection – “Odyssey of an art collector: unity in diversity -5,000 years of art” – at the Isaac Delgado Museum in New Orleans showed. Indeed in May this year Christie’s sold Brancusi’s La Jeune fille sophistiquée (Nancy Cunard) for US$ 71 million. It had been bought by them from the artist in 1955.

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

Mimi’s abiding passion was the arts of 18th century France and it was this that formed the background to her daily life, first of all in a Maison Jansen designed apartment in Paris’s Avenue Foch and then later in a New York apartment that had been created for Mr and Mrs Robert R Young by Maison Jansen’s legendary Stéphane Boudin. Both apartments were the perfect backdrop for the paintings, porcelain, furniture and drawings she acquired with an unfailing eye. As her daughter E. Alexandra Stafford says in an interview with Christie’s that “the first questions new friends asked when they entered the apartment was how could she live in such a museum? As they hesitated before sitting down on the silk brocade-covered 18th-century gilded chaise à la Reine, she would answer: ‘No problem!’”

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Mimi Stafford’s Paris apartment. © Christie’s Images Limited 2018

That, of course, is how it should be as such things were made to be used and I am sure that Mimi Stafford would be excited and delighted that things she loved and cherished will be going on to new owners and enriching their lives.

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The niche in the Stéphane Boudin-designed New York apartment’s salon, or living room, displayed a selection of the Sèvres bleu céleste that forms the core of the porcelain collection — including an oval bottle cooler from the first service made for Louis XV. © Christie’s Images Limited 2018

 

Étienne Aubry

ÉTIENNE AUBRY (VERSAILLES 1745-1781 PARIS) ‘La Turque’, presumed portrait of Mademoiselle Duthé Oil on canvas 25 3/8 x 32 in. (64.3 x 81.3 cm.) $300,000 – 500,000 Old Masters, October 30 2018 © Christie’s Images Limited 2018

 

LOT 1229

Lot 1229 A LOUIS XV ENAMELLED GOLD CARNET DE BAL MARKED PARIS, 1773, WITH CHARGE MARK OF JULIEN ALATERRE, 1768-1775, AND DECHARGE MARK OF JEAN-BAPTISTE FOUACHE, 1775-1781 Rectangular with beaded borders, decorated with cornfower blue stripes, one side mounted with a miniature of a lady in white gown with gold embroidery, the other side with a locket of woven hair under a gold script monogram, the hinged cover mounted with gold words SOUVENIR D’AMITIE, interior ftted with gold pencil case 3 æ in. (95 mm.) high $4,000–6,000 © Christie’s Images Limited 2018

 

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Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1212

1212 JEAN-AUGUSTE-DOMINIQUE INGRES (MONTAUBAN 1780-1867 PARIS) Portrait of Mrs. Jean-Pierre Granger, née Marie-Jeanne-Catherine Delaigle signed and dated in graphite ‘Ingres/ à Rome 1811’ (lower right) graphite 10 x 7æ in. (25.4 x 19 cm.) $200,000–300,000 © Christie’s Images Limited 2018

 

LOT 1963

Lot 1063 A PAIR OF FRENCH ORMOLU-MOUNTED CHINESE PORCELAIN TWO-LIGHT CANDELABRA THE PORCELAIN QIANLONG, THE MOUNTS PROBABLY BY ESCALIER DE CRYSTAL, 19TH CENTURY Each with a blue-glazed Chinese porcelain parrot on a rock work base fanked by coral-form ormolu branches. 9æ in. ( 25 cm.) high (2) $7,000–10,000 © Christie’s Images Limited 2018

 

Pissarro - Neige, soleil couchant, Eragny

CAMILLE PISSARRO (1830-1903) Neige, soleil couchant, Eragny signed and dated ‘C. Pissarro 94’ (lower left) oil on canvas 24 x 32 1/2 in. Painted in 1894 $2,000,000-3,000,000 Impressionist & Modern Art Evening Sale, November 2018 © Christie’s Images Limited 2018

 

Stafford Paris Apartment

Mimi Stafford’s Paris apartment © Christie’s Images Limited 2018

 

LOT 1041

Lot 1041 JEAN-BAPTISTE CHARPENTIER (PARIS 1728-1806) Portrait of a man, traditionally said to be M. Larchey, son-in-law of the painter Jean-Baptiste Greuze, bust-length oil on panel, oval 7æ x 6Ω in. (19.7 x 16.5 cm.) $8,000–12,000 © Christie’s Images Limited 2018

 

Boudin Panel from New York apartment c1959

A panel from a set of boiserie installed by Stephane Boudin, circa 1959, 900 Fifth Avenue, New York City. © Christie’s Images Limited 2018

 

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UN MOMENT DE PERFECTION

UN MOMENT DE PERFECTION, Christie’s King Street, London, 3rd December, 2014

The Hallway, showing to the left of the mirrored doors: Lot 53 Christina Robertson (1796-1854) Portrait of Empress Alexandra Feodorovna of Russia, née Princess Charlotte of Prussia, three-quarter length, in an ermine-lined red mantle, in a park landscape signed 'C. Robertson Pinxit' (lower right) oil on canvas 50 7/8 x 38 7/8 in. (129 x 98 cm.) Estimate £30,000 - 50,000 CHRISTIE'S IMAGES LTD. 2014

The Hallway, showing to the left of the mirrored doors:
Lot 53
Christina Robertson (1796-1854)
Portrait of Empress Alexandra Feodorovna of Russia, née Princess Charlotte of Prussia, three-quarter length, in an ermine-lined red mantle, in a park landscape
signed ‘C. Robertson Pinxit’ (lower right)
oil on canvas
50 7/8 x 38 7/8 in. (129 x 98 cm.)
Estimate £30,000 – 50,000
CHRISTIE’S IMAGES LTD. 2014

There is really no other way in my mind to describe an interior by Maison Jansen, especially where it’s legendary director Stéphane Boudin and his successor Pierre Delbée were involved. The interiors from which this collection comes are a fine example of the firm’s work.

Interior View  CHRISTIE'S IMAGES LTD. 2014

Interior View
CHRISTIE’S IMAGES LTD. 2014

Jansen’s clients included the Duke and Duchess of Windsor, the Wrightsmans, the Agnellis, C Z Guest and President and Mrs Kennedy. I was fortunate enough early in my writing career to write about Boudin and the work he did for Lady Baillie at Leeds Castle and her London house and it was a fascinating exercise. I totally understood why she chose him to create the background for her life.

Lot 20 ONE OF A PAIR OF LATE LOUIS XVI ORMOLU SIX-LIGHT CANDELABRA ATTRIBUTED TO PIERRE GOUTHIERE CIRCA 1785-1790, POSSIBLY RETAILED BY DOMINIQUE DAGUERRE Each surmounted by a bouquet of rose stems from a flower and fruit-filled basket on a sphere-capped baluster issuing six scrolling horn-shaped branches on a circular plinth with palmette-cast frieze, the three supports headed by satyr masks and enclosing a suspended amphora to the centre, the base with griffin supports on a concave-sided tripartite base centred by Medusa masks to each side on fluted toupie feet, the rose stems late 18th century and possibly later embellishments 46 ½ in. (118 cm.) high; 16 in. (40.5 cm.) deep Estimate £350,000 - 500,000  CHRISTIE'S IMAGES LTD. 2014

Lot 20
ONE OF A PAIR OF LATE LOUIS XVI ORMOLU SIX-LIGHT CANDELABRA
ATTRIBUTED TO PIERRE GOUTHIERE CIRCA 1785-1790, POSSIBLY RETAILED BY DOMINIQUE DAGUERRE
Each surmounted by a bouquet of rose stems from a flower and fruit-filled basket on a sphere-capped baluster issuing six scrolling horn-shaped branches on a circular plinth with palmette-cast frieze, the three supports headed by satyr masks and enclosing a suspended amphora to the centre, the base with griffin supports on a concave-sided tripartite base centred by Medusa masks to each side on fluted toupie feet, the rose stems late 18th century and possibly later embellishments
46 ½ in. (118 cm.) high; 16 in. (40.5 cm.) deep
Estimate £350,000 – 500,000
CHRISTIE’S IMAGES LTD. 2014

Whatever the mise-en-scene Jansen were superb at incorporating their clients’ collections and advising them on suitable acquisitions. This sale contains some superb pieces of fine and decorative art, including two beautiful capricci of Rome by Hubert Robert, Italian commodes designed by Luigi Valadier and a superb pair of ormolu candelabra attributed to celebrated French ciseleur-doreur Pierre Gouthière.

Lot 30 ONE OF A PAIR OF ITALIAN NEOCLASSICAL ORMOLU-MOUNTED PADOUK, ROSEWOOD AND MARQUETRY COMMODES, ROME, CIRCA 1784-75, THE DESIGN AND MOUNTS BY LUIGI VALADIER Each with a green, grey and white striated marble top above an ormolu stiff-leaf moulded edge, above two drawers centred by classical mask handles within laurel wreaths within a guilloche border, the sides similarly inlaid and centred by a handle, on turned tapering fluted columnar legs and stiff-leaf sabots 37 ¼ in. (94.5 cm.) high; 52 ¾ in. (134 cm.) wide; 26 ¼ in. (66.5 cm.) deep, overall 36 in. (91 cm.) high; 52 in. (132 cm.) wide; 26 in. (66 cm.) deep. without marble Estimate £600,000 - 1,000,000  CHRISTIE'S IMAGES LTD. 2014

Lot 30
ONE OF A PAIR OF ITALIAN NEOCLASSICAL ORMOLU-MOUNTED PADOUK, ROSEWOOD AND MARQUETRY COMMODES, ROME, CIRCA 1784-75, THE DESIGN AND MOUNTS BY LUIGI VALADIER
Each with a green, grey and white striated marble top above an ormolu stiff-leaf moulded edge, above two drawers centred by classical mask handles within laurel wreaths within a guilloche border, the sides similarly inlaid and centred by a handle, on turned tapering fluted columnar legs and stiff-leaf sabots
37 ¼ in. (94.5 cm.) high; 52 ¾ in. (134 cm.) wide; 26 ¼ in. (66.5 cm.) deep, overall
36 in. (91 cm.) high; 52 in. (132 cm.) wide; 26 in. (66 cm.) deep. without marble
Estimate £600,000 – 1,000,000
CHRISTIE’S IMAGES LTD. 2014

There are many other beautiful things too that will inspire purchasers to buy a little piece of this superb lifestyle that Jansen created with their clients.

The Dining Room showing on the far wall: Lot 36 Hubert Robert (Paris 1733-1808) The Forum, Rome, with the Temple of Antoninus and Faustina and figures resting in the foreground; and the Forum, Rome, with the Temple of Saturn and figures conversing and resting by a sculpted vase oil on canvas 25¼ x 31 in. (64.2 x 78.5 cm.) (2) a pair Estimate £200,000 - 400,000 CHRISTIE'S IMAGES LTD. 2014

The Dining Room showing on the far wall:
Lot 36
Hubert Robert (Paris 1733-1808)
The Forum, Rome, with the Temple of Antoninus and Faustina and figures resting in the foreground; and the Forum, Rome, with the Temple of Saturn and figures conversing and resting by a sculpted vase
oil on canvas
25¼ x 31 in. (64.2 x 78.5 cm.)
(2) a pair
Estimate £200,000 – 400,000
CHRISTIE’S IMAGES LTD. 2014

See: Un Moment de Perfection: An Important Private Collection of French 18th Century Furniture and Old Master Paintings at http://www.christies.com