Seurat to Riley: The Art of Perception, Compton Verney, until 1st October 2017
Blaze IV,
Bridget Riley,
© UK Government Art Collection © Bridget Riley 2017. All rights reserved
Regular readers of my blog may recall that in October 2015 I posted about a small but enjoyable exhibition Bridget Riley: Learning from Seurat at the Courtauld Gallery and now in this large-scale show at Compton Verney this debt is re-visited and much expanded upon.
La Luzerne, Saint-Denis,
Georges Seurat,
© Scottish National Gallery
It reminds us that since the 19th century some artists have been fascinated by the way in which the eye sees optical illusions as it responds to visual stimuli and this point is well proven in this exhibition. Ninety diverse ‘Op Art’ works are featured in the show, including pieces by Victor Vasarely, Julio Le Parc, Jeffrey Steele, Jesus Rafael Soto, Carlos Cruz-Diez, Peter Sedgley, Liliane Lijn and, of course, Bridget Riley and Seurat.
Our Spectral Vision,2016,
Liz West.
Photo (c) Hannah Devereux
Professor Steven Parissien, Director of Compton Verney sums it up: “Optical Art explores a range of effects and emotions, using complex geometry and advanced mathematics to communicate with the viewer in a way that is simultaneously mentally challenging and visually appealing. This wonderful exhibition demonstrates just how exhilarating, electrifying and (quite literally) eye-opening Op Art can be.”
The show is curated by Penelope Sexton and Dr Frances Follin and appropriately enough supported by Farrow & Ball.
Pulse 05,
White Earthenware, Underglaze colour, matt glaze, 2012.
Sara Moorhouse,
(c) Sara Moorhouse
Tim Forrest's E & A 