From Versailles to Masterpiece

MASTERPIECE LONDON 2015: From Versailles to Masterpiece

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The Antique Wine Company (AWC) is marking its twenty-fifth anniversary by unveiling a rather special wine case at the Fair. It is made from a three hundred and twenty year old oak tree from Versailles which is reputed to have been one of Marie Antoinette’s favourite trees.

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It became a victim of drought in 2005 and was felled, with the wood being purchased by Cordier Mestrezat of Bordeaux. Their craftsmen then designed and created this unique piece.

It contains four special bottles of wine which are rarely available on the open market –Château Petrus, Château Latour, Château d’Yquem and Domaine de la Romanée Conti La Tache – which are all 1990 vintage, reflecting the AWC’s special anniversary. A real connoisseur’s treat!

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http://www.awc-wine.com

http://www.masterpiecefair.com

Waddesdon Manor – The Riches Of The Earth

The Riches Of The Earth, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, until 25th October 2015

 

Guillaume Beneman, writing table, 1786;  oak carcass; veneered with purpleheart; with sycamore, ebony, boxwood and casuarina wood marquetry, gilt-bronze mounts and a leather top; 790 x 1902 x 895mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2575.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Guillaume Beneman, writing table, 1786;
oak carcass; veneered with purpleheart; with sycamore, ebony, boxwood and casuarina wood marquetry, gilt-bronze mounts and a leather top; 790 x 1902 x 895mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2575.
Photo: Mike Fear © The National Trust, Waddesdon Manor

Over the coming weeks I shall be writing from time to time about this spectacular Rothschild house which I first visited some fifty years ago and to which I always look forward to returning to whenever possible.

Beauvais, designed by François Boucher, Fontaine d’Amour, 1755-1775;  wool and silk; 3365 x 3469mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2438.3.  Photo: P J Gates © The National Trust, Waddesdon Manor

Beauvais, designed by François Boucher, Fontaine d’Amour, 1755-1775;
wool and silk; 3365 x 3469mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2438.3.
Photo: P J Gates © The National Trust, Waddesdon Manor

The collections whether paintings, furniture, porcelain, books or textiles are really superb and as a “themed exhibition” this year the visitors attention is drawn to the works and interior features that reflect the wealth of the earth be it as clay, wood, metals, marble or the plants and minerals used for dyes in textiles. You will follow a special trail through the house to a display in the Exhibition Room upstairs.

Chandelier (detail), late 17th century- early 18th century; France; steel, rock crystal and cut glass; Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2741.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Chandelier (detail), late 17th century- early 18th century; France; steel, rock crystal and cut glass; Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2741.
Photo: Mike Fear © The National Trust, Waddesdon Manor

Shown here is just a small selection that celebrates not only the gifts of the earth but also the family’s collecting over the years.

Table, c 1710-1720; Augsburg, Germany; wood, metal, tortoiseshell;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc.no. 2227.1.  Photo: John Bigelow Taylor © The National Trust, Waddesdon Manor

Table, c 1710-1720; Augsburg, Germany; wood, metal, tortoiseshell;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc.no. 2227.1.
Photo: John Bigelow Taylor © The National Trust, Waddesdon Manor

 

Four large panels symbolising the seasons (detail); 1720-1750;  France; oak;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 3565.7.  Photo: Mike Fear © The National Trust, Waddesdon Manor

Four large panels symbolising the seasons (detail); 1720-1750;
France; oak;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 3565.7.
Photo: Mike Fear © The National Trust, Waddesdon Manor

 

Pot-pourri vase, Sèvres Manufactory, 1761,  Waddesdon, The Rothschild Collection (The National Trust). Bequest of James de Rothschild, 1957.  Photo: Hugo Maertens © The National Trust, Waddesdon Manor

Pot-pourri vase, Sèvres Manufactory, 1761,
Waddesdon, The Rothschild Collection (The National Trust). Bequest of James de Rothschild, 1957.
Photo: Hugo Maertens © The National Trust, Waddesdon Manor

 

Joshua Reynolds, Lady Anne Luttrell, The Duchess of Cumberland (1743-1809), 1772-1773;  oil on canvas; 2490 x 1620mm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2303  © The National Trust, Waddesdon Manor

Joshua Reynolds, Lady Anne Luttrell, The Duchess of Cumberland (1743-1809), 1772-1773;
oil on canvas; 2490 x 1620mm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2303
© The National Trust, Waddesdon Manor

 

Savonnerie, Duvivier workshop, carpet, 1753-1757;  wool; 312 x 285cm;  Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2757.  Photo: © The National Trust, Waddesdon Manor

Savonnerie, Duvivier workshop, carpet, 1753-1757;
wool; 312 x 285cm;
Waddesdon, The Rothschild Collection (The National Trust) Bequest of James de Rothschild, 1957; acc. no. 2757.
Photo: © The National Trust, Waddesdon Manor

Lastly a view of the Grey Drawing Room which I am sure will give a very clear view of what makes this such a special place. Indeed I am tempted to paraphrase Dr Johnson and say that when one is tired of Waddesdon, one is tired of life. I most certainly look forward to my next visit.

The Grey Drawing Room, Waddesdon Manor, The Rothschild Collection (The National Trust). ©The National Trust, Waddesdon Manor

The Grey Drawing Room, Waddesdon Manor, The Rothschild Collection (The National Trust).
©The National Trust, Waddesdon Manor

www.waddesdon.org.uk

BOOK REVIEW – Versailles

A Day at Versailles

Yves Carlier, photography by Francis Hammond

Flammarion; Box edition

ISBN-10: 2080301438

ISBN-13: 978-2080301437

£22.50

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This elegantly slip-covered book reveals some of the elegant interiors and ravishing objects found within this legendary, must-see palace of the French kings. It also shows the glories of the gardens, the Petit Trianon and the dairy farm created as an escape from court life by Marie Antoinette. It’s a delight of a book that you will dip into time and again.

The Grand Perspective viewed from the central window of the Hall of Mirrors. p.43:  © Francis Hammond

The Grand Perspective viewed from the central window of the Hall of Mirrors.
p.43:
© Francis Hammond

A Queen’s Garden

FROM MARIE ANTOINETTE’S GARDEN

An Eighteenth-Century Horticultural Notebook

Élisabeth de Feydeau

Edited by Alain Baraton

Foreword by Catherine Pégard

240 pages • 100 colour illustrations

Hardcover • ISBN 978-2-08-020142-3

£29.95

Flammarion, September 2013

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 This is a delightful new book that combines plants, gardens and flowers with Marie Antoinette’s lifestyle – a heady mix indeed.  It leads us into the world of the Petit Trianon which provided an escape for the Queen from the rigours of court etiquette and ceremonial.

The chapters take us through various parts of the garden much in the way that Marie Antoinette may have traversed it. Her interest in plants, trees and flowers motivated her to improve the existing gardens and we are fortunate that the watercolours of the herbarium, including some by the great Pierre-Joseph Redouté, still exist.  They are used here to show us some of the specimens the gardens contained. The planting of the garden reflected the interest in new species of plant life as well as more practical purposes such as medicinal remedies and perfumery.

Tuberose - The French Garden

Tuberose – The French Garden

The tour of the garden starts in the formal French Garden which contained irises, hyacinths, Madonna lilies and carnations among other flowers.  The Belvedere was where the Queen held spectacular evening parties amid the Kermes oaks, myrtle and vines.  Like the Temple of Love, situated on an island, surrounded by roses and fragrant trees, it was actually part of the English Garden which with its winding paths and informal plantings of exotic shrubs and trees was the antithesis of formal French gardens of the time.

Cabbage Rose - The Temple of Love

Cabbage Rose – The Temple of Love

Another informal place in the garden was the Wood of Solitude which had meandering paths among trees, including the American Black Walnut and woodland flora.  The last major creation in the garden was the Queen’s Hamlet – a recreation of a Normandy village. The thatched cottages had their own kitchen gardens where vegetables and fruit trees were grown.  It was a place where the Queen would entertain guests in a rustic, informal way. A sylvan escape from the approaching political storm perhaps?

Apricot - The Queen's Hamlet

Apricot – The Queen’s Hamlet

The book is peppered with contemporary descriptions and anecdotes that make it far more than a garden handbook. It is a book that even non-gardeners, like myself, will enjoy so I do hope you will be tempted to get a copy.