MASTERPIECE 2016: SELECTION 2

Masterpiece London 2016, The Bull Ring Gate Entrance, South Grounds, The Royal Hospital Chelsea, London SW3, 30thJune – 6th July 2016

 

Steinway & Sons White Spirio Heliconia (the Lalique piano) 2016 Courtesy Steinway & Sons

Steinway & Sons
White Spirio Heliconia (the Lalique piano)
2016
Courtesy Steinway & Sons

 

Lowell Libson Thomas Gainsborough Read Admiral Thomas Graves 1788 Courtesy Lowell Libson

Lowell Libson
Thomas Gainsborough
Read Admiral Thomas Graves
1788
Courtesy Lowell Libson

 

Wallace Chan Damask Silk Necklace 2016 DIF Diamond 54pcs 25.22ct Trillion-cut Pink Tourmaline 124pcs 21.38ct Fancy Colored Diamond, Pink Sapphire, White Agate Courtesy Wallace Chan

Wallace Chan
Damask Silk Necklace
2016
DIF Diamond 54pcs 25.22ct
Trillion-cut Pink Tourmaline 124pcs 21.38ct
Fancy Colored Diamond, Pink Sapphire, White Agate
Courtesy Wallace Chan

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rose Uniacke The Louis XIV Walnut ‘Os de Mouton’ Sofa France circa 1730 104 x 239 x 77cm Courtesy Rose Uniacke

Rose Uniacke
The Louis XIV Walnut ‘Os de Mouton’ Sofa
France
circa 1730
104 x 239 x 77cm
Courtesy Rose Uniacke

 

Axel Vervoordt Monumental fragment from a standing male statue Leg and Feet on base Roman 2nd century A.D. Courtesy Axel Vervoodt

Axel Vervoordt
Monumental fragment from a standing male statue Leg and Feet on base
Roman 2nd century A.D.
Courtesy Axel Vervoodt

 

Adrian Sassoon A French 18th Century Soft-Paste Vincennes Porcelain Punch Bowl (jatte à ponche) c.1753 Courtesy Adrian Sassoon London

Adrian Sassoon
A French 18th Century Soft-Paste Vincennes Porcelain Punch Bowl (jatte à ponche)
c.1753
Courtesy Adrian Sassoon London

 

http://www.masterpiecefair.com

BOOK REVIEW: The Belvedere Collection

Vincennes and Early Sèvres Porcelain From the Belvedere Collection
Joanna Gwilt
£60.00 HB
ISBN 9781851777730
270 x 216 mm 256 pp
1000 col
BIC: AFP

Vincennes and Early Sevres Porcelain NEW ARTWORK

What does one say about this delight of a book which looks at the wonderful porcelain of Vincennes and early Sèvres in what is one of the most comprehensive collections of rare, early pieces from this French porcelain factory? The only answer is to buy it!

 JUG (COVER AND HANDLE MISSING) (pot à bouillon/marmite) Vincennes, soft-paste porcelain c.1746/7  (Belvedere Collection)

JUG (COVER AND HANDLE MISSING)
(pot à bouillon/marmite) Vincennes, soft-paste porcelain c.1746/7
(Belvedere Collection)

It provides a wonderful survey of the early years of the factory by both giving a welcome history and through the objects themselves. One can see that the rival Meissen manufactory influenced the early porcelain decoration and how the factory’s own style evolved and began to include detailed gilding and ground colours. As well as useful and decorative ware there is also a fine group of sculptural figures. Noted artists such as François Boucher and Oudry provided inspiration for the decoration and earlier etchings were also a decorative source.

VASE (?vase Duplessis Urne/?vase Duplessis à fleurs) c.1750/51Provenance: Elizabeth Parke Firestone Collection, USA Exhibited at the Detroit Institute of Arts, 1956, no. 418  (Belvedere Collection)

VASE (?vase Duplessis Urne/?vase Duplessis à fleurs)
c.1750/51Provenance:
Elizabeth Parke Firestone Collection, USA
Exhibited at the Detroit Institute of Arts, 1956, no. 418
(Belvedere Collection)

One can only admire the taste, perseverance and determination that went into putting this stunning collection together. This shows the factory before the opulent wares we more usually associate with Sèvres became more common; a Meissen collector friend said of the book that it was a pleasure to go through, much more so than a book on later Sèvres collections.

 Vincennes/Sèvres soft-paste porcelain, Poeny (paeonia suffruticosa), c.1745–55, Dia. 10.5cm (Belvedere Collection)

Vincennes/Sèvres soft-paste porcelain,
Poeny (paeonia suffruticosa), c.1745–55,
Dia. 10.5cm (Belvedere Collection)

Thanks are due to Joanna Gwilt for her work on this book. She is certainly qualified to write it having been the Assistant Curator at the Royal Collection and also at London’s Wallace Collection. She is also the author of French Porcelain for English Palaces: Sèvres from the Royal Collection (2009). There is also an ebook to accompany the printed version containing additional photographs, showing every piece in close detail. What more can you ask for? As I suggested earlier this should be in every serious enthusiast’s library!

Christie’s, King Street, London – 25 November 2014

The John Shearer Collection of Important Meissen, Vincennes and Sèvres, Christie’s, King Street, London SW1, Tuesday, 25 November 2014, 10:30am

John Shearer CHRISTIE'S IMAGES LTD. 2014

John Shearer
CHRISTIE’S IMAGES LTD. 2014

John Shearer (1924–2010) began collecting in the late 1960s and was helped by one of the most well-respected dealers of the time ‘Bob’ Williams (1923-2014). As this sale shows it must have been a very exciting journey with the emphasis on quality, condition and provenance.

Lot 37 A MEISSEN SLOP-BOWL CIRCA 1723-24 Painted on one side with merchants and their wares in a palace interior overlooking the sea with a ship on the water beyond, the other with a procession of Turkish figures, soldiers, horses and a caparisoned elephant on the shore and a dressed barge beyond with blackamoors aboard, within oval gilt scroll-edged cartouches with Böttger-lustre panels issuing shadowed iron-red scrolls, the interior painted possibly by J.E. Stadler with an Oriental holding a fan within a similar cartouche below a gilt band border (minor chip to footrim) 6 5/8 in. (16.8 cm.) diam. Estimate 15,000 - 20,000 British pounds  CHRISTIE'S IMAGES LTD. 2014

Lot 37
A MEISSEN SLOP-BOWL
CIRCA 1723-24
Painted on one side with merchants and their wares in a palace interior overlooking the sea with a ship on the water beyond, the other with a procession of Turkish figures, soldiers, horses and a caparisoned elephant on the shore and a dressed barge beyond with blackamoors aboard, within oval gilt scroll-edged cartouches with Böttger-lustre panels issuing shadowed iron-red scrolls, the interior painted possibly by J.E. Stadler with an Oriental holding a fan within a similar cartouche below a gilt band border (minor chip to footrim)
6 5/8 in. (16.8 cm.) diam.
Estimate 15,000 – 20,000 British pounds
CHRISTIE’S IMAGES LTD. 2014

Many of the pieces in the collection reflect Shearer’s other interests and passions such as his love of seafaring which is seen in the decoration of some of his Meissen. Similarly various Sèvres pieces show he was also interested in ornithology.

Lot 3 A VINCENNES BALUSTER POT AND A COVER (POT 'A BOUILLON' OR 'MARMITE') CIRCA 1746-49, THE CONTEMPORARY COVER POSSIBLY MATCHED Painted in the Meissen style, one side with boats on a river beside a tower, the other with Turkish and European figures in conversation beside a river, supported on three paw feet (very minor wear to enamels) 12.7 cm. (5 in.) high Estimate 50,000 - 80,000 British pounds  CHRISTIE'S IMAGES LTD. 2014

Lot 3
A VINCENNES BALUSTER POT AND A COVER (POT ‘A BOUILLON’ OR ‘MARMITE’)
CIRCA 1746-49, THE CONTEMPORARY COVER POSSIBLY MATCHED
Painted in the Meissen style, one side with boats on a river beside a tower, the other with Turkish and European figures in conversation beside a river, supported on three paw feet (very minor wear to enamels)
12.7 cm. (5 in.) high
Estimate 50,000 – 80,000 British pounds
CHRISTIE’S IMAGES LTD. 2014

The decoration of very early pieces of Vincennes reflected the style used in Meissen as can be seen in the rare Vincennes pot ‘a bouillon’ circa 1746-49. The Vincennes factory, later Sèvres, very quickly developed its own style which is well represented in the sale and will be familiar to many.

Lot 31  A SEVRES BLEU CELESTE-GROUND SOUP-PLATE FROM THE CATHERINE THE GREAT SERVICE 1778, BLUE INTERLACED L MARK ENCLOSING DATE LETTERS AA, IRON-RED GILDER'S MARK 2000 FOR HENRY-FRANCOIS VINCENT, THE REVERSE APPLIED WITH VARIOUS PRINTED AND SCRIPT COLLECTION AND EXHIBITION LABELS The centre with a crowned floral and gilt 'EII' cypher for Catherine II, Empress of Russia, enclosed by ribbon-tied branches of laurel and myrtle within a circular gilt-framed medallion, the bleu céleste-ground border enriched in gilding with scrolling foliage and reserved with brown-ground oval panels printed and painted en grisaille with mythological vignettes alternating with cameo heads within floral borders with gilt husks, within a gilt lined rim (small restored regilt flat rim chip to front at 7.30 o'clock and reverse at 12 o'clock) 26.6 cm. (10½ in.) diam. Estimate 70,000 - 100,000 British pounds  CHRISTIE'S IMAGES LTD. 2014

Lot 31
A SEVRES BLEU CELESTE-GROUND SOUP-PLATE FROM THE CATHERINE THE GREAT SERVICE
1778, BLUE INTERLACED L MARK ENCLOSING DATE LETTERS AA, IRON-RED GILDER’S MARK 2000 FOR HENRY-FRANCOIS VINCENT, THE REVERSE APPLIED WITH VARIOUS PRINTED AND SCRIPT COLLECTION AND EXHIBITION LABELS
The centre with a crowned floral and gilt ‘EII’ cypher for Catherine II, Empress of Russia, enclosed by ribbon-tied branches of laurel and myrtle within a circular gilt-framed medallion, the bleu céleste-ground border enriched in gilding with scrolling foliage and reserved with brown-ground oval panels printed and painted en grisaille with mythological vignettes alternating with cameo heads within floral borders with gilt husks, within a gilt lined rim (small restored regilt flat rim chip to front at 7.30 o’clock and reverse at 12 o’clock)
26.6 cm. (10½ in.) diam.
Estimate 70,000 – 100,000 British pounds
CHRISTIE’S IMAGES LTD. 2014

 

PUBLIC VIEWING:

Friday 21 November: 12pm – 5pm

Saturday 22 November: 12pm – 5pm

Sunday 23 November: 12pm – 5pm

Monday 24 November: 9am – 4.30pm

Tuesday 25 November: 9am – 10:30am

Lot 40 A MEISSEN CHINOISERIE SCENT-FLASK AND COVER CIRCA 1730, GREY ENAMEL CLSS MARK AND INDISTINCT LOWER CASE SCRIPT MARK Of flattened axe-head form, each side painted possibly by C.F. Herold with Oriental figures at various pursuits within axe-head shaped gilt cartouches flanked by single figures on Böttger-lustre and gilt scroll supports, the sides with iron-red figural oval medallions enclosed by iron-red and purple foliage with swag and husk ornament, the oval cover with a carnation finial and gilt scroll border (slight wear to gilding, small chips to leaves of finial) 6¼ in. (15.9 cm.) high Estimate 40,000 - 60,000 British pounds  CHRISTIE'S IMAGES LTD. 2014

Lot 40
A MEISSEN CHINOISERIE SCENT-FLASK AND COVER
CIRCA 1730, GREY ENAMEL CLSS MARK AND INDISTINCT LOWER CASE SCRIPT MARK
Of flattened axe-head form, each side painted possibly by C.F. Herold with Oriental figures at various pursuits within axe-head shaped gilt cartouches flanked by single figures on Böttger-lustre and gilt scroll supports, the sides with iron-red figural oval medallions enclosed by iron-red and purple foliage with swag and husk ornament, the oval cover with a carnation finial and gilt scroll border (slight wear to gilding, small chips to leaves of finial)
6¼ in. (15.9 cm.) high
Estimate 40,000 – 60,000 British pounds
CHRISTIE’S IMAGES LTD. 2014

http://www.christies.com

A GENTLE REMINDER – In Pursuit of the Exquisite: Royal Sèvres from Versailles to Harewood

A GENTLE REMINDER – In Pursuit of the Exquisite: Royal Sèvres from Versailles to Harewood, Harewood House, until November 2nd, 2014

Sevres Exhibition 2014, Cinnamon Drawing Room  credit: Jonathan Turner and Harewood House Trust

Sevres Exhibition 2014, Cinnamon Drawing Room
credit: Jonathan Turner and Harewood House Trust

It would be very wrong of me not to remind you that there is just a month to go to see this fabulous exhibition of the collection of Sèvres that was acquired by the first Earl of Harwood’s eldest son Edward, Viscount Lascelles (“Beau” Lascelles) in the period after the French Revolution.

Garniture of three Flower Pots credit: Harewood House Trust

Garniture of three Flower Pots
credit: Harewood House Trust

The Sèvres factory, which was first started at Vincennes, was a royal factory and some of the pieces on view have royal provenances. It really is worth going along to Harewood House to see both the exhibition and the glorious interiors of the house and as I said I would in my original blog I am going back again within the next month.

Sevres mark and painter's mark credit: Harewood House Trust

Sevres mark and painter’s mark
credit: Harewood House Trust

Please see my original blog published on 16th June 2014

 

Sevres Exhibition 2014, Cinnamon Drawing Room  credit: Jonathan Turner and Harewood House Trust

Sevres Exhibition 2014, Cinnamon Drawing Room
credit: Jonathan Turner and Harewood House Trust

harewood.org