Vivien Leigh – Sotheby’s

Vivien: The Vivien Leigh Collection, Sotheby’s, New Bond Street, London W1, 26th September 2017

 

Lot 14 A Large Collection of Photographs of Vivien and Larry
Estimate £800-1,200
Courtesy of Sotheby’s

Vivien Leigh was one of the most beautiful and talented actresses to ever grace both stage and screen and now she is once again the star of the show when Sotheby’s auctions hundreds of items belonging to her in London on 26 September.

Jewellery including a mid 19th-century diamond bow brooch, a gold ring given to Vivien Leigh by her husband Laurence Olivier and a 18th-century chrysoberyl devant de corsage.
(Photo by Tristan Fewings/Getty Images for Sotheby’s)

From Scarlett O’Hara in Gone With the Wind to Blanche Dubois in A Streetcar Named Desire and Karen Stone in The Roman Spring Of Mrs Stone Vivien almost reflected her own life in her films.  The feckless Scarlett ‘thinking about it tomorrow’ is Vivien in her early theatrical pursuits where she was a whirlwind jumping from (mainly) success to success then Blanche sadly shows us Vivien in her troubled years long before bi-polar personalities had been categorised.  Then finally we have Karen Stone a bewildered widow who falls for the ersatz charm of an Italian gigolo played by Warren Beatty complete with cod Italian accent.  Mrs Stone has found a new way of living and remains a sad but noble survivor.

Interior, Notley Abbey
Courtesy of Sotheby’s

When I was ten years old I saw Vivien on stage at the Kings Theatre in Glasgow in Noel Coward’s South Sea Bubble and can still recall the ‘presence’ that came across the footlights.

Lot 269 Vivien’s monogrammed luggage, all monogrammed V.L.O., and two black leather luggage labels with insert name cards printed Lady Olivier
Estimate £800-1,200
Courtesy of Sotheby’s

The items in this sale include diaries, family photographs, paintings as well as library and personal items – even the wig she wore as Blanche. I was quite surprised and delighted to see that Vivien possessed a similarly framed item exactly the same as one I recently bought in a charity shop.  It is a sketch by Ronald Searle published in Punch in January 1957 as part of his Heroes of our Time series entitled Sir Laurence Olivier and Vivien Leigh. – not Lady Olivier!  In it Vivien looks out from the sketch brightly and vivaciously whilst Sir Laurence is in the foreground in his Richard lll costume and make up,  including the hump, and looking out at us resignedly, cigarette clutched firmly between his fingers.

Vivien Leigh painting at an easel in a garden
Courtesy of Sotheby’s

The accompanying catalogue features many lovely photos of Vivien but then how could you take an unlovely one?

 

Lot 224 Vivien’s writing bureau, mid-18th century, acquired from Asprey in 1949
Estimate £600-900
Courtesy of Sotheby’s

 

http://www.sothebys.com/en/auctions/2017/vivien-leigh-collection

 

I am grateful to John Kirkwood for writing about this sale

Vivien Leigh

Vivien Leigh: Public Faces, Private Lives, Treasurer’s House, York, until 20 December 2015

The original costumes standing proud in the historic hall © National Trust / North News Agency

The original costumes standing proud in the historic hall
© National Trust / North News Agency

Vivien Leigh was theatrical royalty in Britain before going to Hollywood to undertake the role of Scarlett O’Hara in Gone With The Wind – the role with which she is most closely associated along with her later incarnation of Blanche Dubois in A Streetcar Named Desire.

Keith Lodwick, Curator, Department of Theatre and Performance, Victoria and Albert Museum, London finishing the hang in the Streetcar Named Desire room © National Trust / North News Agency

Keith Lodwick, Curator, Department of Theatre and Performance, Victoria and Albert Museum, London finishing the hang in the Streetcar Named Desire room
© National Trust / North News Agency

She is the subject of this exhibition, organised by the V&A, in the historic setting of Treasurer’s House in York, the former home of early 20th century businessman Frank Green, who had a passion for the arts, especially theatre.  Although there has been a small touring exhibition this is the first major display of objects from Vivien Leigh’s personal collection since her private archive of more than 10,000 items was acquired from her family in 2013 by the Victoria & Albert Museum.

Keith Lodwick, Curator, Department of Theatre and Performance, Victoria and Albert Museum, London checking out the names in the guest book of from the Olivier home © National Trust / North News Agency

Keith Lodwick, Curator, Department of Theatre and Performance, Victoria and Albert Museum, London checking out the names in the guest book of from the Olivier home
© National Trust / North News Agency

Her romance with Laurence Olivier scandalised society even though they later married and she became Lady Olivier when Sir Laurence was knighted. Lettters written to Leigh by luminaries such as Sir Winston Churchill, Bette Davis, Tennessee Williams, The Queen Mother and a young Judi Dench at the beginning of her own career can be seen alongside love letters written by Leigh to Olivier

Keith Lodwick, Curator, Department of Theatre and Performance, Victoria and Albert Museum, London getting into the frame with one of the stereoscopic images in the slide show room © National Trust / North News Agency

Keith Lodwick, Curator, Department of Theatre and Performance, Victoria and Albert Museum, London getting into the frame with one of the stereoscopic images in the slide show room
© National Trust / North News Agency

As well as the Becoming Scarlett section there are other dresses she wore, annotated scripts and a number of stereoscopic colour photographs which give us a unique glimpse into her world – some are part of a 3D slide show. The exhibition is a thrilling reminder of a wonderful, if complex, actress whose contribution to twentieth century theatre and film remains undimmed.

 

Visit the website for opening days and times. www.nationaltrust.org.uk/treasurershouse or telephone 01904 624247.