A Celebration of Tea Drinking

LAPADA Art & Antiques Fair 2016, Berkeley Square, Mayfair, London W1, 13th – 18th September 2016

Famille Verte Teapot China, Kangxi period, ca.1690

Famille Verte Teapot
China, Kangxi period, ca.1690

Now in its eighth year this popular fair is the place to find fine pieces from across all disciplines. It is therefore appropriate that this year there is a select group of highlights from the Chitra Collection which celebrates tea over the centuries through the vessels and other paraphernalia involved in its drinking and preparation.

Tea Caddy, boîte à thé Sèvres, Louis-Jean Thévenet (painter) France, c. 1765

Tea Caddy, boîte à thé
Sèvres, Louis-Jean Thévenet (painter)
France, c. 1765

This is the first time pieces from the collection have been shown in the UK and its curator Olivia Fryman has selected items that reflect the long history of this beverage. Starting with the beginnings of the tea story in China and Japan, we then pass on to the growing interest and consumption of it in Europe (Catherine of Braganza, Charles II’s wife, introduced tea to this country) in the 17th and 18th centuries and then go on to see how it played an important role in the story of the British Empire. The last piece of this story looks at the global interest, especially in Russia and America, and how tea became a part of everyday life for many.

Copper Gilt Mounted Chinese Porcelain Teapot China and Germany, Kangxi period (1654 - 1722), mounts ca.1680

Copper Gilt Mounted Chinese Porcelain Teapot
China and Germany, Kangxi period (1654 – 1722), mounts ca.1680

The collection has been put together by the London-based businessman Nirmal Kumar Sethia, who says “The Chitra Collection will continue to inspire generations of tea lovers long after I’m gone. It is my wish that, for centuries to come, the world will be able to appreciate and experience the beauty and significance of tea, art and culture”. His interest has continued since he first started working as an apprentice tea buyer in London, aged 14. He started the luxury tea company Newby Teas in 2000.

Cup and saucer Meissen, J. G. Höroldt (painter) Germany, c. 1722-3

Cup and saucer
Meissen, J. G. Höroldt (painter)
Germany, c. 1722-3

There are in excess of 1700 tea-related objects in the collection which was named in memory of his late wife and I think you may agree from the selection illustrated here that it is a fascinating subject.

Teapot Royal Worcester, George Owen and Samuel Ranford England, 1878

Teapot
Royal Worcester, George Owen and Samuel Ranford
England, 1878

lapadalondon.com

Silver kettle and stand Paul de Lamerie England, 1751

Silver kettle and stand
Paul de Lamerie
England, 1751

Stepping Back in Time

Step this Way: the Red Drawing Room opened up, Waddesdon Manor, Aylesbury, Buckinghamshire,  until 23rd October 2016

View from the Oval Hall, Waddesdon, Photo John Bigelow Taylor ©The National Trust, Waddesdon Manor

View from the Oval Hall, Waddesdon,
Photo John Bigelow Taylor ©The National Trust, Waddesdon Manor

This year visitors to Waddesdon retrace the footsteps of the 19th century guests of Baron Ferdinand. Entering through the main door they cross the Vestibule and enter directly into the Red Drawing Room which is the central room on the south side of the house.  Here guests would congregate before going into dinner in the Dining Room on the left-hand side.

The Red Drawing Room, Waddesdon Manor (C) The National Trust, Waddesdon Manor photo Dereck Pelling (4)

The Red Drawing Room, Waddesdon Manor
(C) The National Trust, Waddesdon Manor photo Dereck Pelling (4)

The Red Drawing Room has been brought back very much as it was in Baron Ferdinand’s time, including the tapestry covered chairs – a necessity since as many as forty guests may have been invited – and a screen decorated with monkeys.

View of the Red Drawing Room from Baron Ferdinand de Rothschild’s Red Book, 1897; ©The National Trust, Waddesdon Manor (2)

View of the Red Drawing Room from Baron Ferdinand de Rothschild’s Red Book, 1897;
©The National Trust, Waddesdon Manor (2)

In order to facilitate this year’s “change” the 17th century Savonnerie carpet which is one of the one’s ordered by Louis XIV for the Grande Galerie of the Louvre has been removed and replaced with an eyemat conservation floor that is an exact copy of the original carpet and this allows visitors to get closer to the paintings and furniture.

Savonnerie, Carpet, 1683 Photo P J Gates © The National Trust, Waddesdon Manor

Savonnerie, Carpet, 1683
Photo P J Gates © The National Trust, Waddesdon Manor

Looking through the windows, which now have special blinds which filter out damaging UV radiation to protect light-sensitive materials and textiles but allow light into the room, one sees the Terrace which the Baron’s guests would have been able to access through the central doorway.

The Red Drawing Room, Waddesdon Manor (C) The National Trust, Waddesdon Manor photo Derek Pelling (3)

The Red Drawing Room, Waddesdon Manor
(C) The National Trust, Waddesdon Manor photo Derek Pelling (3)

Looking out across the terrace visitors will see the parterre which this year has specially been planted with an Apollo’s head motif which was inspired by the one on the Red Drawing Room’s carpet.  Closer inspection of this attractive design can be made after you have toured the house.

Waddesdon Layout 2016 - final Carpet bedding

Waddesdon Layout 2016 – final Carpet bedding

http://www.waddesdon.org.uk

INSPIRED BY WADDESDON

Kate Malone: Inspired by Waddesdon, The Coach House, Waddesdon Manor, Aylesbury, Buckinghamshire, until 16th October 2016

 

Baron Ferdinand Lidded Vase, 2016 © Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

Baron Ferdinand Lidded Vase, 2016
© Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

Visitors to the special display at Waddesdon Manor this year of ceramics by Kate Malone will be left with no doubt why she is so highly regarded internationally. To many of you she will also be known as one of the judge’s in the BBC’s The Great Pottery Throw Down.

Kate Malone ©National Trust, Waddesdon Manor photo Kathy Chantler

Kate Malone
©National Trust, Waddesdon Manor photo Kathy Chantler

She certainly found inspiration at Waddesdon and has produced pieces that reflect the gardens especially those at Eythrope on the estate which was the home of Alice de Rothschild.  From Waddesdon her inspiration came from architectural details and the passementerie decorating the curtains and upholstery in the house itself. Her residency while preparing for this project has certainly paid off and she has even been inspired by the house’s renowned Sèvres collection.

Waddesdon Passementerie Vase, 2016 and Waddesdon Passementerie Knotted Gourd, 2016 © Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

Waddesdon Passementerie Vase, 2016 and Waddesdon Passementerie Knotted Gourd, 2016
© Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

 

Beauvais tapestry manufactory, Large door curtain mounted with sections of Beauvais tapestry, and large rope tie-back, 1685-1689 {assembled later}; Photo Rachel Boak © The National Trust, Waddesdon Manor

Beauvais tapestry manufactory,
Large door curtain mounted with sections of Beauvais tapestry, and large rope tie-back, 1685-1689 {assembled later};
Photo Rachel Boak © The National Trust, Waddesdon Manor

 

Monsieur Hebert's Lidded Sevres Jar, 2016 © Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

Monsieur Hebert’s Lidded Sevres Jar, 2016
© Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

 

 

 

 

 

 

 

 

 

 

Kate has described this project saying “I cover new ground in this exhibition by working with new clay-types and creative techniques. My hope was to create a visual feast, with bountiful ceramic sculptures that interpret many aspects of Waddesdon’s history. I’ve aimed to capture the very essence of Waddesdon through displaying a host of artworks which represent the land, farmers, builders, gardeners, and people who have worked and lived there.”

Assorted Eythrope Pumpkins, 2016 © Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

Assorted Eythrope Pumpkins, 2016
© Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

I hope you will agree with me that she certainly has more than achieved her aims.

Kate Malone, A Pair of Masquerade Gourds, 2016 © Kate Malone. Courtesy of Adrian Sassoon, London

Kate Malone, A Pair of Masquerade Gourds, 2016
© Kate Malone. Courtesy of Adrian Sassoon, London

 

Events:

An Encounter with Ceramic Artist Kate Malone

Wed 28 September and Wed 5 October 2016

10.30 am-4.15 pm £40.00.

Participants will discover what inspired Kate Malone in the Manor and Eythrope Gardens, and see the exhibition with Kate herself.

 

Miss Alice Lidded Vase, 2015 © Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

Miss Alice Lidded Vase, 2015
© Kate Malone. Courtesy of Adrian Sassoon, London, photo Sylvain Deleu

http://www.waddesdon.org.uk

http://www.adriansassoon.com

 

Sir Edward Heath – at home

Sir Edward Heath – at home in Salisbury

Arundells - Entrance Front

Arundells – Entrance Front

Standing in the wonderful environs of Salisbury’s Cathedral Close is Arundells a beautiful house of Georgian appearance which in part dates back to the mid-thirteenth century.  It was from 1985 to 2005 the home of the former politician and Prime Minister Sir Edward Heath and although he had a long political career the house is very much a personal home which reflects all facets of his life. It is important to remember as you go round it that it remains very much as it was when he lived there.

The Entrance Hall

The Entrance Hall

Immediately on arrival at the entrance hall you get the welcoming flavour of the house and an idea of how the strands of his interests are skilfully woven together. This he achieved with the help of the designer Derek Frost. Many of the paintings in the hall reflect his love of sailing through depictions and models of the five Morning Cloud yachts he sailed and interspersed among them are Napoleonic prisoner-of-war ship models made from bone and rigged with fine strands of hair.  The maritime-inspired combined clock and barometer was a gift from President Nixon.  There are also drawings by Sickert and Augustus and Gwen John.

Sir Edward seated at the piano in the Drawing Room

Sir Edward seated at the piano in the Drawing Room

A photograph of a young Sir Edward with Augustus John and Dorelia can be seen in the adjoining drawing room which is dominated by a Steinway grand piano which Sir Edward played and upon which are photographs of politicians and world leaders.  Among the many artworks in the room are paintings by L S Lowry, Ken Howard RA, Derek Hill and a painting of Heath’s home town ‘Broadstairs’ by Sir Robert Ponsonby-Staples which was a gift from Sir John Betjeman, given as Sir Edward had so often admired it when visiting Betjeman. Two pieces of sculpture one of Sir Winston and Lady Churchill by Oscar Nemon and a bust of Sir Edward by Martin Jennings are worthy of inspection as are the carved Chinese pieces on the mantelpiece and to its right the display of blue and white porcelain including a large pair of bottle vases which were a gift from Chairman Mao.

Portocarrero ‘Girl in a Fantastic Costume Cuba’

Portocarrero
‘Girl in a Fantastic Costume Cuba’

Pictures in the corridor towards the dining room and library include two paintings by Sir Winston Churchill which he gave to Heath.  There is also a fine group of etchings by William Wyllie, two Singer Sargent’s and a painting by the Cuban artist Portocarrero which was a gift from Fidel Castro.

The Dining Room

The Dining Room

The dining room is hung with pictures by John Piper, including two Sir Edward commissioned himself.  The table is set for lunch which was one of his favourite ways of entertaining – roast lamb followed by Stilton cheese, halibut and lemon pudding were among his favourites as were Brussels sprouts – and from the place cards on view when I was there one gets an idea of the wide range of people he invited which included Princess Margaret, Sting and Sir Harold Wilson.  Dame Maggie Smith, Terry Wogan and Yehudi Menuhin are among other well-known guests. There is also a large group of ceramic pieces on display including Tang pottery, Sevres, Chelsea and Worcester porcelain as well as some Copenhagen Flora Danica.

A view of some of the ceramics in the Dining Room

A view of some of the ceramics in the Dining Room

The Library overlooking the garden contains the high wing-back chair Sir Edward favoured and it was where he would entertain and chat to colleagues and friends from all political parties and walks of life. The walls are adorned with 18th and 19th century Japanese prints which perfectly suit the room. One of the major achievements of his political life was a growing rapport between the UK and China which is also reflected throughout the house but he also obviously had an interest in their arts and culture which is particularly apparent in the panels of specially commissioned wallpaper on the staircase which relates the popular Chinese legend of the Monkey King. They were a house-warming present from two of his former Private Secretaries.

The Library

The Library

Upstairs is Sir Edward’s study which was his private sanctum and where he worked at a Georgian writing desk which had previously belonged to David Lloyd-George. Heath’s army career is also recalled in another room with uniforms and other memorabilia on show from when he was with the Royal Artillery during the War and later on with the Honourable Artillery Company. His Garter Banner hangs on an upstairs corridor wall.

The Study

The Study

Downstairs just beyond the stair hall is a short corridor which is hung with political cartoons by leading cartoonists such as Giles, Jak, Low and Trog, many of which feature Sir Edward.  He enjoyed sharing them with his visitors although sometimes I imagine it may have been a wry chuckle.

Emmwood ©The Daily Mail

Emmwood
©The Daily Mail

Outside the beautiful garden, an intriguing combination of open spaces and secluded areas, is very much as created for Sir Edward.  It stretches down to the confluence of the Rivers Nadder and Avon and reveals a wonderful view across to the meadows. In one corner is the restored bow of Morning Cloud III which was sunk by a freak wave in September 1974, and whose two crew members Nigel Cummings and Christopher Chadd (Sir Edward’s godson) tragically lost their lives.

The view from the end of the garden

The view from the end of the garden

At the front of the house with its view into the Close and of the Cathedral is an exhibition space in a building which used to house Sir Edward’s archive.  At present (until mid-August) there is a display focusing on ‘World Leaders of the 1970s: A Decade of Turmoil’ which features President Nixon, Leonard Brezhnev, Chairman Mao Zedong, Willy Brandt, Indira Gandhi, President Pompidou, Kakuei Tanaka, Pierre Trudeau and Henry Kissinger.  Interestingly enough the latter will be giving a lecture in London in October as part of a series of celebrations organised by the Sir Edward Heath Charitable Foundation to celebrate the centenary of Sir Edward’s birth (9th July, 2016). The following exhibition which runs until May 2017 is ‘Heath at 100: A Political Life in Cartoons’ which promises to be a fascinating way of remembering the major events of his time in politics.

Tang Dynasty Horse

Tang Dynasty Horse

My visit made a lasting impression and I would readily accept an offer to live there just as it is, because it’s a happy house of taste, comfort and history.  I can quite understand why Sir Edward fell in love with it at first sight and for us visitors today it is extremely fortunate that he was able to acquire the lease in 1992 and that he formed a charitable trust which allows us to share in the delights of Arundells and to remember Sir Edward, the man.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

http://www.arundells.org

Hiroshi Yoshida The Inland Sea Series

Hiroshi Yoshida
The Inland Sea Series

Masterpiece London 2016 – Preview

Masterpiece London 2016, The Bull Ring Gate Entrance, South Grounds, The Royal Hospital Chelsea, London SW3, 30thJune – 6th July 2016

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management 2015 Courtesy Masterpiece London

Nazy Vassegh, CEO of Masterpiece with J.F. Courville, Executive Vice President and Chief Operating Officer at the RBC Wealth Management
2015
Courtesy Masterpiece London

Now in its 7th edition one can easily understand why Masterpiece has become a magnet for collectors and museum curators from around the world.  There is a great emphasis on quality and connoisseurship and the pieces on show reflect more than five thousand years of art history – and yes they are for sale.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Masterpiece’s chief executive Nazy Vassegh says: ‘I am delighted to announce so many exciting additions to this year’s fair. Masterpiece 2016 will have unrivalled depth and quality, and I am pleased that Masterpiece continues to strengthen every edition. We are looking forward to another great year.’

It truly is a must visit fair and allow yourself plenty of time because there are so many exciting things to see and tempt. Like me you may well want visit more than once.

Vetting during Masterpiece London 2015 Courtesy Masterpiece London

Vetting during Masterpiece London 2015
Courtesy Masterpiece London

Over the coming days I will post varied selections of what is on show.

 

http://www.masterpiecefair.com

FRENCH PORCELAIN AT THE FRICK COLLECTION

FROM SÈVRES TO FIFTH AVENUE: FRENCH PORCELAIN AT THE FRICK COLLECTION, The Frick Collection, 1 East 70th Street, near Fifth Avenue, until 24th April 2016

Factory: Sèvres Porcelain Manufactory Model by: Jean-Claude Duplessis (c.1695- 1774) Pot-Pourri Myrte with Flemish Scenes and Landscapes, c.1762 soft-paste porcelain on gilt bronze plinth 14 3/16 x 7 1/8 in. (36 x 18.1 cm) Henry Clay Frick Bequest Accession number: 1918.9.10

Factory: Sèvres Porcelain Manufactory
Model by: Jean-Claude Duplessis (c.1695- 1774)
Pot-Pourri Myrte with Flemish Scenes and Landscapes, c.1762
soft-paste porcelain on gilt bronze plinth
14 3/16 x 7 1/8 in. (36 x 18.1 cm)
Henry Clay Frick Bequest
Accession number: 1918.9.10

Now a museum, the building was originally built by Henry Clay Frick as a home and in it he wanted to emulate the great houses of the grandest European collectors by combining Old Masters with the best of the decorative arts. He achieved this with the help of the celebrated art dealer Sir Joseph Duveen.

Tea Service (milk jug, tea pot, sugar bowl) Sèvres Porcelain Manufactory French, 1767 Soft-paste porcelain Teapot: 51/2 x 7 3/16 x 4 1/8 in. (14 x 18.3 x 10.5 cm) Sugar bowl: h. 4 3/4 in. (12.1 cm), diam. 3 7/8 in. (9.8 cm) Milk jug: 4 5/8 x 5 x 3 1/2 in. (11.7 x 12.7 x 8.9 cm) Henry Clay Frick Bequest (1918.9.21−31)

Tea Service (milk jug, tea pot, sugar bowl)
Sèvres Porcelain Manufactory
French, 1767
Soft-paste porcelain
Teapot: 51/2 x 7 3/16 x 4 1/8 in. (14 x 18.3 x 10.5 cm)
Sugar bowl: h. 4 3/4 in. (12.1 cm), diam. 3 7/8 in. (9.8 cm)
Milk jug: 4 5/8 x 5 x 3 1/2 in. (11.7 x 12.7 x 8.9 cm)
Henry Clay Frick Bequest (1918.9.21−31)

Among the treasures on show is a wonderful group of Sèvres Porcelain which is being celebrated in this special exhibition organized by Charlotte Vignon, the Collection’s Curator of Decorative Arts and made possible by Sidney R. Knafel and Londa Weisman.

Tea Service (saucer, cup, cup and saucer) Sèvres Porcelain Manufactory French, 1767 Soft-paste porcelain Cups: 2 3/8 x 3 11/16 x 2 7/8 in. (6 x 9.4 x 7.3 cm) Saucers: h. 1 13/8 in. (3.5 cm), diam. 5 3/8 in. (13.7 cm) Henry Clay Frick Bequest (1918.9.21−31)

Tea Service (saucer, cup, cup and saucer)
Sèvres Porcelain Manufactory
French, 1767
Soft-paste porcelain
Cups: 2 3/8 x 3 11/16 x 2 7/8 in. (6 x 9.4 x 7.3 cm)
Saucers: h. 1 13/8 in. (3.5 cm), diam. 5 3/8 in. (13.7 cm)
Henry Clay Frick Bequest (1918.9.21−31)

The Portico Gallery exhibition examines both the use of Sèvres in the ancien régime and its appeal in America’s Gilded Age and for this items normally on display and others usually in storage have been brought together.

Factory: Sèvres Porcelain Manufactory Painted by: Jean-Baptiste Tandart  (active 1754- 1803) Plate: Part of a Dessert Service with Flowers and Turquoise Blue Ribbons, 1782 Soft-paste porcelain 1 x 9 3/8 in. (2.5 x 23.8 cm) Henry Clay Frick Bequest Accession number: 1918.9.36

Factory: Sèvres Porcelain Manufactory
Painted by: Jean-Baptiste Tandart  (active 1754- 1803)
Plate: Part of a Dessert Service with Flowers and Turquoise Blue Ribbons, 1782
Soft-paste porcelain
1 x 9 3/8 in. (2.5 x 23.8 cm)
Henry Clay Frick Bequest
Accession number: 1918.9.36

Among the pieces Frick acquired is the wonderful Potpourri Vase “à Vaisseau” and a pair of side vases (Vases “à Oreilles,”) usually in the Fragonard Room.  Two years later in 1918 a boudoir was created on the second floor for Mrs Frick (it was later moved to the main floor) and Duveen supplied a garniture of three potpourri vase feuilles de mirte for the mantelpiece and in a cabinet in the room there were pieces with a turquoise blue (bleu céleste) ground colour. Further acquisitions included a pair of Vincennes Vases Duplessis “à Enfants” and a 1767 turquoise ground tea service decorated with birds.

Factory: Sèvres Porcelain Manufactory Painted by: Jean-Louis Morin (active 1754- 1787) Gilded by: Henri-Martin Prévost aîné (active 1757- 1797) Water Jug with Marine Scenes, Turquoise Blue Ground, 1781 soft-paste porcelain 8 1/4 x 5 5/8 x 5 1/8 in. (21 x 14.3 x 13 cm) Gift of Miss Helen Clay Frick, 1934 Accession number: 1934.9.44

Factory: Sèvres Porcelain Manufactory
Painted by: Jean-Louis Morin (active 1754- 1787)
Gilded by: Henri-Martin Prévost aîné (active 1757- 1797)
Water Jug with Marine Scenes, Turquoise Blue Ground, 1781
soft-paste porcelain
8 1/4 x 5 5/8 x 5 1/8 in. (21 x 14.3 x 13 cm)
Gift of Miss Helen Clay Frick, 1934
Accession number: 1934.9.44

The collection has been added to over the years with gifts from other family members and generous donors.  The Vase Japon, for example, was bought by the Trustees to mark the retirement of Anne L. Poulet, the Museum’s Director, in 2011.

Factory: Sèvres Porcelain Manufactory Gilded by: Jean-Armand Fallot active between: 1764 - 1790 Vase Japon, 1774 Hard paste porcelain with overglaze and gilt painted decoration, and gilt silver hardware 20.3 cm (8 in.) Height: 10 1/2 in. (26.7 cm) Purchase in honor of Anne L. Poulet, 2011 Accession number: 2011.9.01

Factory: Sèvres Porcelain Manufactory
Gilded by: Jean-Armand Fallot active between: 1764 – 1790
Vase Japon, 1774
Hard paste porcelain with overglaze and gilt painted decoration, and gilt silver hardware
20.3 cm (8 in.) Height: 10 1/2 in. (26.7 cm)
Purchase in honor of Anne L. Poulet, 2011
Accession number: 2011.9.01

To me this is a show which underlines the beauty and enduring appeal of Sèvres Porcelain to successive generations of collectors and admirers.

Martin Carlin (attributed to) (c. 1730 - 1785) Painted by: Edmé-François Bouillat (active 1785-1793) Gilded by: Michel-Barnabé Chauvaux l'aîné (1752 - 1788) Directed Production: Dominique Daguerre Gilt-Bronze Tripod Table with Sèvres Porcelain Plaques, c.1783 gilt-bronze, oak, and Sèvres soft-paste porcelain 29 1/2 x 14 5/8 in. (74.9 x 37.1 cm) Henry Clay Frick Bequest Accession number: 1918.5.61

Martin Carlin (attributed to) (c. 1730 – 1785)
Painted by: Edmé-François Bouillat (active 1785-1793)
Gilded by: Michel-Barnabé Chauvaux l’aîné (1752 – 1788)
Directed Production: Dominique Daguerre
Gilt-Bronze Tripod Table with Sèvres Porcelain Plaques, c.1783
gilt-bronze, oak, and Sèvres soft-paste porcelain
29 1/2 x 14 5/8 in. (74.9 x 37.1 cm)
Henry Clay Frick Bequest
Accession number: 1918.5.61

 

 

Footnote:

Frick Collection Dec ArtsThis image of the cover of The Frick Collection Decorative Arts Handbook, which was published last year, depicts the Potpourri Vase “à Vaisseau” mentioned above.  I gather that they are selling out quite quickly so do get in touch with the Museum should you require one.

 

http://www.frick.org

The Wallace Collection on Canvas

Alan Kingsbury RWA ‘The Charms of Life’, Panter & Hall, 11-12 Pall Mall, London SW1, 11th – 27th November 2015

Alan Kingsbury RWA The Charms of Life oil on canvas 60 x 40 ins (152 x 102 cms) Photography by Simon Cook

Alan Kingsbury RWA
The Charms of Life
oil on canvas
60 x 40 ins (152 x 102 cms)
Photography by Simon Cook

The viewers and the lucky purchasers of these works can have no doubt that Alan Kingsbury has a warm affection for the treasures of art which make up the stunning Wallace Collection here in London.

Alan Kingsbury RWA Sevres through Red and Gold oil on canvas 54 x 50 ins (137 x 127 cms Photography by Simon Cook

Alan Kingsbury RWA
Sevres through Red and Gold
oil on canvas
54 x 50 ins (137 x 127 cms
Photography by Simon Cook

Kingsbury has been a fan of the Collection since he was a student and he has most evocatively translated his admiration for the rooms, furniture, porcelain, bronzes and paintings into these large-scale works.  They capture a spirit of intimacy which reminds us that indeed Hertford House was a family home, albeit enriched with great treasures.

Alan Kingsbury RWA Mercury oil on canvas 70 x 50 ins (178 x 127 cms) Photography by Simon Cook

Alan Kingsbury RWA
Mercury
oil on canvas
70 x 50 ins (178 x 127 cms)
Photography by Simon Cook

While in many ways to me this is a perfect show, for I too love the Wallace Collection, I shall leave the last word to Matthew Hall: ‘For me, Alan is undoubtedly one of the greatest figurative paintings of his generation.  In an age when the London commercial art scene is annually suffocated by the numbing homogeneity of the latest Florentine graduates, Alan’s paintings and talent scream integrity and substance.’

Alan Kingsbury RWA New Age oil on canvas 50 x 60 ins (127 x 152 cms) Photography by Simon Cook

Alan Kingsbury RWA
New Age
oil on canvas
50 x 60 ins (127 x 152 cms)
Photography by Simon Cook

 

Alan Kingsbury RWA Cornucopia oil on canvas 52 x 50 ins (132 x 127 cms Photography by Simon Cook

Alan Kingsbury RWA
Cornucopia
oil on canvas
52 x 50 ins (132 x 127 cms
Photography by Simon Cook

 

Alan Kingsbury RWA Constellation II oil on canvas 50 x 40 ins (127 x 102 cms)

Alan Kingsbury RWA
Constellation II
oil on canvas
50 x 40 ins (127 x 102 cms)

 

 

 

 

 

 

 

 

 

 

 

Alan Kingsbury RWA Room in Pink and Gold oil on canvas 70 x 50 ins (178 x 127 cms) Photography by Simon Cook

Alan Kingsbury RWA
Room in Pink and Gold
oil on canvas
70 x 50 ins (178 x 127 cms)
Photography by Simon Cook

 

 

http://www.panterandhall.com

A Royal Welcome

 

A Royal Welcome, The Summer Opening of the State Rooms at Buckingham Palace, until 27th September 2015.

The Ballroom at Buckingham Palace prepared for a State Banquet Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

The Ballroom at Buckingham Palace prepared for a State Banquet
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

It is hard to imagine the idea, living in a small flat, that as many as sixty-two thousand guests were invited to Buckingham Palace last year. They came to Garden Parties, receptions, Investitures, private audiences and finally and certainly not least State Visits with their full panoply of splendour.

The Australian State Coach, on display at the Grand Entrance. It is used as part of the arrival procession on the first day of a State Visit. Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

The Australian State Coach, on display at the Grand Entrance. It is used as part of the arrival procession on the first day of a State Visit.
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

For the first time this year visitors to the Summer Opening are allowed to enter the Palace through the Grand Entrance. As you do so you will pass the Australian State Coach which was used to bring Prince Philip and Señora Rivera de Peña, wife of the President of the United Mexican States, in the procession which brought the Queen and the Mexican President to the Palace at the commencement of their State Visit in March this year.

Knighting Stool Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

Knighting Stool
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

As you progress through the State Rooms you will come upon displays that reflect the various reasons why guests are invited. In the Throne Room Investitures is the theme with a display of orders, the Knighting Stool and sword as well as paintings of recipients of the Order of Merit.

Salt cellar acquired by George I, c.1721 and placed in front of The Queen and The Duke of Edinburgh at a State Banquet. It contains two compartments - one for salt, the other mustard. Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

Salt cellar acquired by George I, c.1721 and placed in front of The Queen and The Duke of Edinburgh at a State Banquet. It contains two compartments – one for salt, the other mustard.
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

The State Banquet in the Ballroom is the highlight of a State Visit and this year visitors see how the table is set-out for a banquet. It is a truly impressive sight with pieces from George IV’s silver-gilt Grand Service adorning the table which has one hundred and seventy place settings. It must be even more spectacular when the Queen and her guests are there.

Historic copper mould used to make ice cream bombes, served at State Banquets Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

Historic copper mould used to make ice cream bombes, served at State Banquets
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

Just before you go into the Ballroom you pass through the Ball Supper Room which has displays showing some of the behind-the-scenes preparations for a State banquet including the kitchens, silver and china pantries and the wine cellars. The recreation of the Dresser’s workroom includes items worn by the Queen and in adjoining displays there are some of her evening gowns worn at Banquets over the years as well as some of her personal diamond jewellery which she wears with them.

Tree of Life - a traditional Mexican clay sculpture, presented to The Queen by the President of the United Mexican States, 2015 Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

Tree of Life – a traditional Mexican clay sculpture, presented to The Queen by the President of the United Mexican States, 2015
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

In the State Dining Room some of the gifts presented to Her Majesty by visiting Heads of State are on show. It is customary for gifts to be exchanged on the first day of a State Visit as a token of goodwill. Garden Parties are celebrated in the display in the Music Room. As you leave the Palace through the Bow Room the doors are open to the 1844 Drawing Room on the right which is set up for a meeting of the Privy Council. It is also the room where new Ambassadors present their credentials to the Queen and where she receives people in audience.

Centrepiece in use during a State Banquet at Buckingham Palace Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

Centrepiece in use during a State Banquet at Buckingham Palace
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

Visitors to the Summer Opening always get a most warm and friendly welcome from all the attendants on duty which helps make it such a special pleasure to visit the Palace. What this year’s theme does is show how very special and wonderful it is to be invited as a guest of Her Majesty the Queen.

The Ballroom at Buckingham Palace set up for a State Banquet. Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

The Ballroom at Buckingham Palace set up for a State Banquet.
Royal Collection Trust (c) Her Majesty Queen Elizabeth II, 2015

 

http://www.royalcollection.org.uk

Sublime Gardens

 

Painting Paradise: The Art of the Garden, The Queen’s Gallery, Buckingham Palace, London SW1, until11th October 2015

Marco Ricci, A View of the Cascade, Bushy Park Water Gardens, c.1715. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Marco Ricci, A View of the Cascade, Bushy Park Water Gardens, c.1715.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

This is a great exhibition which celebrates the idea of the garden through paintings, drawings, books and the decorative arts from the 16th to the early 20th century.

Mir 'Ali Sir Nava'l, Seven Couples in a Garden, c. 1510. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Mir ‘Ali Sir Nava’l, Seven Couples in a Garden, c. 1510.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

We see a Persian garden depicted in an Islamic manuscript, the gardens of Versailles and Hampton Court, Kew, Windsor and Osborne House. Works by Rembrandt, Leonardo da Vinci, Jan Brueghel the Elder as well as late 19th and early 20th century watercolours and a Fantin-Latour painting.

Jan Brueghel the Elder, Adam and Eve in the Garden of Eden, 1615. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Jan Brueghel the Elder, Adam and Eve in the Garden of Eden, 1615.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

There is a wonderful selection of floral decoration on Bow, Chelsea, Meissen and Sèvres porcelains, textiles, furniture, silver, fans and jewellery, including pieces commissioned by Prince Albert for Queen Victoria and of course works by Carl Fabergé.

Workshop of Carl Faberge, Bleeding Heart, c.1900. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Workshop of Carl Faberge, Bleeding Heart, c.1900.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

This engaging exhibition appeals to most tastes as it reveals the garden as a place of beauty, a place for research and science, a place to relax and enjoy and a place to wonder at the glories of nature.

Thomas Tompion, one of a pair of sundials, 17th century. Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

Thomas Tompion, one of a pair of sundials, 17th century.
Royal Collection Trust / copyright Her Majesty Queen Elizabeth II 2014

http://www.royalcollection.org.uk

 

MASTERPIECE LONDON 2015: Porcelain Garnitures from East and West

Blue and White European Subject Five-Piece Garniture,  China - Qing dynasty, Kangxi period, circa 1700-1710.  Jorge Welsh

Blue and White European Subject Five-Piece Garniture,
China – Qing dynasty, Kangxi period, circa 1700-1710.
Jorge Welsh

 

Sevres Garniture of Three Vases Hollandois Nouveaux Ovales, pink ground.  Michele Beiny

Sevres Garniture of Three Vases Hollandois Nouveaux Ovales, pink ground.
Michele Beiny

 

 

 

 

 

 

 

 

 

 

 http://www.masterpiecefair.com

http://www.jorgewelsh.com

http://www.michelebeiny.com