Prized Possessions: Dutch Masterpieces from National Trust Houses, The Holburne Museum, Great Pulteney Street, Bath BA2, until 16th September 2018

A Magus at a Table by Jan Lievens (Leyden 1607 ¿ Amsterdam 1674)

A Magus at a Table, Jan Lievens, 1631-2 © National Trust Images – Angelo Hornak

What a glorious summer but regrettably mine was less so as for the last 8 + weeks have been lost to a persistent, debilitating infection which has taken ever stronger courses of antibiotics to overcome – so fingers crossed victory is in sight.  It has meant that I am very behind in my writing. I should perhaps remember to ‘take the waters’ when next visiting Bath!

ST KATHERINE'S CHURCH, UTRECHT by Pieter Jansz Saenredam (1597-1665), at Upton House, Warwickshire

St Catherine’s Church Utrecht, Pieter Jansz Saenredam, 1636 © National Trust Images

I have visited six of the dozen houses from which this delicious selection of Dutch paintings has been garnered but sadly, so far, not the rest of them. Seeing those pictures that I know again was very much a journey into the past because in some cases it is almost fifty years since I first saw them and yet their beauty and the skill of the artist’s use of paint – for example Ter Borch’s exquisite rendering of a dress (Polesden Lacey) or Cuyp’s Dordrecht sky (Ascott) – has kept them fresh in my mind’s eye.

SELF PORTRAIT WEARING A WHITE FEATHERED BONNET by Rembrandt van Rijn.

Self-Portrait Wearing a White Feathered Bonnet, Rembrandt van Rijn, 1635 © National Trust Images – Chris Titmus

Portraits (people and houses), landscapes, genre scenes, interiors and still-lifes are among the subjects that make up the works on view. In some cases artists collaborated such as in the landscape from Petworth where the painter Hobbema has worked with Adriaen van de Velde who contributed the figural elements to the composition.

The Duet ('Le corset bleu') by Gabriel Metsu (Leyden 1629 ¿ Amsterdam 1669)

The Duet, Gabriel Metsu, 1660-7 © National Trust Images – Christopher Hurst

It is a wonderful journey back into the Dutch 17th century and it makes it easy to understand why ever since they were first painted such works have been so avidly collected and admired, including by  Sir Thomas William Holburne, founder of the Museum.

 

After the Holburne the exhibition will move on to the Mauritshuis in The Hague in October 2018, and then come to Petworth House in West Sussex in January 2019.

 

 

www.holburne.org

The Encounter!

THE ENCOUNTER: DRAWINGS FROM LEONARDO TO REMBRANDT, National Portrait Gallery, London, until 22nd October 2017

I am grateful to John Kirkwood for visiting and writing about this exhibition:

Giulio Pedrizzano, The Lutenist Mascheroni by Annibale Carracci c.1593-4
Copyright: Royal Collection Trust © Her Majesty Queen Elizabeth II 2017

This delightful exhibition features old master European portrait drawings by the likes of Leonardo da Vinci, Durer and Rembrandt, many rarely seen and some not displayed for decades.

Young Woman in a French Hood, possibly Mary Zouch by Hans Holbein the Younger c.1533
Copyright: Royal Collection Trust Her Majesty Queen Elizabeth II 2017

It attempts to show that the artist and the sitter connected and is rather like going through a Renaissance copy of Vanity Fair featuring as it does eight portraits of people from the court of Henry VIII by Hans Holbein the Younger – the David Bailey of his day – but also people from the street as well.

Sir John Godsalve by Hans Holbein the Younger c.1532-4
Copyright: Royal Collection Trust Her Majesty Queen Elizabeth II 2017

An exhibition which cheers the soul with these close encounters.

A sheet of figure studies, with male heads and three sketches of a woman with a child by Rembrandt van Rijn c.1636
Copyright: The Henry Barber Trust, the Barber Institute of Fine Arts, University of Birmingham

 

http://www.npg.org.uk/

The Artist Depicted!

Portrait of the Artist, The Queen’s Gallery, Buckingham Palace, London SW1, until 17th April 2017

Daniel Mytens, A Self-Portrait, c.1630 Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

Daniel Mytens,
A Self-Portrait, c.1630
Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

This extensive exhibition encompasses portraits of artists from the reign of Charles I to the present day. A whole variety of disciplines have been used in creating these works of art, including Hockney’s 2013 self-portrait created on an iPad.  It was a gift to Her Majesty The Queen to mark his receiving the Order of Merit.

Giovanni Battista Cipriani, Bartolozzi Sleeping,c.1770 Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

Giovanni Battista Cipriani,
Bartolozzi Sleeping,c.1770
Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

Several portraits were in the collection of Charles I such as the Self-Portrait as the Allegory of Painting (La Pittura) (c.1638–9) by Artemisia Gentileschi.  The Rembrandt portrait was acquired by George IV. Dating from the 1950s are the reciprocal portraits of HRH The Duke of Edinburgh and Edward Seago.

HRH The Duke of Edinburgh, Seago Painting, 1956-57 © HRH The Duke of Edinburgh

HRH The Duke of Edinburgh,
Seago Painting, 1956-57
© HRH The Duke of Edinburgh

Displayed in their entirety for the first time are the 224 miniatures created by the Italian artist Giuseppe Macpherson for Lord Cowper in the 1760s who presented them to George III.  They depict the artists’ self-portraits hung in the Vasari Corridor of the Galleria degli Uffizi in Florence and which are the most important such group in the world.

Attributed to Francesco Melzi, Leonardo da Vinci, c.1515-18 Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

Attributed to Francesco Melzi,
Leonardo da Vinci, c.1515-18
Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

I can only give a taste of what awaits you in this exhibition but I feel sure you will want to visit more than once – so don’t forget your ticket allows you free re-admission for a year if you ask them to treat your ticket purchase as a donation.

Johann Michael Wittmer, Raphael's First Sketch of the 'Madonna della Sedia', 1853 Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

Johann Michael Wittmer,
Raphael’s First Sketch of the ‘Madonna della Sedia’, 1853
Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

 

Lucian Freud, Self-Portrait: Reflection, 1996 Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

Lucian Freud,
Self-Portrait: Reflection, 1996
Royal Collection Trust /© Her Majesty Queen Elizabeth II 2016.

 

http://www.royalcollection.org.uk

From Freud to Van Dyck

Painters’ Paintings – From Feud to Van Dyck, Sainsbury Wing, National Gallery, London,  until 4th September 2016

Jean-Baptiste-Camille Corot Italian Woman, or Woman with Yellow Sleeve (L'Italienne) about 1870 Oil on canvas 73 x 59 cm © The National Gallery, London

Jean-Baptiste-Camille Corot
Italian Woman, or Woman with Yellow Sleeve (L’Italienne)
about 1870
Oil on canvas
73 x 59 cm
© The National Gallery, London

It really should not come as a surprise that painters may actually collect paintings to both live with and be inspired by whether they are contemporary or not.  The lynch-pin painting in this show is the strong depiction of an Italian Woman by Corot which belonged to the late, great Lucian Freud and which he left to the Nation on his death in 2011.  One can certainly understand why this powerful work would have appealed to Freud.

This exciting and informative exhibition also looks at works that were owned by Matisse, Degas, Frederic, Lord Leighton, Watts, Sir Thomas Lawrence, Sir Joshua Reynolds and Sir Anthony van Dyck and they in many ways expand our knowledge of the owners.

Titian The Vendramin Family, venerating a Relic of the True Cross Begun about 1540-3, completed about 1550-60 Oil on canvas 206.1 x 288.5 cm © The National Gallery, London

Titian
The Vendramin Family, venerating a Relic of the True Cross
Begun about 1540-3, completed about 1550-60
Oil on canvas
206.1 x 288.5 cm
© The National Gallery, London

 

George Frederic Watts Self Portrait in a Red Robe, about 1853 Oil on canvas 154.9 × 74.9 cm Frame: 179 × 100.5 × 9.5 cm © Watts Gallery (COMWG2014.10)

George Frederic Watts
Self Portrait in a Red Robe, about 1853
Oil on canvas
154.9 × 74.9 cm
Frame: 179 × 100.5 × 9.5 cm
© Watts Gallery (COMWG2014.10)

 

 

Jacopo Tinteretto Jupiter and Semele about 1545 Oil on spruce 22.7 x 65.4 cm © The National Gallery, London

Jacopo Tinteretto
Jupiter and Semele
about 1545
Oil on spruce
22.7 x 65.4 cm
© The National Gallery, London

 

 

 

 

 

 

 

 

The more than eighty works on show combine examples of the artists’ own work with the ones they acquired whether purchased by the artists themselves, received as gifts or bought as investments or status symbols. This is perhaps best summed up by Sir Joshua Reynolds who said“Works of art are models you are to imitate, and at the same time rivals you are to combat”

This is an enlightening show of the painter as collector and one that really has to be seen for its message to be fully appreciated.

Jean-Auguste-Dominique Ingres Angelica saved by Ruggiero 1819-39 Oil on canvas 47.6 x 39.4 cm © The National Gallery, London

Jean-Auguste-Dominique Ingres
Angelica saved by Ruggiero
1819-39
Oil on canvas
47.6 x 39.4 cm
© The National Gallery, London

 

Raphael An Allegory (‘Vision of a Knight’) about 1504 Oil on poplar 17.1 x 17.3 cm © The National Gallery, London

Raphael
An Allegory (‘Vision of a Knight’)
about 1504
Oil on poplar
17.1 x 17.3 cm
© The National Gallery, London

 

Paul Gauguin Young Man with a Flower behind his Ear, 1891 Oil on canvas 45.7 × 33.3 cm Property from a distinguished Private Collection, courtesy of Christie's Photo © Christie's Images / Bridgeman Images

Paul Gauguin
Young Man with a Flower behind his Ear, 1891
Oil on canvas
45.7 × 33.3 cm
Property from a distinguished Private Collection, courtesy of Christie’s
Photo © Christie’s Images / Bridgeman Images

 

 

 

 

 

 

http://www.nationalgallery.org.uk

Rembrandt Lamentation over the Dead Christ, about 1634-1635 Pen and brown ink and brown wash, with red and perhaps some black chalk, reworked in oils ‘en grisaille’; framing lines in thin black oil paint; on paper 21.6 × 25.4 cm © The British Museum, London (Oo,9.103)

Rembrandt
Lamentation over the Dead Christ, about 1634-1635
Pen and brown ink and brown wash, with red and perhaps some black chalk, reworked in oils ‘en grisaille’; framing lines in thin black oil paint; on paper
21.6 × 25.4 cm
© The British Museum, London (Oo,9.103)

Sublime Gardens

 

Painting Paradise: The Art of the Garden, The Queen’s Gallery, Buckingham Palace, London SW1, until11th October 2015

Marco Ricci, A View of the Cascade, Bushy Park Water Gardens, c.1715. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Marco Ricci, A View of the Cascade, Bushy Park Water Gardens, c.1715.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

This is a great exhibition which celebrates the idea of the garden through paintings, drawings, books and the decorative arts from the 16th to the early 20th century.

Mir 'Ali Sir Nava'l, Seven Couples in a Garden, c. 1510. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Mir ‘Ali Sir Nava’l, Seven Couples in a Garden, c. 1510.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

We see a Persian garden depicted in an Islamic manuscript, the gardens of Versailles and Hampton Court, Kew, Windsor and Osborne House. Works by Rembrandt, Leonardo da Vinci, Jan Brueghel the Elder as well as late 19th and early 20th century watercolours and a Fantin-Latour painting.

Jan Brueghel the Elder, Adam and Eve in the Garden of Eden, 1615. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Jan Brueghel the Elder, Adam and Eve in the Garden of Eden, 1615.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

There is a wonderful selection of floral decoration on Bow, Chelsea, Meissen and Sèvres porcelains, textiles, furniture, silver, fans and jewellery, including pieces commissioned by Prince Albert for Queen Victoria and of course works by Carl Fabergé.

Workshop of Carl Faberge, Bleeding Heart, c.1900. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Workshop of Carl Faberge, Bleeding Heart, c.1900.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

This engaging exhibition appeals to most tastes as it reveals the garden as a place of beauty, a place for research and science, a place to relax and enjoy and a place to wonder at the glories of nature.

Thomas Tompion, one of a pair of sundials, 17th century. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Thomas Tompion, one of a pair of sundials, 17th century.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

http://www.royalcollection.org.uk

 

Burrell at Bonhams

‘Burrell at Bonhams – An exhibition of masterpieces from the Burrell Collection, Glasgow’, Bonhams, 101 New Bond Street, London W1, 15th December 2014 – 9th January, 2015.

Ceremonial Oak Bedhead made for the marriage of King Henry VIII and Anne of Cleeves (1539)

Ceremonial Oak Bedhead made for the marriage of King Henry VIII and Anne of Cleeves (1539)

It comes as a surprise to think that it was in 1983 that the Burrell Collection opened in its specially designed building in Pollok Country Park and now is in need of a major refurbishment and redisplay.

Stained glass panel Prophet Jeremiah  - France (place of manufacture)  - 13th century coloured glass

Stained glass panel Prophet Jeremiah – France (place of manufacture) – 13th century coloured glass

The collection, which took Sir William Burrell some eighty years to create, has over nine thousand objects (antiquities, objects, tapestries and paintings) in it and ranks highly among the world’s great personal collections. When Sir William and his wife gave the collection to the City of Glasgow in 1944 he specified that items were not to be loaned for exhibition overseas, since as a shipping magnate he was aware of the possibility of damage in transit. It therefore took a bill approved by the Scottish Parliament in January of this year to allow for the first international tour, of which this exhibition is the prelude.

Wine ewer China; Jingdezhen (place of manufacture) Ming Dynasty – 15th Century

Wine ewer China; Jingdezhen (place of manufacture)
Ming Dynasty – 15th Century

There are forty-five star items on show, including a 1632 Rembrandt self-portrait, Cezanne’s Chateau of Medan, and the bed head of Henry VIII and Anne of Cleves, dated 1539, whose decoration includes erotic scenes. Other outstanding pieces are the falconry set of James IV and a Korean Celadon tea bowl. I can only recommend this show to you and suggest that you make an effort to see these wonderful items.

The Beach at Trouville; the Empress Eugenie Boudin, Eugène Louis (1824 - 1898; French)

The Beach at Trouville; the Empress Eugenie
Boudin, Eugène Louis (1824 – 1898; French)

Opening times:
15 December 2014 to 9 January 2015, 9.00am-5.30pm
(Closed weekends and from 24 December – 4 January)
Admission is free.
#BurrellatBonhams

Fluted plate armour Germany; South Germany; Nuremberg; possibly (place of manufacture) circa 1515

Fluted plate armour Germany; South Germany; Nuremberg; possibly (place of manufacture) circa 1515

http://www.bonhams.com
http://www.museumsgalleriesscotland.org.uk/…/burrell-collection

Enamelled copper dish. Made in Venice; Italy; 15th century

Enamelled copper dish. Made in Venice; Italy; 15th century