Thought I should share yet more news on housing in Westminster

Labour Councillors have called for an inquiry in to how the freehold of the entire Abercorn Place estate in St John’s Wood has been transferred from Westminster City Council to a private company, Kunta Kinte Ltd which has two shareholders, both of which are registered at 7 Bradman House on the estate. The Abercorn Place […]

via Labour call for inquiry into sale of the freehold of St John’s Wood housing estate   — labourwestminster

Definitely room for improvement at CityWest Homes as Westminster Councillors clearly highlight!

Churchill Ward Labour Councillors Shamim Talukder and Jason Williams have written to Jonathan Cowie, Chief Executive of CityWest Homes (CWH) to call for an urgent review of CWH’s call centre. Councillor Williams said: “We are getting continual reports of residents who can’t get through to the call centre – and not getting an adequate response […]

via Churchill Labour Councillors call for urgent review of CityWest Homes call centre — labourwestminster

This post highlights worrying proposed moves by Westminster Council Conservatives.

For years one of the major sources of local resident complaint to local councillors has been when a controversial development has been given planning permission and they had not been informed it was happening. Too often the reason was because they fell outside the narrowly defined area to which the council sent a notification letter. […]

via Westminster Tories sound the last post for resident consultation on planning permissions — labourwestminster

The RIBA President’s response to the PM’s Conservative Party Conference Speech

RIBA responds to Prime Minister Theresa May’s speech to Conservative Party Conference

RIBA President Ben Derbyshire said “Earlier this week the RIBA awarded Neave Brown the Royal Gold Medal, architecture’s highest accolade, for his outstanding work in building high quality affordable housing, cherished by local communities. Social housing like this plays a vital role in ensuring that we have a society that works for everyone. While it’s good news that the Prime Minister has made fixing the housing crisis a central priority for the government, the extra £2 billion promised today just won’t meet the scale of investment needed to address decades of under-supply.

“The government spends billions of pounds a year subsidising private landlords because of a shortage of social housing. They need to dial up the approach and investment, moving beyond describing the problems and big rhetoric to delivering solutions and the investment that will make the difference. Warm words won’t put roofs over people’s heads; we need a concerted programme of public investment in new social housing across the country and that means spending a lot more than was announced today.”

Worth reading!

Westminster Labour have reacted with anger at the news that Westminster Council’s request for Government support over fire safety measures has been rejected by the Conservative-DUP Government’s Housing Minister Alok Sharma. The full cost of implementing fire safety measures such as installing sprinklers in taller council blocks across the city and removing dangerous cladding from […]

via Shameful Sharma blocks Government support for Westminster fire safety — labourwestminster

Audrey Hepburn – Christie’s

Personal Collection of Audrey Hepburn, Christie’s King Street, London SW1, 27th September 2017

 Part II – Online Auction, 19th September – 3rd October 2017

Lot 127
BREAKFAST AT TIFFANY’S, 1961
Audrey Hepburn as Holly Golightly on the set of the 1961 Paramount production Breakfast At Tiffany’s three gelatin silver production stills
largest sheet: 14 x 11 in. (35.6 x 27.9 cm.)
Estimate: £1,000-1,500 / $1,300-1,900 / €1,100-1,600
CHRISTIE’S IMAGES LTD. 2017

September is proving quite a month for sales by legendary actresses as following on the heels of the  Vivien Leigh sale at Sotheby’s we also have a sale of the possessions of Audrey Hepburn at Christie’s in London.  How does the song go ‘anything you can do I can do better’?

Lot 144
CHARADE, 1963
A COCKTAIL GOWN OF BLACK SATIN
GIVENCHY COUTURE
The two piece ensemble comprising a ftted bodice and skirt, each with a hem of semi-tubular black paillettes,
set on edge, with multiple canvas tags to the interior, as well as black woven label with canvas tag inscribed 23174,
designed for Audrey Hepburn as Regina “Reggie” Lampert in the 1963 Universal production Charade
Estimate: £50,000-80,000 / $64,000-100,000 / €55,000-86,000
CHRISTIE’S IMAGES LTD. 2017

Audrey was more than just a beautiful film star and wonderful actress.  Due to her association with Givenchy she became almost accidentally a fashion icon and is indeed regarded as one of the most iconic figures of the last century and in her last years became a goodwill ambassador for UNICEF.  One of the fund raising events she was involved in for UNICEF was a concert at the Barbican by Michael Tilson Thomas entitled From The Diary Of Anne Frank and Audrey was the narrator reading excerpts from the diary.  It was extremely moving as Audrey had experienced similar wartime distress and hardship living in Holland like Anne Frank and one could feel that she found the reliving of this time somewhat painful and that the words could indeed have been her own.  Afterwards in the green room she confessed that she had been shaking before she went onstage.

Lot 178
MY FAIR LADY, 1964/REX HARRISON
A CONTINENTAL GOLD SNUFF BOX, CIRCA 1965
Rectangular box, the cover and sides set with panels of sablé engine-turning with flared thumbpiece, the base of polished gold and engraved with the inscription To / Eliza Doolittle / from / Henry Higgins
2 3/8 in. (60 mm.) wide
2 oz. (60 gr.)
Estimate £5,000-8,000 / $6,400-10,000 / €5,500-8,600
CHRISTIE’S IMAGES LTD. 2017

How well I remember sitting in the Regal Cinema in Sauchiehall Street in Glasgow in 1961 watching and loving Breakfast At Tiffany’s and now 56 years later it is regarded as one of the most-loved films of all time, even having been shown at the Royal Albert Hall with live orchestral accompaniment.

Lot 119
BREAKFAST AT TIFFANY’S, 1961
Audrey Hepburn’s working script for the 1961 Paramount production Breakfast at Tiffany’s, dated 3 August, 1960, the script bound with two brass brads and comprising 140 pages of mimeographed typescript including deleted scenes, with 53 pages printed on yellow and 28 on blue paper representing changes to the script with varying dates through to 21 September 1960, the majority of pages with upper right corner either snipped, torn or folded down when completed, the parts for the character of Holly Golightly marked in Hepburn’s signature turquoise ink, with words underlined in blue ballpoint pen and pencil for emphasis, passages or directions crossed out, and approximately 20 pages annotated in Hepburn’s hand with copied out lines, minor amendments and notes including:
– p.15-16: where Holly asks Paul to help find her shoes for her visit to Sing Sing, Hepburn has amended Brown alligator [shoes] to Black, and deleted the lines And if you come across a black brassiere I can use that too… and garter-belt, garter-belt, garter-belt, garter-belt… I think maybe it’s hanging in the bathroom…would you mind…
– p.114: where the directions require Holly to rattle of sentences in Portugese, Hepburn has twice added the line Eu acho che voce esta gostando do acouqueiro
– p.119: next to …but I do love Jose Hepburn has suggested the revision I am mad about Jose – blank end page: Hepburn has jotted a brief scene list… intro, H-P-Sing Sing, P’s apt. bathrobe, cocktail, Sing Sing, Doc., drunk, scene in room, day on the town, library, chicken saffron, pickup… and scrawled the details of a fight f. 274 U. airl, 11.35 A.M.
11 x 8¾ in. (27.9 x 22.2 cm.)
Estimate: £60,000-90,000 / $77,000-110,000 / €65,000-97,000
CHRISTIE’S IMAGES LTD. 2017

The sale is in two parts with Part 1 being offered at Christie’s London and Part ll in an online-only sale. The auctions  feature annotated film scripts, including Breakfast At Tiffany’s, original portraits from   photographers such as Cecil Beaton and Philippe Halsman, her personal wardrobe and many costumes  from her films including a black Givenchy cocktail dress from Charade although not the Breakfast At Tiffany’s dress which  was sold previously.

 

Lot 109
THE NUN’S STORY, 1959
TWO FOR THE ROAD, 1967
A COLOURESS PASTE TIARA
composed of a continuous series of graduated navette and circular shaped paste, to close-back settings on a sprung frame; worn by Audrey Hepburn to the London premiere of The Nun’s Story, July 1959 and as Joanna Wallace in the 1967 20th Century Fox production Two For The Road 11¼ in. (29 cm.) inner circumference
Estimate: £7,000-10,000 / $9,000-13,000 / €7,600-11,000
CHRISTIE’S IMAGES LTD. 2017

This is the first time these items, which until now have remained with her family, have been offered for sale and they give us a rare glimpse into the very private world of a remarkable woman.

 

Lot 132
A SLEEP MASK SLEEP SHADE CO., CIRCA 1960
The blue satin shade applied with pink and blue lace-trimmed fowers, marked SLEEP SHADE CO., 282 MISSION ST, SAN FRANCISCO, CAL 8 in. (20 cm.) long
Estimate: £100-150 / $130-190 / €110-160
CHRISTIE’S IMAGES LTD. 2017

 

http://www.christies.com/audreyhepburn

Lot 219
A RED DRESS COAT
VALENTINO COUTURE, SPRING/SUMMER 1971
Of red silk gazar; together with a pair of Andrea Carrano scarlet pumps
Estimate: £1,000-1,500 / $1,300-1,900 / €1,100-1,600
CHRISTIE’S IMAGES LTD. 2017

I am grateful to John Kirkwood for writing about this sale