Tag Archives: St Paul’s cathedral

London: Ancient and Modern

Hugh Beattie – London: Ancient & Modern, Royal Opera Arcade Gallery, 1 Royal Opera Arcade, Pall Mall, London SW1, until 5th December 2015

 

Hugh Beattie, Hasilwood House v Cheese Grater (courtesy of the artist)

Hugh Beattie,
Hasilwood House v Cheese Grater
(courtesy of the artist)

This exhibition provides, through some thirty works, rather different views of buildings ancient and modern.  Beattie, by contrasting old and new, challenges why so many new buildings have been constructed since the Millennium and what is going to be done to preserve the historic ones that are part of London’s history and the story of the people who work or live there.

Hugh Beattie, St Paul's v One New Change (courtesy of the artist)

Hugh Beattie,
St Paul’s v One New Change
(courtesy of the artist)

 

Twitter: @jhlbeattie, @lagalleria, #AncientModern

The Wolsey Angels

Saved for the Nation – The Wolsey Angels

This is a great result for all involved – donors both large and small. As the V & A’s director Martin Roth says “The Wolsey Angels are a vital part of our national history and artistic heritage. We are very grateful to everyone who contributed to our fundraising appeal to ensure these outstanding sculptures, which were thought to be lost, are reunited and preserved at the V&A for future generations.”

Wolsey Angels on display at the V&A Benedetto da Rovezzano 2014 (C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A
Benedetto da Rovezzano
2014
(C) Victoria and Albert Museum, London

These four figures (approximately a metre high) have an interesting story. They were commissioned in 1524 from the Florentine sculptor Benedetto da Rovezzano, who worked in England between 1519 and 1543, and were to be part of a magnificent tomb for Cardinal Wolsey. However it was not completed before Wolsey’s fall from grace with Henry VIII which was due to his inability to persuade the Pope to annul the King’s marriage to Catherine of Aragon. Wolsey died in 1530. The King who appropriated Wolsey’s property and belongings ordered that the tomb be completed for him. Due to slow progress the tomb was not completed by Henry’s death and despite the good intentions of each of his children it remained incomplete. Elements were sold during the Civil War and the only known surviving piece from the tomb was the large black stone chest which now houses the body of Lord Nelson in St Paul’s Cathedral. Four large gilt-bronze candlesticks also from the tomb’s design can now be seen in the St. Bavo Cathedral in Ghent.

Wolsey Angels on display at the V&A Benedetto da Rovezzano 2014 (C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A
Benedetto da Rovezzano
2014
(C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A Benedetto da Rovezzano 2014 (C) Victoria and Albert Museum, London

Wolsey Angels on display at the V&A
Benedetto da Rovezzano
2014
(C) Victoria and Albert Museum, London

The existence of the angels was unknown until fortuitously two were put to auction in 1994. Unillustrated in the catalogue they were acquired by a French art dealer and subsequent scholarly research led to the firm attribution to Benedetto. The other two angels were discovered at Harrowden Hall in Northamptonshire where apparently they had once been the finials on gateposts.

I shall leave the final thoughts to the acclaimed novelist Hilary Mantel “The recovery of Wolsey’s angels is one of those miracles that historians pray for; something that seems irrevocably lost has been there all the time. To claim the angels for the nation would connect us to one of the liveliest eras of our history and one of its most remarkable men.”

 

http://www.vam.ac.uk/wolseyangels