Les Colombes in Salisbury, until 22nd July 2018  

Doves

Les Colombes – Salisbury Cathedral

Les Colombes, an installation which started out as a commemoration of the end of the First World War, has gained even greater significance since the nerve agent attack earlier this year in this historic city.  Doves are a symbol of peace and hope and so totally appropriate as an antidote to the events that took place here.

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Michael Pendry installing Les Colombes in Salisbury Cathedral, 9th May 2018

The artist Michael Pendry has exhibited these works at various places around the world and encourages local people to create new doves to add to the total number and has done the same here in Salisbury Cathedral where some 2,500 ‘fly’ in the nave.

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Les Colombes reflected in William Pye’s font in Salisbury Cathedral

The step of taking the doves into the shops and city is a beautiful one for it spreads the message of peace and hope into the community and perhaps, just as following the descent of the Holy Spirit onto the apostles at Pentecost enabled the Apostles to be understood by people of different nations, it will be one that resonates with the many visitors that come here from around the World.

Doves in Casa Fina, High Street, Salisbury (c)

Doves in Casa Fina, High Street, Salisbury (c)

The artist says of his work: “Although the doves are folded by different people in their unity they stand for a fundamental human right – the right to peace and freedom. The time has come to declare ourselves and to stand up for this! May the flock of doves grow, from place to place, from country to country, and across all borders. Peace, freedom, and sustainability in a world of change and disturbance are the key themes of my installations.”

May his words as we approach Pentecost 2018 be heard both near and afar and acted upon.

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Reflections in Salisbury Cathedral

https://www.salisburycathedral.org.uk/

http://www.michaelpendry.de/

https://www.visitwiltshire.co.uk/salisbury

www.casafinasalisbury.co.uk

#SalisburyCityofDoves

 

The Salisbury Museum: Goliath, until 1st June 2018

Goliath 5 April 2018The name Goliath conjures up various images in one’s mind – large imposing, strong, unbeatable – and therefore you could be excused for envisioning a statue even larger than Michelangelo’s ‘David’ in Florence. Well the celebrated sculptor Johannes von Stumm, a former President of the Royal British Society of Sculptors, offers a different approach.

Goliath 1 May 2018His ‘Goliath’ stands on the ‘Wessex Plinth’ outside Salisbury Museum and its form recalls the standing stones of this area. It is of West Country granite combined with a glass head which recalls the actual fragility of Goliath against the stone from David’s sling.

Politics is a vocation where one can see “Goliath-like” figures rise to an almost unassailable prominence and then as most recently seen in this Government be brought down quickly but fortunately not as permanently as David did so many centuries ago.

 

 

www.salisburymuseum.org.uk 

www.vonstumm.co.uk

www.gardengallery.uk.com

An update: Sir Edward Heath – at home

An update: Sir Edward Heath – at home, until 1st November 2017

The view from Sir Edward’s bedroom window

Further to my post on Sir Edward’s home in Salisbury on 28th July 2016 I thought you may well be interested to know that Sir Edward’s bedroom – now used as a meeting room – is open to the public for the first time but retains its original contents. The artworks include watercolours by Thomas Bush Hardy, Peter Greenham and a gouache attributed to Giacomo Guardi. There are also pieces of Biedermeier furniture and a small occasional table which is thought to have been made by Sir Edward’s father. As I said last year this is great place to visit.

Biedermeier secretaire cabinet

 

A small mahogany occasional table possibly made by Sir Edward’s father.

 

 

 

 

 

 

http://www.arundells.org/

Sir Edward Heath – at home

Sir Edward Heath – at home in Salisbury

Arundells - Entrance Front

Arundells – Entrance Front

Standing in the wonderful environs of Salisbury’s Cathedral Close is Arundells a beautiful house of Georgian appearance which in part dates back to the mid-thirteenth century.  It was from 1985 to 2005 the home of the former politician and Prime Minister Sir Edward Heath and although he had a long political career the house is very much a personal home which reflects all facets of his life. It is important to remember as you go round it that it remains very much as it was when he lived there.

The Entrance Hall

The Entrance Hall

Immediately on arrival at the entrance hall you get the welcoming flavour of the house and an idea of how the strands of his interests are skilfully woven together. This he achieved with the help of the designer Derek Frost. Many of the paintings in the hall reflect his love of sailing through depictions and models of the five Morning Cloud yachts he sailed and interspersed among them are Napoleonic prisoner-of-war ship models made from bone and rigged with fine strands of hair.  The maritime-inspired combined clock and barometer was a gift from President Nixon.  There are also drawings by Sickert and Augustus and Gwen John.

Sir Edward seated at the piano in the Drawing Room

Sir Edward seated at the piano in the Drawing Room

A photograph of a young Sir Edward with Augustus John and Dorelia can be seen in the adjoining drawing room which is dominated by a Steinway grand piano which Sir Edward played and upon which are photographs of politicians and world leaders.  Among the many artworks in the room are paintings by L S Lowry, Ken Howard RA, Derek Hill and a painting of Heath’s home town ‘Broadstairs’ by Sir Robert Ponsonby-Staples which was a gift from Sir John Betjeman, given as Sir Edward had so often admired it when visiting Betjeman. Two pieces of sculpture one of Sir Winston and Lady Churchill by Oscar Nemon and a bust of Sir Edward by Martin Jennings are worthy of inspection as are the carved Chinese pieces on the mantelpiece and to its right the display of blue and white porcelain including a large pair of bottle vases which were a gift from Chairman Mao.

Portocarrero ‘Girl in a Fantastic Costume Cuba’

Portocarrero
‘Girl in a Fantastic Costume Cuba’

Pictures in the corridor towards the dining room and library include two paintings by Sir Winston Churchill which he gave to Heath.  There is also a fine group of etchings by William Wyllie, two Singer Sargent’s and a painting by the Cuban artist Portocarrero which was a gift from Fidel Castro.

The Dining Room

The Dining Room

The dining room is hung with pictures by John Piper, including two Sir Edward commissioned himself.  The table is set for lunch which was one of his favourite ways of entertaining – roast lamb followed by Stilton cheese, halibut and lemon pudding were among his favourites as were Brussels sprouts – and from the place cards on view when I was there one gets an idea of the wide range of people he invited which included Princess Margaret, Sting and Sir Harold Wilson.  Dame Maggie Smith, Terry Wogan and Yehudi Menuhin are among other well-known guests. There is also a large group of ceramic pieces on display including Tang pottery, Sevres, Chelsea and Worcester porcelain as well as some Copenhagen Flora Danica.

A view of some of the ceramics in the Dining Room

A view of some of the ceramics in the Dining Room

The Library overlooking the garden contains the high wing-back chair Sir Edward favoured and it was where he would entertain and chat to colleagues and friends from all political parties and walks of life. The walls are adorned with 18th and 19th century Japanese prints which perfectly suit the room. One of the major achievements of his political life was a growing rapport between the UK and China which is also reflected throughout the house but he also obviously had an interest in their arts and culture which is particularly apparent in the panels of specially commissioned wallpaper on the staircase which relates the popular Chinese legend of the Monkey King. They were a house-warming present from two of his former Private Secretaries.

The Library

The Library

Upstairs is Sir Edward’s study which was his private sanctum and where he worked at a Georgian writing desk which had previously belonged to David Lloyd-George. Heath’s army career is also recalled in another room with uniforms and other memorabilia on show from when he was with the Royal Artillery during the War and later on with the Honourable Artillery Company. His Garter Banner hangs on an upstairs corridor wall.

The Study

The Study

Downstairs just beyond the stair hall is a short corridor which is hung with political cartoons by leading cartoonists such as Giles, Jak, Low and Trog, many of which feature Sir Edward.  He enjoyed sharing them with his visitors although sometimes I imagine it may have been a wry chuckle.

Emmwood ©The Daily Mail

Emmwood
©The Daily Mail

Outside the beautiful garden, an intriguing combination of open spaces and secluded areas, is very much as created for Sir Edward.  It stretches down to the confluence of the Rivers Nadder and Avon and reveals a wonderful view across to the meadows. In one corner is the restored bow of Morning Cloud III which was sunk by a freak wave in September 1974, and whose two crew members Nigel Cummings and Christopher Chadd (Sir Edward’s godson) tragically lost their lives.

The view from the end of the garden

The view from the end of the garden

At the front of the house with its view into the Close and of the Cathedral is an exhibition space in a building which used to house Sir Edward’s archive.  At present (until mid-August) there is a display focusing on ‘World Leaders of the 1970s: A Decade of Turmoil’ which features President Nixon, Leonard Brezhnev, Chairman Mao Zedong, Willy Brandt, Indira Gandhi, President Pompidou, Kakuei Tanaka, Pierre Trudeau and Henry Kissinger.  Interestingly enough the latter will be giving a lecture in London in October as part of a series of celebrations organised by the Sir Edward Heath Charitable Foundation to celebrate the centenary of Sir Edward’s birth (9th July, 2016). The following exhibition which runs until May 2017 is ‘Heath at 100: A Political Life in Cartoons’ which promises to be a fascinating way of remembering the major events of his time in politics.

Tang Dynasty Horse

Tang Dynasty Horse

My visit made a lasting impression and I would readily accept an offer to live there just as it is, because it’s a happy house of taste, comfort and history.  I can quite understand why Sir Edward fell in love with it at first sight and for us visitors today it is extremely fortunate that he was able to acquire the lease in 1992 and that he formed a charitable trust which allows us to share in the delights of Arundells and to remember Sir Edward, the man.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

http://www.arundells.org

Hiroshi Yoshida The Inland Sea Series

Hiroshi Yoshida
The Inland Sea Series

Charles Cundall – Salisbury & London

Charles Cundall – A Working Method, Young Gallery, Market Place, Salisbury SP1, until 21st April 2016  then at Sotheran’s, 2-4 Sackville Street, London W1,  28th April – 7th May 2016

Study for a painting of the Steel Company of Wales, Newport, circa 1958 Framed (ref: 4013) Oil on canvas 26 x 30 in. (66 x 76.2 cm) Provenance: Acquired directly from the Artist's Daughter Exhibited: - A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran's, April-May 2016. Literature: Charles Cundall - A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

Study for a painting of the Steel Company of Wales, Newport, circa 1958
Framed (ref: 4013)
Oil on canvas
26 x 30 in. (66 x 76.2 cm)
Provenance: Acquired directly from the Artist’s Daughter
Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016.
Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

Charles Cundall (1890-1971) was without doubt a talented and well-travelled artist.  He started as a designer at the Pilkington Pottery, before studying art at the Royal College of Art and then eventually at the Slade.  Panoramic pictures were one of his specialities and they reveal his skill in handling texture and light as well as depicting people.  He was also a war artist in World War II. We are fortunate that this exhibition is also coming to London in a week or two.

Lancaster Bombers Framed (ref: 6976) Watercolour on paper 9 ½ x 24 in. (24 x 61 cm) Provenance: Acquired directly from the Artist's Daughter Exhibited: - A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran's, April-May 2016. Literature: Charles Cundall - A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

Lancaster Bombers
Framed (ref: 6976)
Watercolour on paper
9 ½ x 24 in. (24 x 61 cm)
Provenance: Acquired directly from the Artist’s Daughter
Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016.
Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

http://www.lissfineart.com

The cattle market Orvieto, 1922 Framed (ref: 5225) Signed and dated 21 1/4 x 17 1/2 in. (54 x 44.5 cm) Provenance: Colnaglia & Obach Exhibited: - A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran's, April-May 2016. Literature: Charles Cundall - A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.

The cattle market Orvieto, 1922
Framed (ref: 5225)
Signed and dated
21 1/4 x 17 1/2 in. (54 x 44.5 cm)
Provenance: Colnaglia & Obach
Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016.
Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.