Recalling the 18th Century!

© Alix de Montaigu-Sèvres-Cité de la Céramique

J. Paul Getty’s statement “For technical skill & perfection and for delicacy & taste Sèvres is unsurpassed” is in my view definitely true whether talking about 18th and 19th century pieces or something contemporary such as the items shown by the Sèvres Factory at the recent PAD show in Berkeley Square.

© Alix de Montaigu-Sèvres-Cité de la Céramique

I think that Getty would have been intrigued by the fact that as well as making striking modern designs they were also able, using the traditional methods, to recreate major pieces from the 18th century such as the boat-shaped Vaisseau à Mât.  Only twelve of these were created in the 18th century, of which ten are known to survive today, including one in the Royal Collection. It is therefore a remarkable achievement that the factory has produced this soft paste ‘copy’ of the Buckingham Palace example which was originally owned by the great supporter and patron of the Sèvres Factory Madame de Pompadour.

© Alix de Montaigu-Sèvres-Cité de la Céramique

 

© Alix de Montaigu-Sèvres-Cité de la Céramique

The images reflect both the production and resultant vase – a veritable tour de force!

© Alix de Montaigu-Sèvres-Cité de la Céramique

It can be seen at Thomas Goode in South Audley Street check for details 020 7499 2823; INFO@THOMASGOODE.COM)

 

sevresciteceramique.fr

 

thomasgoode.com

Next Sunday in Church Street NW8 – 24th September 2017

Antiques Anonymous – An Art, Antiques & Design Flea Market, Church Street, London NW8, 24th  September 2017, 11am – 5pm

In times of change in the world of Art & Antiques around the capital – Portobello Road, Spitalfields, Burlington Arcade and Grays – it is a positive delight to be able to tell you about this new venture in the Antique quarter of Church Street, NW8.

Pair of Stone Carved Lamps by Albert Tormos. Stephen Sprake.

Coinciding with the last day of the London Design Festival this inaugural Flea Market will feature more than fifty dealers from NW8 and around and should prove to be a fruitful place to shop wherever your interests lie.

1950s wheat sheaf gilt table. Samaya Ling Vintage.

It highlights the long role of Alfies Antique Market in forming a hub which has attracted many other dealers to open up in what is a ‘must’ destination of those attracted by things vintage and contemporary. One can quite understand why eighty dealers in the area have come together to form Antiques Anonymous.

 

As well as being sponsored by Alfies, Westminster City Council are also supporting it. Their spokesperson said: : “We are pleased to be working with Antiques Anonymous, to bring this Antiques, Art and Design Flea market to Church Street NW8. There has already been a great deal of interest in this first event, and I’d encourage people to visit this diverse and vibrant part of London to give it their support so that it can become a regular event on the London event calendar.”

Fornasetti 1950s brass and red lacquered ice bucket – Cupio Gallery at Alfies

PS: Street Food will be available too – so no excuse not to take your time and spend lots on things for your home!

www.antiquesanonymous.london/

#AntiquesAnonymousLondon #JoinAA #ChurchStreetFlea

Alfies Antique Market

BOOK REVIEW: Gilded Interiors: Parisian Luxury and the Antique

Gilded Interiors: Parisian Luxury and the Antique

Helen Jacobsen

Imprint: Philip Wilson Publishers Ltd
Publisher: Philip Wilson Publishers Ltd

£19.95

ISBN: 9781781300589

 

This book is far more than just a souvenir of the recent seriously good exhibition at The Wallace Collection which focused on their gilt-bronze as it includes even more of the wonderful bronzes d’ameublement that are an important part of The Wallace’s justly famous collections of French eighteenth-century art.

Dr Jacobsen introduces us to the late 18th century Parisian interiors and the taste for the Antique setting the stage for these superbly designed and executed objects.  You will find clocks, firedogs, candelabra, mounted porcelain and even tables – which are then individually discussed in detail. It is beautifully illustrated with a combination of new photography and copies of original designs and proposals for both objects and interiors.  The book is a great celebration of 18th century connoisseurship and taste revealing the world of figures such as Marie Antoinette and the comte d’Artois and their circles. It is an absolute must for all interested in the interiors and the ‘douceur de vivre’ of the Ancien Régime.

 

www.ibtauris.com

Enlightened Princesses

Enlightened Princesses: Caroline, Augusta, Charlotte and the Shaping of the Modern World, Kensington Palace, until November 2017

Queen Caroline of Ansbach, Joseph Highmore c.1735,
Royal Collection Trust c Her Majesty Queen Elizabeth II 2017

This fascinating exhibition has come to Kensington Palace from the Yale Center for British Art where it understandably attracted so much interest while there. It considers the part played by three German Protestant princesses at the court of the Hanoverian Kings who ruled 18th century Britain. A legacy that can still be seen in today’s monarchy.

Enlightened Princesses – Installation view
(c) Historic Royal Palaces

The three princesses concerned are Caroline, consort of George II; her daughter-in-law Augusta, who was married to Frederick Prince of Wales and Charlotte (Augusta’s daughter-in-law), consort of George III. In many senses they were the right women in the right place as Britain was embracing the ideas of the Enlightenment and the princesses’ intelligence and curiosity combined with their exalted status allowed them to foster and support the new ideas.

Queen Charlotte, Johann Joseph Zoffany 1771,
Royal Collection Trust c Her Majesty Queen Elizabeth II 2017

Scientists, authors and even musicians such as Handel were all drawn to their drawing rooms. They encouraged medical advances such as inoculation and were involved in the establishment of London’s Foundling Hospital. Plants and wildlife were another interest that all three shared and Kew Gardens is part of that legacy. They also supported British trade and manufacturing.

Enlightened Princesses – Installation view
(c) Historic Royal Palaces

The exhibition succeeds in bringing both their private and public world to life.  The Yale Center for British Art’s director Amy Meyers sums it up: “Caroline, Augusta, and Charlotte had sweeping intellectual, social, cultural, and political interests, which helped to shape the courts in which they lived, and encouraged the era’s greatest philosophers, scientists, artists, and architects to develop important ideas that would guide ensuing generations”.

The Flying Squirrel, Plate T-77, Mark Catesby
c The Royal Board of Trustees of Royal Botanic Gardens Kew

www.hrp.org.uk

Christening robe made for future George IV, ivory silk satin c. 1760
(c) Historic Royal Palaces

Masterpiece London 2017 – E & H Manners

E & H Manners at Masterpiece 2017, until 5th July 2017

 

A Netherlandish Maiolica Jug, Utrecht
Dated 1558
Height to pewter thumbpiece: 21.8 cm
Height to top of rim: 19.0cm

This family-run Kensington Church Street firm will be well known to many collectors from the International Ceramic Fair and subsequently Art Antiques London. I am delighted to be able to tell you that they are now making their first appearance at Masterpiece.

A Large Meissen Octagonal Charger from the Christie-Miller Service
1740-44
34cm wide; 36 from point to point
Crossed swords mark with two dots in the pommels in under-glazed blue and Impressed numeral 22

They have built up a strong reputation for finding European ceramics of great rarity and quality and justifiably many of these pieces now adorn important public and private collections around the world.

A West Country Harvest Jug
Barnstaple or Fremington, Somerset
Dated 1771
32.3 cm. high
26.6 cm. wide

www.europeanporcelain.com

www.masterpiecefair.com

Masterpiece London 2017 – Introduction

Masterpiece London 2017, South Grounds, The Royal Hospital, Chelsea, London SW3, 29th June – 5th July 2017

MASTERPIECE PRESENTS
Iván Navarro
Impenetrable Room
2017
Courtesy Paul Kasmin Gallery

Since its inception this fair has grown into one of the most must-visit events of the art and antiques year. Some thirty-seven thousand visitors last year! It attracts museum directors and private collectors from all over the world to see the artworks shown by a hundred and fifty international dealers. The artworks range from antiquity to the present time. The Royal Bank of Canada is once again the principal sponsor

This year the new MASTERPIECE PRESENTS will reveal a large-scale dedicated exhibition space at the entrance which has been transformed by a special artwork – Impenetrable Room, 2017. Created by the Chilean artist Iván Navarro it has been commissioned by the New York-based Paul Kasmin Gallery who are new exhibitors.

Over the coming days I look forward to sharing blogs on some of the leading dealers taking part.

www.masterpiecefair.com

A Collectors’ Paradise

‘A Collectors’ Paradise’, Brian Haughton Gallery, 15 Duke Street, St James’s, London SW1, 30th June – Friday 7th July 2017

A Meissen porcelain dish by I Preissler, c 1725-1730 from CHRISTOPHE PERLES

This is a new feature for this busy period of the year when the Art World converges on London for the diverse exhibitions and auctions that make it such an exciting and desirable place to be in June. Taking part are London’s specialist dealers Brian Haughton and Robyn Robb and from Paris Christophe Perles and they will be offering fine examples of English and continental porcelain, pottery and faience.

A fine 18th century Worcester cup exquisitely painted with a Chinese figure holding a fringed parasol, c1752-53 from ROBYN ROBB

haughtongallery.co.uk

http://www.cperles.co

http://www.bada.org/art-and-antiques-dealers/d/robyn-robb/299

A very rare Chelsea asparagus box and cover, c 1755, length 18cm, Red anchor mark and numeral 13 to the interior of the cover from BRIAN HAUGHTON GALLERY