Tempests, Tyrants and Tragedy

Shakespeare in Art: Tempests, Tyrants and Tragedy, Compton Verney, Warwickshire CV35 9HZ, until 19th June 2016

OpheliaÔÇÖs Ghost ® Kristin and Davy McGuire, photograph by Electric Egg

OpheliaÔÇÖs Ghost
® Kristin and Davy McGuire, photograph by Electric Egg

Many of you will have heard of the national award-winning art gallery Compton Verney which as well as having permanent collections which are well worth visiting (Naples, Northern European Art 1450-1650, British Portraits, Chinese, British Folk Art & The Marx-Lambert Collection) also hosts special exhibitions and one can certainly say that this one – Shakespeare in Art – is indeed special.

Dame Diana Rigg and Dame Helen Mirren in the grounds at Compton Verney between takes - Sir Peter Hall’s film of A Midsummer Night’s Dream, 1968. Photograph by David Farrell, courtesy of the David Farrell Estate (c) DFP

Dame Diana Rigg and Dame Helen Mirren in the grounds at Compton Verney between takes – Sir Peter Hall’s film of A Midsummer Night’s Dream, 1968.
Photograph by David Farrell, courtesy of the David Farrell Estate (c) DFP

Fittingly, as it marks the 400th anniversary of the playwright’s death, the exhibition has been designed by the The Royal Shakespeare Company’s Director of Design, Stephen Brimson Lewis. There are more than seventy works on view from the 18th century to contemporary and they are divided thematically into eight acts which include The Tempest, Hamlet, A Midsummer Night’s Dream, Macbeth, King Lear and Henry VIII.  It is an engrossing experience that underlines the magic of Shakespeare’s plays.

John Singer Sargent, Ellen Terry as Lady Macbeth © Tate, London 2015

John Singer Sargent,
Ellen Terry as Lady Macbeth
© Tate, London 2015

In addition to this exhibition is a complimentary one which introduces us to John Boydell’s Shakespeare Gallery which used to be on London’s Pall Mall (the sight is now occupied by the new Philip Mould Gallery). Boydell, a print publisher, opened it in 1789 and commissioned prominent artists of the day, including Romney, Fuseli and Northcote to produce works (history paintings) inspired by Shakespearian scenes.

Henry Fuseli, Prospero, Miranda, Caliban and Ariel, Plate 4 from The Boydell Shakespeare Gallery 1786-89 ® York Museums Trust

Henry Fuseli, Prospero, Miranda, Caliban and Ariel, Plate 4 from The Boydell Shakespeare Gallery 1786-89
® York Museums Trust

 

 

http://www.comptonverney.org.uk

 

Faggionato

Measuring Poetry – Jorge Méndez Blake, Faggionato, 49 Albemarle Street, London W1, until 21st November

J M  Blake-View2

Méndez Blake has established himself internationally for his clever combination of the written word with architecture. In this show he concentrates on “measuring” the text of poets who share the English language – James Joyce, Wallace Stevens, Dylan Thomas, Shakespeare, Beckett and Ray Bradbury.

J M  Blake-View8

How you may well ask? The measurements correspond to the silhouette of the stanza, the type and the area of ink used and then they are translated into sculpture, drawing or tapestry. For example the 19 floor- to- ceiling columns represent the stanza silhouette of Do not go gentle into that good night by Dylan Thomas. In his drawings the artist precisely works out the area of ink on a page and then reorganizes it as palindrome. He also measures the length of poems and transforms the lengths into sculptures made up from aluminium tubes.
It is an intriguing way to examine the written word and poetry.

 J M  Blake-View12

http://www.faggionato.com

all images are copyright