Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

Vivien Leigh – Sotheby’s

Vivien: The Vivien Leigh Collection, Sotheby’s, New Bond Street, London W1, 26th September 2017

 

Lot 14 A Large Collection of Photographs of Vivien and Larry
Estimate £800-1,200
Courtesy of Sotheby’s

Vivien Leigh was one of the most beautiful and talented actresses to ever grace both stage and screen and now she is once again the star of the show when Sotheby’s auctions hundreds of items belonging to her in London on 26 September.

Jewellery including a mid 19th-century diamond bow brooch, a gold ring given to Vivien Leigh by her husband Laurence Olivier and a 18th-century chrysoberyl devant de corsage.
(Photo by Tristan Fewings/Getty Images for Sotheby’s)

From Scarlett O’Hara in Gone With the Wind to Blanche Dubois in A Streetcar Named Desire and Karen Stone in The Roman Spring Of Mrs Stone Vivien almost reflected her own life in her films.  The feckless Scarlett ‘thinking about it tomorrow’ is Vivien in her early theatrical pursuits where she was a whirlwind jumping from (mainly) success to success then Blanche sadly shows us Vivien in her troubled years long before bi-polar personalities had been categorised.  Then finally we have Karen Stone a bewildered widow who falls for the ersatz charm of an Italian gigolo played by Warren Beatty complete with cod Italian accent.  Mrs Stone has found a new way of living and remains a sad but noble survivor.

Interior, Notley Abbey
Courtesy of Sotheby’s

When I was ten years old I saw Vivien on stage at the Kings Theatre in Glasgow in Noel Coward’s South Sea Bubble and can still recall the ‘presence’ that came across the footlights.

Lot 269 Vivien’s monogrammed luggage, all monogrammed V.L.O., and two black leather luggage labels with insert name cards printed Lady Olivier
Estimate £800-1,200
Courtesy of Sotheby’s

The items in this sale include diaries, family photographs, paintings as well as library and personal items – even the wig she wore as Blanche. I was quite surprised and delighted to see that Vivien possessed a similarly framed item exactly the same as one I recently bought in a charity shop.  It is a sketch by Ronald Searle published in Punch in January 1957 as part of his Heroes of our Time series entitled Sir Laurence Olivier and Vivien Leigh. – not Lady Olivier!  In it Vivien looks out from the sketch brightly and vivaciously whilst Sir Laurence is in the foreground in his Richard lll costume and make up,  including the hump, and looking out at us resignedly, cigarette clutched firmly between his fingers.

Vivien Leigh painting at an easel in a garden
Courtesy of Sotheby’s

The accompanying catalogue features many lovely photos of Vivien but then how could you take an unlovely one?

 

Lot 224 Vivien’s writing bureau, mid-18th century, acquired from Asprey in 1949
Estimate £600-900
Courtesy of Sotheby’s

 

http://www.sothebys.com/en/auctions/2017/vivien-leigh-collection

 

I am grateful to John Kirkwood for writing about this sale

Inspired by Rothschild Species

Creatures & Creations: Art by Platon H and designs by Mary Katrantzou inspired by Rothschild species, Waddesdon Manor, Waddesdon, Near Aylesbury, Buckinghamshire, until 29th October 2017 (Wed-Sun)

Lionel Walter Rothschild and a tortoise, early 20th century;
Waddesdon (Rothschild Family) Photo © National Trust, Waddesdon Manor

The inspiration for this exhibition that combines digital art, fashion and animal specimens is Walter, 2nd Lord Rothschild and nephew of Waddesdon’s builder Ferdinand. Walter who lived at Tring Park. He was fascinated by natural sciences – birds, butterflies and giant tortoises. He even had zebras trained to draw his carriage. He was held in esteem and many species – creatures and plants – were named after him and known as ‘Rothschildi’.

Creatures & Creations, Waddesdon Manor.
Photo Derek Pelling (c) National Trust, Waddesdon Manor

 

Designs by Mary Katrantzou, Creatures and Creations, Waddesdon Manor.
Photo Mike Fear (c) National Trust, Waddesdon Manor (50)

 

 

 

 

 

 

 

 

 

Fourteen Rothschild species – birds, butterflies and insects – have been the inspiration for the Greek artist Platon H’s digital collages which use their abstract natural patterns while the noted fashion designer Mary Katrantzou has created three couture gowns that celebrate the beauty of their nature. Combine this with specimens from the Natural History Museum at Tring, originally founded by Walter and opened in 1892 and it is an exhibition of wide appeal and imagination!

Galapagos Giant Tortoise from Tring Natural History Museum, Creatures and Creations, Waddesdon Manor.
Photo Mike Fear (c) National Trust, Waddesdon Manor (14)

waddesdon.org.uk

http://www.nhm.ac.uk/visit/tring

 

‘The Caged Bird’s Song’

Chris Ofili: Weaving Magic, Sunley Room, The National Gallery, Trafalgar Square, London WC2, until 28th August 2017

Chris Ofili
The Caged Bird’s Song, 2014–2017
Wool, cotton and viscose
Triptych, left and right panels each 280 x 184 cm; centre panel 280 x 372 cm
Installation view, Chris Ofili: Weaving Magic, National Gallery, 26 April – 28
August 2017
© Chris Ofili. Courtesy the artist and Victoria Miro, London, The Clothworkers’ Company and Dovecot Tapestry Studio, Edinburgh. Photography: Gautier Deblonde

This is the first time that the Turner Prize winning artist Chris Ofili has worked in the medium of tapestry but I definitely think and hope that it will not be the last. Once again he looks at mythology for inspiration and combines it with the contemporary and the colour and the magic and tales of Trinidad. Alongside the tapestry woven in Edinburgh’s Dovecot Tapestry Studio, are the preparatory sketches for the piece.

Chris Ofili
The Caged Bird’s Song (She) 1, 2014
Watercolour and charcoal on paper
39.5 x 26.3 cm
15 1/2 x 10 3/8 in
© Chris Ofili
Courtesy the artist and Victoria Miro, London

The artist says of it: “The Caged Bird’s Song is a marriage of watercolour and weaving. I set out to challenge the weaving process, by doing something free-flowing in making a watercolour, encouraging the liquid pigment to form the image, a contrast to the weaving process. With their response, which is an interpretation rather than a reproduction, the weavers have paid a type of homage to the watercolour that I gave them as well as to the process of weaving.”

It is quite magical. After the exhibition it will go to The Clothworkers’ Company, who commissioned it, in the City of London and will be on permanent display there.

http://www.nationalgallery.org.uk

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

‘Designing the Future’

Giacomo Balla: Designing the Future, Estorick Collection of Modern Italian Art, 39a Canonbury Square, London N1, until 25th June 2017

Giacomo Balla
Iridescent Interpenetrations, 1913
Watercolour on paper, 24 x 18 cm
Courtesy The Biagiotti Cigna Foundation

This special show focuses on Giacomo Balla (1871-1958) a self-taught artist who was one of the founding figures of the Futurist movement but in 1937 moved away from its mainstream. The 116 works on show come from the Biagiotti Cigna Collection and give a full picture of Balla’s work which included furniture and clothing design

Giacomo Balla
Expansion of Spring, 1918
Oil on board, 45 x 55 cm
Courtesy The Biagiotti Cigna Foundation

 

Giacomo Balla
Lines of Force of an Enamelled Landscape, 1917-18
Oil and enamel on paper, 41 x 56 cm
Courtesy The Biagiotti Cigna Foundation

 

 

 

 

 

 

www.estorickcollection.com

At home in Belgrave Square

The Ballyedmond Collection, Sotheby’s London, 34-35 New Bond Street, London W1, 23rd and 24th May 2017

A large Louis XV-style gilt and patinated bronze mantel clock (est. £12,000-18,000) A pair of George IV gilt-bronze seven-light candelabra (est. £1,500-2,000)
http://www.sothebys,com

Lord Ballyedmond (1944-2014) came from a humble Irish background but became a pharmaceutical entrepreneur (Norbrook Group) and a politician both north and south of the border. His great success gained him recognition from the United States Government.

The Dining Room at Belgrave Square
http://www.sothebys,com

The contents of his London home in Belgrave Square reveal his deep love for art and antiques. The house transported his guests into a world that recalled Georgian and Regency days with a fin-de-siècle sense of lavish hospitality.  His guests were greeted by paintings, furniture, porcelain and copious amounts of silver. Dinners were his forte and much enjoyed by host and guests alike.

The Drawing Room at Belgrave Square
http://www.sothebys,com

Sotheby’s UK Chairman, Harry Dalmeny sums it up: “This collection is typically extraordinary; typical for an extraordinary man who accepted no boundaries in business, politics, art and friendship. Belgrave Square was where his ambition as a collector reached its zenith; this was the seat for a salon, where politicians and potentates from all sides of everything would find a home together at the dinner table.

http://www.sothebys .com