FRIEZE MASTERS 2016

Frieze Masters, The Regent’s Park, London NW1 4HA, (the north-east corner of The Regent’s Park, near the London Zoo), 6th-9th October 2016

Prahlad Bubbar Ltd. Ladies celebrate Holi on a Pleasure Pavilion Leaf from an album made for Antoine Polier Attributed to Mihr Chand, with calligraphy by Hafiz Nur Ullah Lucknow, India, c. 1775-1780 Opaque watercolour and gold on paper Folio 45.5 x 62 cm; Painting 29 x 42.5 cm

Prahlad Bubbar Ltd.
Ladies celebrate Holi on a Pleasure Pavilion
Leaf from an album made for Antoine Polier
Attributed to Mihr Chand, with calligraphy by Hafiz Nur Ullah
Lucknow, India, c. 1775-1780
Opaque watercolour and gold on paper
Folio 45.5 x 62 cm; Painting 29 x 42.5 cm

 

The well-known architect Annabelle Selldorf has designed the structure for this the fifth edition of Frieze Masters and it will play host to one hundred and thirty-three leading historical and modern galleries from around the world.

BLAIN|SOUTHERN LONDON Lynn Chadwick, The Stranger, 1954, Courtesy The Estate of Lynn Chadwick and Blain|Southern, Photo: Matthew Hollow

BLAIN|SOUTHERN LONDON
Lynn Chadwick, The Stranger, 1954,
Courtesy The Estate of Lynn Chadwick and Blain|Southern,
Photo: Matthew Hollow

 

As Frieze’s Director Victoria Siddall commented: ‘The quality and breadth of work in Frieze Masters keeps it fresh and exciting each year. I am looking forward to seeing even more antiquities dealers in the fair, as well as Indian art, alongside the best Old Masters and 20th-century work. Curators play an important role in this fair as well as in our contemporary fairs, and this year we welcome Tim Marlow (Director of Artistic Programmes, Royal Academy, London) who is co-curating Frieze Masters Talks, and Toby Kamps of the Menil Collection in Houston who is presenting his first edition of Spotlight.

 Once again we will see galleries from different fields collaborate on ground-breaking presentations, as the fair continues to offer new models for looking at and collecting art.’

 

 

 

Daniel Crouch Rare Books Benjamin Read, View in the Colosseum Regents Park London, Summer Fashions for 1836. London, 1836. Image courtesy of Daniel Crouch Rare Books.

Daniel Crouch Rare Books
Benjamin Read,
View in the Colosseum Regents Park London, Summer Fashions for 1836. London, 1836.
Image courtesy of Daniel Crouch Rare Books.

 

Luxembourg & Dayan Robert Rauschenberg (1925-2008), Untitled (mud painting), 1953-1992 Courtesy Luxembourg & Dayan

Luxembourg & Dayan
Robert Rauschenberg (1925-2008),
Untitled (mud painting), 1953-1992
Courtesy Luxembourg & Dayan

 

Dr. Jörn Günther Rare Books AG Beauchamp-Corbet Hours, manuscript on vellum, illuminated by the Milemete workshop, mainly by the De Bois Master. England, London, dated 1328 image courtesy of Dr. Jorn Gunther Rare Books

Dr. Jörn Günther Rare Books AG
Beauchamp-Corbet Hours, manuscript on vellum, illuminated by the Milemete workshop, mainly by the De Bois Master. England, London, dated 1328
image courtesy of Dr. Jorn Gunther Rare Books

 

Mayor Gallery Ad Dekkers Relief met drie circkels 1967 Polyester, paint Ø 180 x 3 cm Ø 70 7/8 x 1 1/8 in

Mayor Gallery
Ad Dekkers
Relief met drie circkels 1967
Polyester, paint Ø 180 x 3 cm Ø 70 7/8 x 1 1/8 in

 

 

 

 

 

 

 

 

 

 

 

 

Waddington Custot Manolo Millares, Ínsula, 1967, mixed media on burlap. Courtesy Waddington Custot

Waddington Custot
Manolo Millares, Ínsula, 1967,
mixed media on burlap.
Courtesy Waddington Custot

 

Kallos Gallery Archaic Cretan Bronze Helmet, circa 650-620 BC. Credit Steve Wakeham & Kallos Gallery

Kallos Gallery
Archaic Cretan Bronze Helmet, circa 650-620 BC.
Credit Steve Wakeham & Kallos Gallery

 

Bernard Jacobson Gallery Robert Motherwell (1915-1991) Untitled (New England Elegy No.5) 1967 Oil on canvas 296.6 x 355.6 cms (116 3/4 x 140 ins) RM12608

Bernard Jacobson Gallery
Robert Motherwell (1915-1991)
Untitled (New England Elegy No.5)
1967
Oil on canvas
296.6 x 355.6 cms (116 3/4 x 140 ins)
RM12608

 

 

frieze.com/fairs/frieze-masters

The 2016 PAD LONDON

PAD LONDON, Berkeley Square, London W1, 3rd-9th October 2016

 

Matrice, Patrice, 2015 Fabrice Hyber, Vase d'Igny Pièces uniques, porcelaine Hight: 40 cm, diamètre: 11 cm Courtesy of Sevres

Matrice, Patrice, 2015
Fabrice Hyber, Vase d’Igny
Pièces uniques, porcelaine
Hight: 40 cm, diamètre: 11 cm
Courtesy of Sevres

This is the tenth edition of this Fair which combines design and art in a special way that appeals to international collectors.  Some sixty-six international galleries are taking part, including fourteen newcomers.

Christopher Duffy Abyss Horizon, 2016 High grade wood from Forest Stewardship Council managed forests and other controlled sources, glass, Courtesy of Sarah Myerscough

Christopher Duffy
Abyss Horizon, 2016
High grade wood from Forest Stewardship Council managed forests and other controlled sources, glass,
Courtesy of Sarah Myerscough

Among the latter is Sarah Myerscough who brings an exciting group of sculptural pieces to the Fair.  The Opera Gallery, also a newcomer, is bringing a display of works by Picasso and Léger as well as examples of Pop Art.

Fernand Leger Les Quatre Acrobates, 1954 Courtesy of Opera Gallery

Fernand Leger
Les Quatre Acrobates, 1954
Courtesy of Opera Gallery

Whether you are looking for an artefact from the 1st Millennium BC or the latest contemporary design PAD is the place to come to.

Nic Fiddian Green Dawn, 2016 Pendant, Blue Chrysomenlanite and 18k gold Courtesy of Louisa Guinness Gallery

Nic Fiddian Green
Dawn, 2016
Pendant, Blue Chrysomenlanite and 18k gold
Courtesy of Louisa Guinness Gallery

 

Exceptional Large Fruit Tray in Stoneware. Unique Piece. Jane Levy - Sevres Manufacture France, Sevres, dated 1939 H tray : 9 cm / 3.5 in. L tray : 69 cm / 27.2 in. D tray : 52 cm / 20.5 in. H fruits max : cm / in. Courtesy of DIDIER LUTTENBACHER , Atelier DL

Exceptional Large Fruit Tray in Stoneware. Unique Piece.
Jane Levy – Sevres Manufacture
France, Sevres, dated 1939
H tray : 9 cm / 3.5 in.
L tray : 69 cm / 27.2 in.
D tray : 52 cm / 20.5 in.
H fruits max : cm / in.
Courtesy of DIDIER LUTTENBACHER , Atelier DL

 

http://www.pad-fairs.com

Woolley & Wallis in London

Woolley & Wallis, Mayfair Office, Second Floor, 17 Clifford Street, London, W1S 3RQ

Woolley & Wallis - In Mayfair

Woolley & Wallis – In Mayfair

The noted Salisbury firm of auctioneers are opening an office in Mayfair to deal with enquiries from international and London-based clients. They will have special viewings and exhibitions, including one for this year’s Asian Art in London.

Please note it is open by appointment only for which you need to contact the relevant department.

http://www.woolleyandwallis.co.uk

A Celebration of Tea Drinking

LAPADA Art & Antiques Fair 2016, Berkeley Square, Mayfair, London W1, 13th – 18th September 2016

Famille Verte Teapot China, Kangxi period, ca.1690

Famille Verte Teapot
China, Kangxi period, ca.1690

Now in its eighth year this popular fair is the place to find fine pieces from across all disciplines. It is therefore appropriate that this year there is a select group of highlights from the Chitra Collection which celebrates tea over the centuries through the vessels and other paraphernalia involved in its drinking and preparation.

Tea Caddy, boîte à thé Sèvres, Louis-Jean Thévenet (painter) France, c. 1765

Tea Caddy, boîte à thé
Sèvres, Louis-Jean Thévenet (painter)
France, c. 1765

This is the first time pieces from the collection have been shown in the UK and its curator Olivia Fryman has selected items that reflect the long history of this beverage. Starting with the beginnings of the tea story in China and Japan, we then pass on to the growing interest and consumption of it in Europe (Catherine of Braganza, Charles II’s wife, introduced tea to this country) in the 17th and 18th centuries and then go on to see how it played an important role in the story of the British Empire. The last piece of this story looks at the global interest, especially in Russia and America, and how tea became a part of everyday life for many.

Copper Gilt Mounted Chinese Porcelain Teapot China and Germany, Kangxi period (1654 - 1722), mounts ca.1680

Copper Gilt Mounted Chinese Porcelain Teapot
China and Germany, Kangxi period (1654 – 1722), mounts ca.1680

The collection has been put together by the London-based businessman Nirmal Kumar Sethia, who says “The Chitra Collection will continue to inspire generations of tea lovers long after I’m gone. It is my wish that, for centuries to come, the world will be able to appreciate and experience the beauty and significance of tea, art and culture”. His interest has continued since he first started working as an apprentice tea buyer in London, aged 14. He started the luxury tea company Newby Teas in 2000.

Cup and saucer Meissen, J. G. Höroldt (painter) Germany, c. 1722-3

Cup and saucer
Meissen, J. G. Höroldt (painter)
Germany, c. 1722-3

There are in excess of 1700 tea-related objects in the collection which was named in memory of his late wife and I think you may agree from the selection illustrated here that it is a fascinating subject.

Teapot Royal Worcester, George Owen and Samuel Ranford England, 1878

Teapot
Royal Worcester, George Owen and Samuel Ranford
England, 1878

lapadalondon.com

Silver kettle and stand Paul de Lamerie England, 1751

Silver kettle and stand
Paul de Lamerie
England, 1751

Sir Edward Heath – at home

Sir Edward Heath – at home in Salisbury

Arundells - Entrance Front

Arundells – Entrance Front

Standing in the wonderful environs of Salisbury’s Cathedral Close is Arundells a beautiful house of Georgian appearance which in part dates back to the mid-thirteenth century.  It was from 1985 to 2005 the home of the former politician and Prime Minister Sir Edward Heath and although he had a long political career the house is very much a personal home which reflects all facets of his life. It is important to remember as you go round it that it remains very much as it was when he lived there.

The Entrance Hall

The Entrance Hall

Immediately on arrival at the entrance hall you get the welcoming flavour of the house and an idea of how the strands of his interests are skilfully woven together. This he achieved with the help of the designer Derek Frost. Many of the paintings in the hall reflect his love of sailing through depictions and models of the five Morning Cloud yachts he sailed and interspersed among them are Napoleonic prisoner-of-war ship models made from bone and rigged with fine strands of hair.  The maritime-inspired combined clock and barometer was a gift from President Nixon.  There are also drawings by Sickert and Augustus and Gwen John.

Sir Edward seated at the piano in the Drawing Room

Sir Edward seated at the piano in the Drawing Room

A photograph of a young Sir Edward with Augustus John and Dorelia can be seen in the adjoining drawing room which is dominated by a Steinway grand piano which Sir Edward played and upon which are photographs of politicians and world leaders.  Among the many artworks in the room are paintings by L S Lowry, Ken Howard RA, Derek Hill and a painting of Heath’s home town ‘Broadstairs’ by Sir Robert Ponsonby-Staples which was a gift from Sir John Betjeman, given as Sir Edward had so often admired it when visiting Betjeman. Two pieces of sculpture one of Sir Winston and Lady Churchill by Oscar Nemon and a bust of Sir Edward by Martin Jennings are worthy of inspection as are the carved Chinese pieces on the mantelpiece and to its right the display of blue and white porcelain including a large pair of bottle vases which were a gift from Chairman Mao.

Portocarrero ‘Girl in a Fantastic Costume Cuba’

Portocarrero
‘Girl in a Fantastic Costume Cuba’

Pictures in the corridor towards the dining room and library include two paintings by Sir Winston Churchill which he gave to Heath.  There is also a fine group of etchings by William Wyllie, two Singer Sargent’s and a painting by the Cuban artist Portocarrero which was a gift from Fidel Castro.

The Dining Room

The Dining Room

The dining room is hung with pictures by John Piper, including two Sir Edward commissioned himself.  The table is set for lunch which was one of his favourite ways of entertaining – roast lamb followed by Stilton cheese, halibut and lemon pudding were among his favourites as were Brussels sprouts – and from the place cards on view when I was there one gets an idea of the wide range of people he invited which included Princess Margaret, Sting and Sir Harold Wilson.  Dame Maggie Smith, Terry Wogan and Yehudi Menuhin are among other well-known guests. There is also a large group of ceramic pieces on display including Tang pottery, Sevres, Chelsea and Worcester porcelain as well as some Copenhagen Flora Danica.

A view of some of the ceramics in the Dining Room

A view of some of the ceramics in the Dining Room

The Library overlooking the garden contains the high wing-back chair Sir Edward favoured and it was where he would entertain and chat to colleagues and friends from all political parties and walks of life. The walls are adorned with 18th and 19th century Japanese prints which perfectly suit the room. One of the major achievements of his political life was a growing rapport between the UK and China which is also reflected throughout the house but he also obviously had an interest in their arts and culture which is particularly apparent in the panels of specially commissioned wallpaper on the staircase which relates the popular Chinese legend of the Monkey King. They were a house-warming present from two of his former Private Secretaries.

The Library

The Library

Upstairs is Sir Edward’s study which was his private sanctum and where he worked at a Georgian writing desk which had previously belonged to David Lloyd-George. Heath’s army career is also recalled in another room with uniforms and other memorabilia on show from when he was with the Royal Artillery during the War and later on with the Honourable Artillery Company. His Garter Banner hangs on an upstairs corridor wall.

The Study

The Study

Downstairs just beyond the stair hall is a short corridor which is hung with political cartoons by leading cartoonists such as Giles, Jak, Low and Trog, many of which feature Sir Edward.  He enjoyed sharing them with his visitors although sometimes I imagine it may have been a wry chuckle.

Emmwood ©The Daily Mail

Emmwood
©The Daily Mail

Outside the beautiful garden, an intriguing combination of open spaces and secluded areas, is very much as created for Sir Edward.  It stretches down to the confluence of the Rivers Nadder and Avon and reveals a wonderful view across to the meadows. In one corner is the restored bow of Morning Cloud III which was sunk by a freak wave in September 1974, and whose two crew members Nigel Cummings and Christopher Chadd (Sir Edward’s godson) tragically lost their lives.

The view from the end of the garden

The view from the end of the garden

At the front of the house with its view into the Close and of the Cathedral is an exhibition space in a building which used to house Sir Edward’s archive.  At present (until mid-August) there is a display focusing on ‘World Leaders of the 1970s: A Decade of Turmoil’ which features President Nixon, Leonard Brezhnev, Chairman Mao Zedong, Willy Brandt, Indira Gandhi, President Pompidou, Kakuei Tanaka, Pierre Trudeau and Henry Kissinger.  Interestingly enough the latter will be giving a lecture in London in October as part of a series of celebrations organised by the Sir Edward Heath Charitable Foundation to celebrate the centenary of Sir Edward’s birth (9th July, 2016). The following exhibition which runs until May 2017 is ‘Heath at 100: A Political Life in Cartoons’ which promises to be a fascinating way of remembering the major events of his time in politics.

Tang Dynasty Horse

Tang Dynasty Horse

My visit made a lasting impression and I would readily accept an offer to live there just as it is, because it’s a happy house of taste, comfort and history.  I can quite understand why Sir Edward fell in love with it at first sight and for us visitors today it is extremely fortunate that he was able to acquire the lease in 1992 and that he formed a charitable trust which allows us to share in the delights of Arundells and to remember Sir Edward, the man.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

http://www.arundells.org

Hiroshi Yoshida The Inland Sea Series

Hiroshi Yoshida
The Inland Sea Series

Kakiemon at the British Museum

The Asahi Shimbun Display Made in Japan: Kakiemon and 400 years of porcelain, Room 3 British Museum Great Russell Street, London WC1, until 21 August 2016

Boy on a Go Board, Kakiemon Kiln, later 17th century © The Trustees of the British Museum

Boy on a Go Board, Kakiemon Kiln, later 17th century
© The Trustees of the British Museum

This is a great celebration of Japanese porcelain which was first made four hundred years ago in the town of Arita. Japan was a latecomer to porcelain production when compared to China and Korea but thanks to domestic unrest in China it was able to quickly gain a market which thanks to the Dutch East India Company, included Europe.

Painting overglaze enamels onto Kakiemon porcelain © The Trustees of the British Museum

Painting overglaze enamels onto Kakiemon porcelain
© The Trustees of the British Museum

The traditional classic Kakiemon style of the last thirty years of the 17th century comprised of overglaze enamels (orange-red, green, blue and yellow) which were sparsely but elegantly applied to the porcelain.  It was particularly popular with Queen Mary in this country and you will find examples in many stately homes and museums too. Although the production of the classic style actually ceased in Japan in the 18th century it was copied by the Chinese and in Europe.

Four Kakiemon style dishes from Japan, China, Germany and Britain, 17th-18th centuries © The Trustees of the British Museum

Four Kakiemon style dishes from Japan, China, Germany and Britain, 17th-18th centuries
© The Trustees of the British Museum

One porcelain maker was Sakaida Kizaemon who in 1647 was thought to be the man who introduced the overglaze enamelling technique to the porcelain kilns in Arita; a fact which earned him the name Sakaida Kakiemon I – which reflects the orangey-red colour that comes from kaki (persimmon). Kakiemon I was the starter of a dynasty of potters which passes down to the eldest son and in fact the current Sakaida Kakiemon XV who succeeded his father Kakiemon XIV in 2013 has especially made a new work, decorated with acorn branches, for the British Museum.  In the mid-20th century Kakiemon XIII brought back the traditional style in a more contemporary form and that tradition continues today.

Sakaida Kakiemon XV examines his work © The Trustees of the British Museum

Sakaida Kakiemon XV examines his work
© The Trustees of the British Museum

This is a must see exhibition for anyone interested in porcelain!

 

Britishmuseum.org

Masterpiece London 2016 – Preview

Masterpiece London 2016, The Bull Ring Gate Entrance, South Grounds, The Royal Hospital Chelsea, London SW3, 30thJune – 6th July 2016

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management 2015 Courtesy Masterpiece London

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management
2015
Courtesy Masterpiece London

Now in its 7th edition one can easily understand why Masterpiece has become a magnet for collectors and museum curators from around the world.  There is a great emphasis on quality and connoisseurship and the pieces on show reflect more than five thousand years of art history – and yes they are for sale.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Masterpiece’s chief executive Nazy Vassegh says: ‘I am delighted to announce so many exciting additions to this year’s fair. Masterpiece 2016 will have unrivalled depth and quality, and I am pleased that Masterpiece continues to strengthen every edition. We are looking forward to another great year.’

It truly is a must visit fair and allow yourself plenty of time because there are so many exciting things to see and tempt. Like me you may well want visit more than once.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Over the coming days I will post varied selections of what is on show.

 

http://www.masterpiecefair.com

Olympia Summer Fair 2016

The Art & Antiques Fair, Olympia London, Hammersmith Road, London W14, 27th June – 3rd July 2016

Opening Day, June 2015

Opening Day, June 2015

This Fair certainly has staying power as it is in its 44th year and continues to draw visitors in from home and abroad to see what the hundred and sixty participating dealers have to offer for their collections and homes.

Wakelin & Linfield An unusually large late 19th century two plank Spanish table in walnut with carved decoration to the legs and original ironwork supports to the base. L144” x W39” x H30.25” In the region of £25000 Provenance: Orson Welles

Wakelin & Linfield
An unusually large late 19th century two plank Spanish table in walnut with carved decoration to the legs and original ironwork supports to the base.
L144” x W39” x H30.25”
In the region of £25000
Provenance: Orson Welles

The Fair’s Director, Mary Claire Boyd sums it up: “The Art & Antiques Fair, Olympia is London’s original, quintessential art and antiques fair. Over four decades since the event was founded, we continue to pride ourselves on offering a wider choice of high quality, vetted art, antiques, furniture and collectibles than any other event in the capital.”

Art Ancient Large piece of Roman glass work, reflecting the heights achieved in glassblowing in the 1st-2nd Centuries AD

Art Ancient
Large piece of Roman glass work, reflecting the heights achieved in glassblowing in the 1st-2nd Centuries AD

Among new “features” is Showcase which highlights five specially chosen galleries and dealers – Simon Pirzada (ceramics), The Parker Gallery (Fine Art), Adam Gahlin Fine Art (Modern paintings, drawings and prints), Adam Bentley (Contemporary Art) and Store Street Gallery ((Contemporary Art).

Albermarle Gallery. SOFA LONDON Rado Kirov Monolith mirrored stainless steel 227 x 30 x 110 cm (89 x 12 x 43 in)

Albermarle Gallery. SOFA LONDON
Rado Kirov
Monolith
mirrored stainless steel
227 x 30 x 110 cm (89 x 12 x 43 in)

The well-known SOFA CHICAGO – a Sculpture Objects Functional Art and Design Fair (SOFA) will have a European version at this Fair as Mary Claire Boyd, explains“We are very excited to introduce SOFA LONDON as part of The Art & Antiques Fair, Olympia for the very first time this June. SOFA is widely known in the US for its international dealers selling one-of- a-kind masterpieces. Here in London we have an elite selection of dealers who will be showcasing original works from different artists and makers using a variety of mediums. For sale will be works of art including ceramics, metal work, photography, glass works, textiles, furniture and sculptures that appear more contemporary and cutting edge than other pieces in the fair, but yet will also stand the test of time. SOFA CHICAGO attracts over 35,000 people but for those who aren’t able to cross the pond to attend we’re delighted to offer this opportunity within the UK.”

Opening Day, June 2015

Opening Day, June 2015

According to recent research there is a resurgence in the demand for antiques and again I will share Mary Claire Boyd’s observations on this: “The world of antiques can be intimidating at first glance but this research shows that there is a real thirst for antiques. They are appreciated for the qualities they can bring to people’s homes– particularly amongst the younger generation who are frustrated with spending money on furnishings that only last a few years. 

Galerie Arabesque Three-legged ottoman inlaid table. Provenance: estate of Eduard Starke-Pascha, Berlin-Constantinople

Galerie Arabesque
Three-legged ottoman inlaid table.
Provenance: estate of Eduard Starke-Pascha, Berlin-Constantinople

“While people see great benefits of purchasing antiques often they don’t realise the options and scope available to them – and the affordability.  Antiques are unique, often come with a fascinating story – and add individuality to your home.  They can also be combined very effectively with contemporary art and furniture.”

Gilden’s Art Gallery JOAN MIRÓ 1893-1983 Sun Eater | Mangeur de Soleil, 1955 Original Hand Signed and Numbered Lithograph in Colours on Arches Paper Paper size: 76.2 x 56.5 cm. / 30 x 22.3 in.

Gilden’s Art Gallery
JOAN MIRÓ 1893-1983
Sun Eater | Mangeur de Soleil, 1955
Original Hand Signed and Numbered Lithograph in Colours on Arches Paper
Paper size: 76.2 x 56.5 cm. / 30 x 22.3 in.

Very true indeed as many leading interior decorators would no doubt concur.

Tribal Gathering London Mende helmet mask ' Sowei'. Sande society. Sierra Leone

Tribal Gathering London
Mende helmet mask ‘ Sowei’. Sande society. Sierra Leone

 

Manning Fine Art “Keep Calm and Carry On” poster, printed in 1939

Manning Fine Art
“Keep Calm and Carry On” poster, printed in 1939

 

Kate Thurlow Louis XIV upholstered oak armchair, circa 1700 Provenance: Formerly in the collection of Yves St Laurent.

Kate Thurlow
Louis XIV upholstered oak armchair, circa 1700
Provenance: Formerly in the collection of Yves St Laurent.

 

 

 

 

 

 

 

 

 

 

 

 

Don Kelly Books, June 2015

Don Kelly Books, June 2015

 

 

http://www.olympia-art-antiques.com

The 2016 Art Antiques London

Art Antiques London, Albert Memorial West Lawn, Kensington Gardens, London SW7 (opposite the Royal Albert Hall), 24th June – 30th June 2016

View of pavilion

View of pavilion

It is hard to believe that this is the seventh edition of the fair founded by Anna and Brian Haughton in 2010.  There are some sixty exhibitors drawn from Belgium, France, Israel, The Netherlands, the UK, of course, and the USA.

Interior view 2015

Interior view 2015

There is a wide array of objects to delight the eye and one can quite easily understand why serious collectors, museums and interior decorators return year after year.  One well-loved feature of this fair is the lecture series which includes ‘Face to Face: Dame Rosalind Savill in conversation with Richard, 10th Duke of Buccleuch and 12th Duke of Queensberry’ on 27th June.

VANESSA CLEWES SALMON MODERN & CONTEMPORARY ART Shani Joel, born 1991 Buddha, 2014, mixed media eg ceramic embellished with shells, jewellery, butterflies, fabric etc 60cms h x 50cms w

VANESSA CLEWES SALMON MODERN & CONTEMPORARY ART
Shani Joel, born 1991
Buddha, 2014, mixed media eg ceramic embellished with shells, jewellery, butterflies, fabric etc
60cms h x 50cms w

 

E & H MANNERS A Pair of Alcora Faience Plaques, 1752-64 Height: 52.7 cm, Width: 35.2 cm

E & H MANNERS
A Pair of Alcora Faience Plaques, 1752-64
Height: 52.7 cm, Width: 35.2 cm

 

LONDON GLASSBLOWING David Reekie, Marionette V 2013, 52 x 43 x 20 cm,

LONDON GLASSBLOWING
David Reekie,
Marionette V 2013,
52 x 43 x 20 cm,

 

 

 

 

 

 

 

 

 

 

 

 

HALL-BAKKER A pair of flower vases with silvered metal frames and original liners by the German factory WMF. c 1905.

HALL-BAKKER
A pair of flower vases with silvered metal frames and original liners by the German factory WMF. c 1905.

 

ILLUSTRATION CUPBOARD Oakley 1 - A Better Idea, Gouache, Watercolour & black ink on paper by Graham Oakley

ILLUSTRATION CUPBOARD
Oakley 1 – A Better Idea, Gouache, Watercolour & black ink on paper
by Graham Oakley

 

ROELL FINE ART An important Namban sawasa reliquary crucifix, Japan, late 16th/early 17th century Alloy of red copper, gold, silver and arsenic with black lacquer and gold H 19.5 cm, W 14 cm, Thickness 2.6 cm

ROELL FINE ART
An important Namban sawasa reliquary crucifix, Japan, late 16th/early 17th century
Alloy of red copper, gold, silver and arsenic with black lacquer and gold
H 19.5 cm, W 14 cm, Thickness 2.6 cm

 

ALTEA GALLERY A collapsible globe, John Betts, Terrestrial globe, printed waxed cotton and metal spindle, c1925, globe circumference: 1,260mm extended 770 m long including spindle

ALTEA GALLERY
A collapsible globe, John Betts,
Terrestrial globe, printed waxed cotton and metal spindle, c1925,
globe circumference: 1,260mm extended 770 m long including spindle

 

 

 

 

 

 

 

 

 

 

 

FAIRHEAD FINE ART LTD 1984 Silver USA Olympics Medal by Salvador Dali Weight: 1.05 oz - containing 46.65 grams of .999 silver

FAIRHEAD FINE ART LTD
1984 Silver USA Olympics Medal by Salvador Dali
Weight: 1.05 oz – containing 46.65 grams of .999 silver

 

BABBINGTON FINE ART Alan Sorrell (1904-1974), Study for the mural at the Head Office of Bovril, 1961

BABBINGTON FINE ART
Alan Sorrell (1904-1974),
Study for the mural at the Head Office of Bovril, 1961

 

SAMINA INC Spittoon, Mughal or Deccan, India, 17th century

SAMINA INC
Spittoon, Mughal or Deccan, India, 17th century

 

LUCAS RARITIES An enamel, opal, emerald, and ruby serpent pendant by Gustave-Roger Sandoz. 9.5cm X 6.5cm. Circa 1901

LUCAS RARITIES
An enamel, opal, emerald, and ruby serpent pendant by Gustave-Roger Sandoz.
9.5cm X 6.5cm. Circa 1901

 

LOVE WOOD GALLERY h.ollary.b. Dreaming the Future Generations, Cherrywood, 2.3m x 0.5m

LOVE WOOD GALLERY
h.ollary.b.
Dreaming the Future Generations,
Cherrywood, 2.3m x 0.5m

 

 

 

 

 

 

 

 

 

 

 

 

BRIAN HAUGHTON GALLERY White porcelain cylinders hand thrown by Gunilla Maria Akesson, leading contemporary Swedish ceramic artist. Range in size from 7 ins (18 cm) through to 18 ins.

BRIAN HAUGHTON GALLERY
White porcelain cylinders hand thrown by Gunilla Maria Akesson, leading contemporary Swedish ceramic artist. Range in size from 7 ins (18 cm) through to 18 ins.

 

 

 

http://www.artantiqueslondon.com 

LECTURE PROGRAMME: http://www.artantiqueslondon.com/lectures

Hampstead Heath hosts the Affordable Art Fair

Affordable Art Fair, Hampstead Heath, London NW3, 16th – 19th June 2016

Sol Art An Apple a Day by Duda, mixed media on canvas, 70 x 95cm

Sol Art
An Apple a Day by Duda,
mixed media on canvas, 70 x 95cm

A hundred plus galleries and work from more than a thousand artists should mean that most visitors whether established or first timers should find something to grace their homes. Not surprisingly given the recent official 90th birthday celebrations for Her Majesty the Queen there will be works with a royal flavour.

Linda Blackstone God Save the Queen by Dganit Blechner, mixed media on canvas with paint, edition of 8 with 4 artist proof

Linda Blackstone
God Save the Queen by Dganit Blechner,
mixed media on canvas with paint, edition of 8 with 4 artist proof

Made in Arts London makes a welcome return to the Fair with works from graduates and students from London’s art colleges and reminds us how important it is to support and encourage new generations of creative talent.  The Fair’s charity partner this year is Anthony Nolan who work to help save those with blood cancer.

 

Made in Arts London Motion and Emotion by Kuniko Maeda, foam, plastic and metal wire, 40 x 30 x 15cm

Made in Arts London
Motion and Emotion by Kuniko Maeda,
foam, plastic and metal wire, 40 x 30 x 15cm

 

Manifold Editions SiD (green) by Dennis Morris, screen print, 96 x 75cm

Manifold Editions
SiD (green) by Dennis Morris,
screen print, 96 x 75cm

 

REN Fine Art In Safe Adventurous Hands by Kristin Vestgard, oil on canvas, 120 x 120cm

REN Fine Art
In Safe Adventurous Hands by Kristin Vestgard,
oil on canvas, 120 x 120cm

 

 

 

 

 

 

 

 

 

 

 

Mint Art Gallery Where Memories Linger by Laura Fishman, acrylic on canvas, 80 x 80cm

Mint Art Gallery
Where Memories Linger by Laura Fishman,
acrylic on canvas, 80 x 80cm

 

Hybrid Gallery Cinderella's Tails by Irene Jones, acrylic on panel, 26 x 22cm

Hybrid Gallery
Cinderella’s Tails by Irene Jones,
acrylic on panel, 26 x 22cm

 

 

 

 

 

 

 

 

 

 

 

http://affordableartfair.com/hampstead/