Early Maiolica

Maiolica before Raphael, Sam Fogg, 15D Clifford Street, London, W1, 8th May – 16th June 2017

A three-colour jug showing a
half-length figure in profile
Florentine district, Montelupo or Bacchereto
c. 1420–40

It will come as no surprise that it has taken leading medieval art specialist and dealer Sam Fogg many years to bring together the more than forty examples of late-medieval and early Renaissance pieces of maiolica which make up this important exhibition. The first such show for a hundred years!

Large dish with a bust-length portrait
of a young man
Deruta
c. 1470–80

Most of use when thinking of maiolica bring to our mind the istoriato pieces with their decoration of mythological, historic or religious scenes but this exhibition reveals the earlier period before Raphael – the era of Donatello, Mantegna and Botticelli.

Large albarello with an owl and a stork
Montelupo
c. 1430–50

The tin white glaze applied to the earthenware pieces was decorated with motifs inspired by textiles, metalwork and the lusterware of Islamic Spain.  These were exciting and original and one can easily understand why some contemporary buyers valued them more highly than precious metals.

Inkstand with figures of the Virtues
Probably Faenza
c. 1480–90

The accompanying catalogue celebrates contemporary scholarship with a foreword by Timothy Wilson, and essays by Elisa Sani and Justin Raccanello which look at both the evolution of the pottery and the story of the collecting of Italian pre-Renaissance pottery up until the present day.

 

http://www.samfogg.com

MASTERPIECE LONDON 2015: Sculpture and a Micromosaic

Roman Relief Fragment Depicting Theseus, 1st Century AD, terracotta.  Charles Ede

Roman Relief Fragment Depicting Theseus, 1st Century AD, terracotta.
Charles Ede

 

An Anglo-Saxon lion head corbel,  England, Mid-11th Century.  Sam Fogg

An Anglo-Saxon lion head corbel,
England, Mid-11th Century.
Sam Fogg

 

The Map of Chandigarh, Manhole Cover, Designed by Le Corbusier (1887-1965)  French, Cast Iron, Early 1950s,  Peter Petrou

The Map of Chandigarh, Manhole Cover, Designed by Le Corbusier (1887-1965)
French, Cast Iron, Early 1950s,
Peter Petrou

 

 

 

 

 

 

 

 

 

 

 

 

William Tucker,  Messenger, 2001,  Bronze, Edition of 3,  Image courtesy of Pangolin London and the artist

William Tucker,
Messenger, 2001,
Bronze, Edition of 3,
Image courtesy of Pangolin London and the artist

 

ASIAN ART IN LONDON PAVILION AT MASTERPIECE Katusha Bull The Dawn, 2015 Pink onyx 44 x 43 x 20 cm (17 1/3 x 17 x 8 in) GALLERY ELENA SHCHUKINA

ASIAN ART IN LONDON PAVILION AT MASTERPIECE
Katusha Bull
The Dawn, 2015
Pink onyx
44 x 43 x 20 cm (17 1/3 x 17 x 8 in)
GALLERY ELENA SHCHUKINA

 

Italian Roman Micromosaic Plaquette Contained in its Original Red Morocco Leather.  Finch & Co

Italian Roman Micromosaic Plaquette Contained in its Original Red Morocco Leather.
Finch & Co

 

 

http://www.charlesede.com

http://www.samfogg.com

http://www.peterpetrou.com

http://www.pangolinlondon.com

http://www.asianartinlondon.com

 http://www.finch-and-co.co.uk

http://www.masterpiecefair.com

Indian Paintings and Drawings

Indian Paintings and Drawings from the 16th – 19th centuries, Sam Fogg, 15D Clifford Street, London W1, until 7th November 2014

Maharana Jagat Singh II (r. 1734-1751) enjoying a dance performance  Udaipur Circa 1740 26 x 35 cm; opaque pigments and gold on paper

Maharana Jagat Singh II (r. 1734-1751) enjoying a dance performance
Udaipur
Circa 1740
26 x 35 cm; opaque pigments and gold on paper

This is a very special exhibition, spanning the 16th-19th centuries, of Indian miniature paintings and drawings.

Equestrian portrait of Abhai Singh of Jodhpur Jodhpur Circa 1720-30 30.5 x 23.4 cm; opaque watercolour and gold on paper laid down on card

Equestrian portrait of Abhai Singh of Jodhpur
Jodhpur
Circa 1720-30
30.5 x 23.4 cm; opaque watercolour and gold on paper laid down on card

It focuses on the Northern and Central Indian artists and workshops that produced paintings on cloth and paper for their rulers and their immediate courts. These royal courts (Mughal, Deccan and Rajput) were complex entities with their own styles, customs and traditions which were defined by religion geography and systems of government.

An illustration from the Ramayana: The Funeral and Cremation of Dasharatha Kangra c. 1830 40.8 x 53 cm; opaque watercolour with gold, reverse with identification inscription Ayodhya kanda 41

An illustration from the Ramayana: The Funeral and Cremation of Dasharatha
Kangra
c. 1830
40.8 x 53 cm; opaque watercolour with gold, reverse with identification inscription Ayodhya kanda 41

 

http://www.samfogg.com