Michelangelo Pistoletto at Blenheim Palace

Michelangelo Pistoletto at Blenheim Palace, Blenheim Palace, Woodstock, Oxfordshire OX20 1PP, until 31st December 2016.

Great Hall Terzo Paradiso/Third Paradise(2003-­‐2016) 1200 x 480 x 50 cm, aluminium,foam,rags Photo:Tom Lindboe Courtesy: Blenheim Art Foundation

Great Hall
Terzo Paradiso/Third Paradise(2003-­‐2016)
1200 x 480 x 50 cm,
aluminium,foam,rags
Photo:Tom Lindboe
Courtesy: Blenheim Art Foundation

The setting for this great exhibition is the wonderful Blenheim Palace the family home of the Dukes of Marlborough and birthplace of Sir Winston Churchill.  It can come as no surprise that this masterpiece of English Baroque architecture set in over two thousand acres of ‘Capability’ Brown-designed gardens and parkland is a World Heritage Site.

Red Drawing Room LeTrombe del Giudizio/The Trumpets of Judgment (1968-­‐1986) 200 x 100 cm each, aluminium Photo: Tom Lindboe Courtesy: Blenheim Art Foundation

Red Drawing Room
LeTrombe del Giudizio/The Trumpets of Judgment (1968-­‐1986)
200 x 100 cm each,
aluminium
Photo: Tom Lindboe
Courtesy: Blenheim Art Foundation

This solo exhibition celebrating Pistoletto’s fifty-year career is presented by the Blenheim Art Foundation.  Site-specific installations, sculpture and paintings can be found both within the palace and in the surrounding spaces.

First State Room Il fascio della tella/The bundle of canvas (1980) 214 x 70 cm canvas, cord Courtesy of Tim Forrest

First State Room
Il fascio della tella/The bundle of canvas (1980)
214 x 70 cm
canvas, cord
Courtesy of Tim Forrest

The artist’s work has a playful element to it and includes the Venus of the Rags in the Chapel which has a central classical figure leaning against waste textile fabrics and is a fine example of his Arte Povera works.  Much of his work has a philosophical message reflecting his own beliefs and hopes for unity and collaboration.

Long Library From Self-­‐Portraits (Il Presente/The Present) to Quadri Specchiantii/Mirror Paintings (1961-­‐ 2016) Dimensions variable, canvas acrylic and plastic paint, aluminium, silkscreen print, mirror Photo: Tom Lindboe Courtesy: Blenheim Art Foundation

Long Library
From Self-­‐Portraits (Il Presente/The Present) to Quadri Specchiantii/Mirror Paintings (1961-­‐ 2016)
Dimensions variable,
canvas acrylic and plastic paint, aluminium, silkscreen print, mirror
Photo: Tom Lindboe
Courtesy: Blenheim Art Foundation

Many works, including his Mica Paintings – which look as if they were part of the Palace’s own picture collection – are found in the various State Rooms and perhaps culminate in the Long Library where over thirty of his well-known Mirror Paintings are encountered.  The polished steel surfaces with their photo-silkscreened images also reflect the viewer and makes them part of the piece. Among pieces outside is a new work Mirage, a partially submerged gold-painted car, whose colour reflects the golden balls on the Palace’s roof.

Upper Water Terraces Portrait of Michelangelo Pistoletto at Blenheim Palace with new commission Miraggio/Mirage (2016) 230 x 140 x 140 cm, car roof, gold paint Photo: Tom Lindboe Courtesy: Blenheim Art Foundation

Upper Water Terraces
Portrait of Michelangelo Pistoletto at Blenheim Palace with new commission Miraggio/Mirage (2016)
230 x 140 x 140 cm,
car roof, gold paint
Photo: Tom Lindboe
Courtesy: Blenheim Art Foundation

I think that this exhibition is a ‘perfect marriage’ with its setting.  It engages and delights and is a thought-provoking experience which will long live with you in a good way.

 

I shall leave it to the Blenheim Art Foundation’s Director Michael Frahm to sum up “With over fifty individual works exhibited at Blenheim Palace, we are extremely honoured to present the first major survey show of Michelangelo Pistoletto in Britain. With consideration to the social and political challenges the world faces today, Michelangelo’s practice continues to feel much needed. We are proud to support his beliefs and vision, and celebrate his extraordinary body of work. This exhibition portrays an artist who, since the 1960s, has continually pushed boundaries, challenged the status quo, and produced work which has enchanted and surprised audiences around the world.”

 

 

http://www.blenheimartfoundation.org.uk

http://www.blenheimpalace.com

Blenheim Palace Courtesy of Tim Forrest

Blenheim Palace
Courtesy of Tim Forrest

Sir Edward Heath – at home

Sir Edward Heath – at home in Salisbury

Arundells - Entrance Front

Arundells – Entrance Front

Standing in the wonderful environs of Salisbury’s Cathedral Close is Arundells a beautiful house of Georgian appearance which in part dates back to the mid-thirteenth century.  It was from 1985 to 2005 the home of the former politician and Prime Minister Sir Edward Heath and although he had a long political career the house is very much a personal home which reflects all facets of his life. It is important to remember as you go round it that it remains very much as it was when he lived there.

The Entrance Hall

The Entrance Hall

Immediately on arrival at the entrance hall you get the welcoming flavour of the house and an idea of how the strands of his interests are skilfully woven together. This he achieved with the help of the designer Derek Frost. Many of the paintings in the hall reflect his love of sailing through depictions and models of the five Morning Cloud yachts he sailed and interspersed among them are Napoleonic prisoner-of-war ship models made from bone and rigged with fine strands of hair.  The maritime-inspired combined clock and barometer was a gift from President Nixon.  There are also drawings by Sickert and Augustus and Gwen John.

Sir Edward seated at the piano in the Drawing Room

Sir Edward seated at the piano in the Drawing Room

A photograph of a young Sir Edward with Augustus John and Dorelia can be seen in the adjoining drawing room which is dominated by a Steinway grand piano which Sir Edward played and upon which are photographs of politicians and world leaders.  Among the many artworks in the room are paintings by L S Lowry, Ken Howard RA, Derek Hill and a painting of Heath’s home town ‘Broadstairs’ by Sir Robert Ponsonby-Staples which was a gift from Sir John Betjeman, given as Sir Edward had so often admired it when visiting Betjeman. Two pieces of sculpture one of Sir Winston and Lady Churchill by Oscar Nemon and a bust of Sir Edward by Martin Jennings are worthy of inspection as are the carved Chinese pieces on the mantelpiece and to its right the display of blue and white porcelain including a large pair of bottle vases which were a gift from Chairman Mao.

Portocarrero ‘Girl in a Fantastic Costume Cuba’

Portocarrero
‘Girl in a Fantastic Costume Cuba’

Pictures in the corridor towards the dining room and library include two paintings by Sir Winston Churchill which he gave to Heath.  There is also a fine group of etchings by William Wyllie, two Singer Sargent’s and a painting by the Cuban artist Portocarrero which was a gift from Fidel Castro.

The Dining Room

The Dining Room

The dining room is hung with pictures by John Piper, including two Sir Edward commissioned himself.  The table is set for lunch which was one of his favourite ways of entertaining – roast lamb followed by Stilton cheese, halibut and lemon pudding were among his favourites as were Brussels sprouts – and from the place cards on view when I was there one gets an idea of the wide range of people he invited which included Princess Margaret, Sting and Sir Harold Wilson.  Dame Maggie Smith, Terry Wogan and Yehudi Menuhin are among other well-known guests. There is also a large group of ceramic pieces on display including Tang pottery, Sevres, Chelsea and Worcester porcelain as well as some Copenhagen Flora Danica.

A view of some of the ceramics in the Dining Room

A view of some of the ceramics in the Dining Room

The Library overlooking the garden contains the high wing-back chair Sir Edward favoured and it was where he would entertain and chat to colleagues and friends from all political parties and walks of life. The walls are adorned with 18th and 19th century Japanese prints which perfectly suit the room. One of the major achievements of his political life was a growing rapport between the UK and China which is also reflected throughout the house but he also obviously had an interest in their arts and culture which is particularly apparent in the panels of specially commissioned wallpaper on the staircase which relates the popular Chinese legend of the Monkey King. They were a house-warming present from two of his former Private Secretaries.

The Library

The Library

Upstairs is Sir Edward’s study which was his private sanctum and where he worked at a Georgian writing desk which had previously belonged to David Lloyd-George. Heath’s army career is also recalled in another room with uniforms and other memorabilia on show from when he was with the Royal Artillery during the War and later on with the Honourable Artillery Company. His Garter Banner hangs on an upstairs corridor wall.

The Study

The Study

Downstairs just beyond the stair hall is a short corridor which is hung with political cartoons by leading cartoonists such as Giles, Jak, Low and Trog, many of which feature Sir Edward.  He enjoyed sharing them with his visitors although sometimes I imagine it may have been a wry chuckle.

Emmwood ©The Daily Mail

Emmwood
©The Daily Mail

Outside the beautiful garden, an intriguing combination of open spaces and secluded areas, is very much as created for Sir Edward.  It stretches down to the confluence of the Rivers Nadder and Avon and reveals a wonderful view across to the meadows. In one corner is the restored bow of Morning Cloud III which was sunk by a freak wave in September 1974, and whose two crew members Nigel Cummings and Christopher Chadd (Sir Edward’s godson) tragically lost their lives.

The view from the end of the garden

The view from the end of the garden

At the front of the house with its view into the Close and of the Cathedral is an exhibition space in a building which used to house Sir Edward’s archive.  At present (until mid-August) there is a display focusing on ‘World Leaders of the 1970s: A Decade of Turmoil’ which features President Nixon, Leonard Brezhnev, Chairman Mao Zedong, Willy Brandt, Indira Gandhi, President Pompidou, Kakuei Tanaka, Pierre Trudeau and Henry Kissinger.  Interestingly enough the latter will be giving a lecture in London in October as part of a series of celebrations organised by the Sir Edward Heath Charitable Foundation to celebrate the centenary of Sir Edward’s birth (9th July, 2016). The following exhibition which runs until May 2017 is ‘Heath at 100: A Political Life in Cartoons’ which promises to be a fascinating way of remembering the major events of his time in politics.

Tang Dynasty Horse

Tang Dynasty Horse

My visit made a lasting impression and I would readily accept an offer to live there just as it is, because it’s a happy house of taste, comfort and history.  I can quite understand why Sir Edward fell in love with it at first sight and for us visitors today it is extremely fortunate that he was able to acquire the lease in 1992 and that he formed a charitable trust which allows us to share in the delights of Arundells and to remember Sir Edward, the man.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

Sir Edward in the garden. The spire of Salisbury Cathedral can be seen in the background.

http://www.arundells.org

Hiroshi Yoshida The Inland Sea Series

Hiroshi Yoshida
The Inland Sea Series

BOOK REVIEW: From Chanel to Reves

From Chanel to Reves

La Pausa and Its Collections at the Dallas Museum of Art

Olivier Meslay and Martha MacLeod

Published by GILES in association with the Dallas Museum of Art
PRICE — UK£9.95 / US$15.00
ISBN — 978-1-90780-72-4

 CVPRipnUEAA7zpq

I always find books that tell the story of a house fascinating and such is certainly the case with this appealing book which relates the story of the house that Chanel had built for herself and which she furnished with some help from Bendor Grosvenor, the Duke of Westminster.  It provides a real glimpse into Chanel’s taste and way of life.

In 1953 she sold the Villa La Pausa to Wendy and Emery Reves and included many of the Villa’s furnishings and books and so these were combined with the wide-ranging art collection of the Reves which has an emphasis on Impressionist and Post-Impressionist works.  One figure which crosses into both halves of the story is Sir Winston Churchill who knew the Duke and had met Coco Chanel but was also a regular guest of the Reves at La Pausa and indeed there are four works by him as well as other souvenirs.

Even if you cannot get to Dallas to see this collection I heartily recommend this elegant tome that tells the story so well and so enticingly.

 

http://www.gilesltd.com

http://www.dma.org